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This sensitive, sympathetic book helps readers determine whether or not weight-loss surgery is right for them. Author Michelle Ritchie shares both her personal journey as a successful weight-loss surgery patient and her professional advice as an experienced weight-loss counselor. In sometimes funny, sometimes painful prose, she discusses her life before and after surgery and bluntly analyzes her own complicity in her obesity. As she describes her four-year battle to maintain her new, healthy weight, Ritchie emphasizes personal responsibility, reminding readers that surgery is not a quick-fix solution but a tool that works only as well as the choices patients make after the procedure. Also included are a detailed description of gastric bypass surgery; its pros and cons; tips for keeping weight off after surgery; daily food plans and sample shopping lists; information on cross-addictions; and a thoughtful discussion on intimacy and relationships after surgery.
(Theatre World). Highlights of this new Theatre World , now in its 57th year, include The Producers with Matthew Broderick and Nathan Lane, One Flew Over the Cuckoo's Nest with Gary Sinise, Judgment at Nuremberg with Maximillian Schell, Design for Livin g with Alan Cumming, 42nd Street , A Class Act and Lily Tomlin's The Search for Signs of Intelligent Life in the Universe . During the 2000-2001 season, Theatre World was awarded with a Special Tony Honor for Excellence in the Theatre. Theatre World , the statistical and pictorial record of the Broadway and Off-Broadway season, touring companies and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, song titles and much, much more. There are special sections with autobiographical data, obituary information and major drama awards. New features to this edition include: an introduction by editor John Willis; separate Off-Broadway and Off-Off Broadway sections; new Longest Runs listing; and an expanded Awards and Regionals section. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis' Theatre World ." Harry Haun, Playbill
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Provides answers to reference questions on a variety of topics.
"The 100 greatest sports finishes of all time in a large volume filled with great photographs including the Miracle on Ice, Rumble in the Jungle, Mary Lou Retton, etc."--Amazon.com
From the clash of college to the best married shooting duo in history, the Lone Star State clears every hurdle the sports world offers. A former Texas Christian basketball player became the first tenured African American professor at Harvard Business School. Aggie football legend John Kimbrough's first professional contract required him to act in movies and serve as the stadium's handyman. For every date on the calendar, Ryan Sprayberry provides a play-by-play of 365 memorable days in the state's athletic history, beginning with the birth of the Cotton Bowl on January 1, 1937, and ending with the final snap of the Ice Bowl on December 31, 1967.
(Theatre World). Highlights of this new Theatre World , now in its 57th year, include The Producers with Matthew Broderick and Nathan Lane, One Flew Over the Cuckoo's Nest with Gary Sinise, Judgment at Nuremberg with Maximillian Schell, Design for Livin g with Alan Cumming, 42nd Street , A Class Act and Lily Tomlin's The Search for Signs of Intelligent Life in the Universe . During the 2000-2001 season, Theatre World was awarded with a Special Tony Honor for Excellence in the Theatre. Theatre World , the statistical and pictorial record of the Broadway and Off-Broadway season, touring companies and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, song titles and much, much more. There are special sections with autobiographical data, obituary information and major drama awards. New features to this edition include: an introduction by editor John Willis; separate Off-Broadway and Off-Off Broadway sections; new Longest Runs listing; and an expanded Awards and Regionals section. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis' Theatre World ." Harry Haun, Playbill
When real life sucks, there's always theatre. Sassy, irreverent Aggie Stockdale should have gotten the lead in her high school's production of Hello Dolly! It's her dream role; she's had the part memorized since she was ten; and she and Roger Morton, who's playing the male lead, definitely had chemistry in the audition. But Aggie isn't just a talented actress, writer, and athlete. She's also the fattest girl in the senior class. What happens after she checks the cast list for the musical will hurl Aggie into an unexpected journey of tears, friendship, jealousy, revenge, Oreos, and lots and lots of theatre. She'll discover hidden talents and new friends; she'll survive a daunting audition and revel in a thrilling opening night; she'll search for love, inspiration, help with her math homework, and the perfect closing number; and her emotional ride won't be over 'til the fat lady sings.
Poetry. "I am spending my 39th year practicing uncreativity. On Friday, September 1, 2000, I began retyping the day's NEW YORK TIMES word for word, letter for letter, from the upper left hand corner to the lower right hand corner, page by page." With these words, Kenneth Goldsmith embarked upon a project which he termed "uncreative writing", that is: uncreativity as a constraint-based process; uncreativity as a creative practice. By typing page upon page, making no distinction between article, editorial and advertisement, disregarding all typographic and graphical treatments, Goldsmith levels the daily newspaper. DAY is a monument to the ephemeral, comprised of yesterday's news, a fleeting moment concretized, captured, then reframed into the discourse of literature. "When I reach 40, I hope to have cleansed myself of all creativity"-Kenneth Goldsmith.