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Hannah Mariam Meherete-Selassie’s book, It was Only Yesterday... is an insider's story about life as a royal teenager and growing up in the Jubilee Palace in Africa’s first royal family under the protective eyes of her great grand-father Emperor Haile Selassie I, King of Kings, Lion of Judah, and Elect of God. In February 1974, her privileged life comes to an abrupt end with the advent of a bloody upheaval which overthrows her great grand-father’s government and lands her mother and close family in a rotting Communist jail. By this time Hannah Mariam has fled to United Kingdom where she is granted status as a refugee. Interested in writing from a very young age, her first book It was Only Yesterday offers unique insights about the hardship she faced growing up in a new setting and how she effectively managed change and uncertainty. It was Only Yesterday is a delightful account of her interactions with friends and family in the backdrop of the intricate world of imperial protocol and palace politics. The book’s narrative is based on diaries kept over the past forty-three years, a collection of family photographs, informal chats and interviews, generational stories, and researching academic books about her great grand-father and family. A promising new author, her readers will enjoy how she has interwoven personal experiences with firsthand knowledge of her great grand-father, one of the world’s longest reigning monarchs and an important historical figure in Ethiopian, African and world history. The book’s memoire genre will appeal to all, in particular to those interested in understanding the cultural, social, political and historical ramifications of pre-socialist Ethiopia of 1974.
Only Yesterday: An Informal History of the 1920s by Frederick Lewis Allen is a history textbook about the lively gloriousness of Roaring 20s America. Contents: "II. BACK TO NORMALCY III. THE BIG RED SCARE IV. AMERICA CONVALESCENT V. THE REVOLUTION IN MANNERS AND MORALS VI. HARDING AND THE SCANDALS VII. COOLIDGE PROSPERITY VIII. THE BALLYHOO YEARS IX. THE REVOLT OF THE HIGHBROWS X. ALCOHOL AND AL CAPONE XI. HOME, SWEET FLORIDA."
When Israeli Nobel Laureate S. Y. Agnon published the novel Only Yesterday in 1945, it quickly became recognized as a major work of world literature, not only for its vivid historical reconstruction of Israel's founding society. The book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence? Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him. Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.
With her ten-year relationship slowly self-destructing, the last person Elizabeth Grey wants to see is Grace Sullivan - the ex-lover whose betrayal cut Elizabeth the deepest. The one break in her heart that never quite healed. To make matters worse, Grace is no longer the lean, lanky college student that Elizabeth first fell in love with, but a stunningly beautiful news anchor whose smart, confident demeanor only adds to her devastating attractiveness. Unwilling to be hurt again, Liz reminds herself that she's seen it all before, believed it all before. Yet here she was again. Losing herself in the depths of Grace's eyes. Feeling her fears vanish in the heat of Grace's arms. Reliving all of the passion and promises that seemed so real... just yesterday.
'Unge can do a lot with a little.' - The Guardian, Best Short Stories of 2011. 'It Was Just, Yesterday is both atmospheric and menacing.' - The Manchester Review. 'Unge has an unusual and arresting style that is worthy of recognition. At times, there is real beauty in her writing which often showcases a deeply poetic style and thrusts you into an atmosphere, a world, or a conflict with ease and immediacy.' - Kate Kerrow, The Short Review On Christmas Eve, a girl stalks an older man through wintery city streets, haunted by their shared past... In a remote woodland cottage, an eccentric explains to his granddaughter why he shoots cats whenever they make themselves too comfortable... In a checkout queue, a woman suddenly shows charity to a penniless guy she apparently doesn’t know... The characters in Mirja Unge’s debut collection are all, in their own way, evading something; whether failing to confront the true nature of an encounter, or avoiding responsibilities as a parent, sibling or friend. Abuse, betrayal and neglect lurk beneath a veneer of mutually maintained ‘normality’, waiting for an opportunity to resurface. Told, in most cases, through the eyes of teenage girls or young women, these stories exhibit a unique prose style that perfectly captures the conversational rhythms, and preoccupations, of their generation. Unge’s soft, winding syntax ushers the reader across the surface of each encounter at an unalterable pace — like the ever-betraying passage of time — whilst deftly hinting at the violence beneath. ‘A breathtaking and intensive read, full of warmth, humour and darkness.’ — Moa Eriksson, Hallandsposten ‘Mirja Unge has once again convinced me that she is one of the most important writers in Sweden today.’ — Eva Hultin, Nerikes Allehanda
The Only Worlds We Know is a nuanced and tactile look at both addiction, and what comes after. Patient meditations on loss and the land where the people we love live and are also buried. Includes poems such as "Waking Up Naked", "The Addict, a Magician", "The Pill", and "Just Yesterday" that have been watched by millions online.
