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From the internationally bestselling creator of Wreck This Journal... wan·der verb \ˈwän-dər\ to walk/explore/amble in an unplanned or aimless way with a complete openness to the unknown Several years ago when Keri Smith, bestselling author of Wreck This Journal, discovered cryptic handwritten notations in a worn copy of Walt Whitman’s Leaves of Grass, her interest was piqued. Little did she know at the time that those simple markings would become the basis of a years-long, life-changing exploration into a mysterious group known only as The Wander Society, as well as the subject of this book. Within these pages, you’ll find the results of Smith’s research: A guide to the Wander Society, a secretive group that holds up the act of wandering, or unplanned exploring, as a way of life. You’ll learn about the group’s mysterious origins, meet fellow wanderers through time, discover how wandering feeds the creative mind, and learn how to best practice the art of wandering, should you choose to accept the mission.
Bold and poetic. Winner of the 2012 Governor General's Literary Award for Drama.
Inspired by her beloved blog, dinneralovestory.com, Jenny Rosenstrach’s Dinner: A Love Story is many wonderful things: a memoir, a love story, a practical how-to guide for strengthening family bonds by making the most of dinnertime, and a compendium of magnificent, palate-pleasing recipes. Fans of “Pioneer Woman” Ree Drummond, Jessica Seinfeld, Amanda Hesser, Real Simple, and former readers of Cookie magazine will revel in these delectable dishes, and in the unforgettable story of Jenny’s transformation from enthusiastic kitchen novice to family dinnertime doyenne.
A renowned explorer and acclaimed author shows us that walking is a natural accompaniment to creativity—and among the most radical things we can do. “Simple, profound … compelling … [a book that] packs a surprisingly motivational punch” (GQ). Why do we walk? Where do we walk from? What is our destination? Placing one foot in front of the other and embarking on the journey of discovery are activities intrinsic to our nature. But as universal as walking is, each of us will experience it differently. For renowned explorer Erling Kagge, walking is a natural accompaniment to creativity: the occasion for the unspoken dialogue of thinking. Walking is also the antidote to the speed at which we conduct our lives, to our insistence on rushing, on doing everything in a precipitous manner.
In this collection of poems and photographs, Jennifer Wallace blends two art forms to capture glimpses of a city: its history, its pride, its squalor, its nature, and its people. Through graceful verse and haunting photographs, Wallace creates a psychoecology of this city, Baltimore, that explore the sights, sounds, and flavors of the its urban ecology. Wallace teaches at the Maryland Institute College of Art. She is a poetry editor at The Cortland Review and a founding editor of Toadlily Press.
Some people say that 90 percent of life is showing up. With And So I Walked, Anne Gardner makes the case for something more: putting one foot in front of the other. Embedded in her vivid account of walking the 500-mile El Camino is the memoir of a life lived resolutely and jubilantly. If you've ever wondered what it might be like to walk that far - or what might prompt someone to undertake such a journey - And So I Walked is the book for you. -Bill Mitchell, Publisher/President, National Catholic Reporter I looked forward to reading Anne Gardner's account and reflections on her experience on the Camino de Santiago because I consider Anne to be a kindred spirit. After reading her memoir, I realize the book is so much more than a travel narrative. She explores the journey inward that accompanies the outward traveler. I have always enjoyed spiritual travel memoirs - from Cheryl Strayed's Wild to Elizabeth Gilbert's Eat, Pray, Love. I think this account compares favorably with both. -The Reverend Sarah Birmingham Drummond, Founding Dean, Andover Newton at Yale Divinity School Anne Gardner has written a stunningly authentic portrait of her life-changing journey along the sacred, body and soul-baring Camino de Santiago. Her memoir unfolds in a series of lively, intimate and at times harrowing vignettes that alternate chapters of travelogue, family history, encounters with fellow travelers, and personal reflection, all in service to Gardner's goal of completing the grueling and inspiring 500 mile-long pilgrimage. She generously invites the reader to accompany her on this quest, and we eagerly join her! -Lisa Shea, Author, Whiting Award Recipient Anne Gardner is both an author and Episcopal minister. Her essays and columns have appeared in The Boston Globe, The National Catholic Reporter, The Providence Journal, as well as WBUR's Cognoscenti series, Boston's NPR affiliate, among others. A native of Massachusetts, the author now lives in Los Angeles with her wife.
This dialogue between two of the most prominent thinkers on social change in the twentieth century was certainly a meeting of giants. Throughout their highly personal conversations recorded here, Horton and Freire discuss the nature of social change and empowerment and their individual literacy campaigns.
Lauren Artress reintroduces the ancient labyrinth, a walking meditation that trancends the limits of still meditation, and shows us the possibilities it brings for renewal and change. 'Walking the Labyrinth' has reemerged today as a metaphor for the spiritual journey and a powerful tool for transformation. This walking meditation is an archetype, a mystical ritual found in all religious traditions. It quiets the mind and opens the soul. Walking a Sacred Path explores the historical origins of this divine imprint and shares the discoveries of modern day seekers. It shows us the potential of the Labyrinth to inspire change and renewal, and serves as a guide to help us develop the higher level of human awareness we need to survive in the twenty-first century.
As a research methodology, walking has a diverse and extensive history in the social sciences and humanities, underscoring its value for conducting research that is situated, relational, and material. Building on the importance of place, sensory inquiry, embodiment, and rhythm within walking research, this book offers four new concepts for walking methodologies that are accountable to an ethics and politics of the more-than-human: Land and geos, affect, transmaterial and movement. The book carefully considers the more-than-human dimensions of walking methodologies by engaging with feminist new materialisms, posthumanisms, affect theory, trans and queer theory, Indigenous theories, and critical race and disability scholarship. These more-than-human theories rub frictionally against the history of walking scholarship and offer crucial insights into the potential of walking as a qualitative research methodology in a more-than-human world. Theoretically innovative, the book is grounded in examples of walking research by WalkingLab, an international research network on walking (www.walkinglab.org). The book is rich in scope, engaging with a wide range of walking methods and forms including: long walks on hiking trails, geological walks, sensory walks, sonic art walks, processions, orienteering races, protest and activist walks, walking tours, dérives, peripatetic mapping, school-based walking projects, and propositional walks. The chapters draw on WalkingLab’s research-creation events to examine walking in relation to settler colonialism, affective labour, transspecies, participation, racial geographies and counter-cartographies, youth literacy, environmental education, and collaborative writing. The book outlines how more-than-human theories can influence and shape walking methodologies and provokes a critical mode of walking-with that engenders solidarity, accountability, and response-ability. This volume will appeal to graduate students, artists, and academics and researchers who are interested in Education, Cultural Studies, Queer Studies, Affect Studies, Geography, Anthropology, and (Post)Qualitative Research Methods.
NOW A NATIONAL INDIE BESTSELLER A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. “In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street...” She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.” Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now—her son keeps warning her about a subway vigilante on the prowl—but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed—and has not. Lillian figures she might as well take her time. For now, after all, the night is still young. “Transporting...witty, poignant and sparkling.” —People (People Picks Book of the Week)