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Bob Dylan has always been something of a mystery. He has worn a variety of masks that have delighted, puzzled, amused and angered his many audiences. Andrea Cossu offers a strikingly fresh explanation of Dylan and the transformations he has made throughout his career. Cossu's descriptions of key Dylan performances explain how he forged authenticity through performance, and how the various attempts to make 'Bob Dylan' have often involved the interaction between the artist, his public image and his many audiences. It Ain't Me Babe offers a striking vision of how Dylan built his image and learned to live with its burden, painting a unique and coherent new portrait of the artist.
Salome knows only one way to live - under Prophet David's rule. Trapped in a commune and bound by her strict faith, Salome knows nothing of the world outside - until a horrific event sets her free. Styx 'River' Nash was born and bred to wear a Hades Hangmen cut. Haunted by a crushing speech impediment, Styx never lets anyone get too close, that is, until a young woman is found injured on his lot.
Louisville native John Jacob Niles (1892–1980) is considered to be one of our nation’s most influential musicians. As a composer and balladeer, Niles drew inspiration from the deep well of traditional Appalachian and African American folk songs. At the age of sixteen Niles wrote one of his most enduring tunes, “Go ’Way from My Window,” basing it on a song fragment from a black farm worker. This iconic song has been performed by folk artists ever since and may even have inspired the opening line of Bob Dylan’s “It Ain’t Me Babe.” In I Wonder as I Wander: The Life of John Jacob Niles, the first full-length biography of Niles, Ron Pen offers a rich portrait of the musician’s character and career. Using Niles’s own accounts from his journals, notebooks, and unpublished autobiography, Pen tracks his rise from farm boy to songwriter and folk collector extraordinaire. Niles was especially interested in documenting the voices of his fellow World War I soldiers, the people of Appalachia, and the spirituals of African Americans. In the 1920s he collaborated with noted photographer Doris Ulmann during trips to Appalachia, where he transcribed, adapted, and arranged traditional songs and ballads such as “Pretty Polly” and “Black Is the Color of My True Love’s Hair.” Niles’s preservation and presentation of American folk songs earned him the title of “Dean of American Balladeers,” and his theatrical use of the dulcimer is credited with contributing to the popularity of that instrument today. Niles’s dedication to the folk music tradition lives on in generations of folk revival artists such as Jean Ritchie, Joan Baez, and Oscar Brand. I Wonder as I Wander explores the origins and influences of the American folk music resurgence of the 1950s and 1960s, and finally tells the story of a man at the forefront of that movement.
(Banjo). 14 Dylan classics arranged specifically for clawhammer banjo, including: All Along the Watchtower * Blowin' in the Wind * Don't Think Twice, It's All Right * Hurricane * It Ain't Me Babe * Knockin' on Heaven's Door * Lay Lady Lay * Like a Rolling Stone * Mr. Tambourine Man * Positively 4th Street * Shelter from the Storm * Tangled up in Blue * The Times They Are A-Changin' * You Ain't Goin' Nowhere.
Breaking Bad meets Blade Runner. Arthur McBride's planetary regime has fallen. His story is over. That is until reporter Croger Babb discovers the journal of Arthur's cousin, Maia. Inside is the violent, audacious hidden history of the legendary freedom fighter. Erased from the official record, Maia alone knows how dangerous her cousin really is... Creative team GABRIEL HARDMAN (KINSKI, "Intense" - A.V. Club) and CORINNA BECHKO (HEATHENTOWN, "Nuanced" _ Broken Frontier) brought you scifi adventure before (Planet of the Apes, Star Wars: Legacy, Hulk) but never this gritty or this epic.
In the late ’60s, underground comix changed the way comics readers saw the medium ― but there was an important pronoun missing from the revolution. In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology,Wimmen’s Comix. Within two years the Wimmen’s Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America ― Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen’s tackled subjects the guys wouldn’t touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen’s Comix have been long out of print, so it’s about time these pioneering cartoonists’ work received their due.
Presents critiques of the work of the American musician, guiding readers through the principles of critical theory and demonstrating the different perspectives that can be applied in analyzing specific periods of his musical career.
WINNER OF THE NOBEL PRIZE IN LITERATURE A beautiful, comprehensive volume of Dylan’s lyrics, from the beginning of his career through the present day—with the songwriter’s edits to dozens of songs, appearing here for the first time. Bob Dylan is one of the most important songwriters of our time, responsible for modern classics such as “Like a Rolling Stone,” “Mr. Tambourine Man,” and “The Times They Are a-Changin’.” The Lyrics is a comprehensive and definitive collection of Dylan’s most recent writing as well as the early works that are such an essential part of the canon. Well known for changing the lyrics to even his best-loved songs, Dylan has edited dozens of songs for this volume, making The Lyrics a must-read for everyone from fanatics to casual fans.
We are responsible for the repair of the world.Public defender Kate Steele may have been raised in privilege but she was also taught to give back to her community and make the world a better place. She's trying to keep her sixteen-year-old client out of juvenile detention when he disappears from her home. Kate tracks the boy to a downtown Dallas bar called Dante's Inferno. The sexy bar owner is rude and uncooperative but Kate suspects the dark and dangerous man has secrets he's not telling. Don't rely on anyone but yourself. That's Dante Lazaro's motto. He knows what it's like to be orphaned at a young age. That's why he's been helping a troubled teen since his Ex abandoned the kid. And he doesn't need some do-gooder attorney butting into his business. He's lived his whole life keeping others at arm's length, and old habits are hard to break. But Kate Steele is like no woman he's ever met. Compassionate and determined, she stirs his soul and challenges everything he thought he wanted. But he doesn't trust her to stick around when the going gets tough. And he knows he can't give this classy woman the life she deserves. An emotionally unavailable loner, the sinfully attractive Dante is the last man Kate would expect to touch her heart. But watching him advocate for a troubled teen, and learning how he's turned his life of adversity into a success she realizes they have more in common than she thought. She's ready to let down her guard and commit to love but he's saying, "It ain't me, Babe."It Ain't Me Babe is the second book in the Rainy Day Women series, about women empowering women, and the men who love them. In a converted warehouse near downtown Dallas a group of strong, professional women come together to volunteer their services to the women of an under-served community. They name their facility The Rainy Day Women's Center. Each book is a stand-alone romance about competent, independent women and the equally competent, independent men they can't ignore-or live without.