One of PopSugar's Best New YA Novels of 2021 A Buzzfeed Top LGBTQ+ YA Book A Lambda Literary YA Book to Add to Your TBR Pile A Goodreads Pride Month Pick An epic, heartfelt romance about a boy torn between two loves, one in his present ... and one in the past. A story of Black queer history, love, loss, and learning to stay in the moment before it passes you by. Weeks ago, Andre Cobb received a much-needed liver transplant. He's ready for his life to finally begin, until one night, when he passes out and wakes up somewhere totally unexpected...in 1969, where he connects with a magnetic boy named Michael. And then, just as suddenly as he arrived, he slips back to present-day Boston, where the family of his donor is waiting to explain that his new liver came with a side effect—the ability to time travel. And they've tasked their youngest son, Blake, with teaching Andre how to use his unexpected new gift. Andre splits his time bouncing between the past and future. Between Michael and Blake. Michael is everything Andre wishes he could be, and Blake, still reeling from the death of his brother, Andre's donor, keeps him at arm's length despite their obvious attraction to each other. Torn between two boys, one in the past and one in the present, Andre has to figure out where he belongs—and more importantly who he wants to be—before the consequences of jumping in time catch up to him and change his future for good. "Fast-paced, fun, and perfect."—Laurie Halse Anderson, NYT bestselling author of Speak "This book was absolutely incredible."—Creya, Goodreads reviewer "Tears, man. So. Many. Tears."—Marci, Goodreads reviewer "Oh my goodness. This book y'all. I'm a mess."—Netgalley reviewer * A Junior Library Guild Selection! "A stellar novel that today's teens needed yesterday."—Booklist, STARRED review "Charming and captivating."—Phil Stamper, bestselling author of The Gravity of Us "A clever and honestly brilliant novel."—Julian Winters, award-winning author of Running With Lions "A skillful and engrossing time-travel adventure."—Kirkus Reviews "Compelling and memorable...[a] gem of a novel."—The Bulletin of the Center for Children's Books "In his YA debut, Jackson has a great gimmick as well as a likeable protagonist who faces sociocultural realities across time."—Publishers Weekly
What do you do with the rest of your life when your reason for living doesnt exist anymore? Aaliah Carye is a girl that was the perfect example of content, a high school senior at Providence High in Providence, Rhode Island, hiding behind her books and looking for love in novels instead of opening her eyes to the real world, until she met Garrett Blake who opens her eyes to not only the real world, but to a dream that she can not believe is reality. Everything that she thought she wanted changes, she starts to find out that there is more to her then she ever thought, and that she does not have to run to a fairy tail to find love anymore until everything falls apart. Garrett moves back to Providence to get his depressed mother away from Boston, the city that she hates after his fathers death. His little sister Sandy and he try to live a normal life and try to keep their mother from killing herself. When he finds Aaliah, he realizes that he can find happiness in his crazy world, but a mistake he makes turns everything upside down. Trying to live two separate lives away from their reasons for living causes both of them to go crazy, but they have to let each other go. Even if it does mean that they will never be happy until they are together again.
After reliving the same day for months, eighteen-year-old Barrett reluctantly teams up with her nemesis Miles to escape the time loop, and soon finds herself falling for him, but what she does not know is what they will mean to each other if they finally make it to tomorrow.