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In this “urgently relevant”* collection featuring the landmark essay “The Case for Reparations,” the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump. New York Times Bestseller • Finalist for the PEN/Jean Stein Book Award, the Los Angeles Times Book Prize, and the Dayton Literary Peace Prize Named One of the Best Books of the Year by The New York Times • USA Today • Time • Los Angeles Times • San Francisco Chronicle • Essence • O: The Oprah Magazine • The Week • Kirkus Reviews *Kirkus Reviews (starred review) “We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.” But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.
An odyssey through the mind and memory of a washed-up writer, from one of Europe’s most provocative novelists, Nobel Prize winner Peter Handke Mysteriously summoned to a houseboat on the Morava River, a few friends, associates, and collaborators of an old writer listen as he tells a story that will last until dawn: the tale of the once well-known writer’s recent odyssey across Europe. As his story unfolds, it visits places that represent stages of the narrator’s and the continent’s past, many now lost or irrecoverably changed through war, death, and the subtler erosions of time. His wanderings take him from the Balkans to Spain, Germany, and Austria, from a congress of experts on noise sickness to a clandestine international gathering of jew’s-harp virtuosos. His story and its telling are haunted by a beautiful stranger, a woman who has a preternatural hold over the writer and appears sometimes as a demon, sometimes as the longed-for destination of his travels. Powerfully alive, honest, and at times deliciously satirical, The Moravian Night explores the mind and memory of an aging writer, tracking the anxieties, angers, fears, and pleasures of a life inseparable from the recent history of Central Europe. In crystalline prose, Peter Handke traces and interrogates his own thoughts and perceptions while endowing the world with a mythic dimension. As Jeffrey Eugenides writes, “Handke’s sharp eye is always finding a strange beauty amid this colorless world.” The Moravian Night is at once an elegy for the lost and forgotten and a novel of self-examination and uneasy discovery, from one of world literature’s great voices.
An NPR 2023 "Books We Love" Pick • One of The New Yorker's Best Books of the Year • One of the Washington Post's Best Books of the Year • One of Time's Best Books of 2023 • One of Harper’s Bazaar 45 Best New Books of 2023 • One of New Statesman's Best Books of 2023 • A Publishers Weekly Top 10 Books of 2023 • A Kirkus Reviews Best Book of the Year An incandescent novel from one of our greatest living novelists (The Times) about the inheritance of trauma, wonder, and love across three generations of women. Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel’s orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather’s poetry seems to guide her home. Nell’s mother, Carmel McDaragh, knows the magic of her Daddo’s poetry too well—the kind of magic that makes women in their nighties slip outside for a kiss and then elope, as her mother Terry had done. In his poems to Carmel, Phil envisions his daughter as a bright-eyed wren ascending in escape from his hand. But it is Phil who departs, abandoning his wife and two young daughters. Carmel struggles to reconcile “the poet” with the father whose desertion scars her life, along with that of her fiercely dutiful sister and their gentle, cancer-ridden mother. To distance herself from this betrayal, Carmel turns inward, raising Nell, her daughter, and one trusted love, alone. The Wren, the Wren brings to life three generations of McDaragh women who must contend with inheritances—of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home. Their other, stronger inheritance is a sustaining love that is “more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood.” In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.
The field of biblical studies has championed the historical-critical method as the only way to guarantee objective interpretation. But in recent decades, scholars have pursued hermeneutical approaches that provide interpretations useful for marginalized communities who see the Bible as a resource in their struggles against oppression. Such liberative strategies remain on the margins. The Liberation of Method argues that this marginality must end, and that liberative methods should become central to biblical studies.
This carefully crafted ebook: "JAMES JOYCE Premium Collection: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles” is formatted for your eReader with a functional and detailed table of contents. James Joyce (1882-1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses, a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he utilized. Other well-known works are the short-story collection Dubliners, and the novels A Portrait of the Artist as a Young Man and Finnegans Wake. Table of Contents: A Portrait of the Artist as a Young Man Ulysses Dubliners The Sisters An Encounter Araby Eveline After the Race Two Gallants The Boarding House A Little Cloud Counterparts Clay A Painful Case Ivy Day in the Committee Room A Mother Grace The Dead Chamber Music Exiles
Murray Bail is best known for his internationally best-selling novel Eucalyptus, a New York Times Book Review Notable Book of the Year and winner of the 1999 Miles Franklin Award. The New York Times Book Review wrote that Bail's writing "exhibit(s) a surfeit of imagination, skill and style... (they contain) stories within stories, of enigmatic characters and sly questions with many possible answers." In The Voyage, Piano manufacturer and salesman Frank Delage travels to Vienna from Sydney, hoping to introduce a new design to replace the respected old pianos of Europe. He walks the great musical city, offering an impassioned defense of his piano's technical superiority to any who will hear it. When his ambitions are ignored by the city's staid musical elite, Delage's finds his situation suddenly transformed by a chance meeting with Amalia von Schalla, an elegant grande dame of Viennese society. Now sailing home to Australia aboard the container ship Romance with his new bride, Amalia's daughter Elisabeth von Schalla, Delage and his story begin to come to light in a hypnotic sequence of memories, voices, and snatches of conversations. Bail's prose sidewinds like a slipstream as Delage's story moves between the glittering society of the von Schalla's Vienna and the rough landscape of Australia. The Voyage is delightfully Joycean--conveying a sensuous physicality and the immediacy emotion, as well as revealing a great basin of interior life. The Voyage was a finalist for the NSW Premier's Literary Awards Christina Stead Prize for Fiction, WA Premier's Book Awards, and the Queensland Literary Awards.
“Good writing is rare enough. Storytelling is an even rarer skill. A genuinely comic vision is beyond price. The Ordways has all three.” —Time On the annual graveyard-working day in Clarksville, Texas, families come from all over East Texas to pay respects to their loved ones. The Ordways are one such clan, and in this eloquent and original novel, our narrator recounts the story of how he and his kin arrived in this magical land where the South meets the West. The tale begins with his great-grandfather, Thomas Ordway, who lost his sight at the Battle of Shiloh and vowed to quit Tennessee forever. He crossed the Red River into Texas and stopped on the edge of the featureless prairie, a landscape too mystifying even for a sightless man. Years later, the narrator’s grandfather, Sam Ordway, was forced to leave the forest behind when his three-year-old son, Ned, was kidnapped by a neighbor. Sam scoured the vast state of Texas in search of Ned but never found the boy. The mystery of what happened to him and what his long-hoped-for return might mean to the Ordways brings William Humphrey’s brilliant second novel to its rich and satisfying conclusion. A masterful blend of comedy, tragedy, and history, The Ordways is great American fiction in the tradition of William Faulkner and Mark Twain. This ebook features an illustrated biography of William Humphrey including rare photos form the author’s estate.
Matt and Beth meet at a movie set where she is a young star and he is a script consultant. Beth’s mother describes him to Beth as a very nice man, and she asks Matt to keep an eye on Beth. There’s no doubt that he is nice and she is beautiful, but some dangers lurk, and there is a question: just how young is Beth?
A history of mentalities, emotions, and attitudes rather than of policies and ideas, it analyses responses to the scaffold at all social levels: among the crowds which gathered to watch executions; among 'polite' commentators from Boswell and Byron on to Fry, Thackeray, and Dickens; and among the judges, home secretary, and monarch who decided who should hang and who should be reprieved. Drawing on letters, diaries, ballads, broadsides, and images, as well as on poignant appeals for mercy which historians until now have barely explored, the book surveys changing attitudes to death and suffering, 'sensibility' and 'sympathy', and demonstrates that the long retreat from public hanging owed less to the growth of a humane sensibility than to the development of new methods of punishment and law enforcement, and to polite classes' deepening squeamishness and fear of the scaffold crowd.
First published in 1938. Previous translations of the Analects of Confucius are based upon a medieval interpretation which reflects the philosophy of the 12th century A.D rather than of the 5th century B.C., when Confucius lived. This book detaches the Analects from the Scholastic interpretation and lets these famous sayings speak for themselves.