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This carefully crafted ebook: "It Ain't Easy Being A Cowboy – 5 Western Ranchmen Classics in One Volume" is formatted for your eReader with a functional and detailed table of contents. "The Log of a Cowboy" is an account of a five-month drive of 3,000 cattle from Brownsville, Texas, to Montana during 1882 along the Great Western Cattle Trail. The book is considered by many to be literature's best account of cowboy life. "Reed Anthony, Cowman: An Autobiography" is the fascinating story of the protagonist and how he became a successful rancher. "The Wells Brothers: The Young Cattle Kings" tells the story of two brothers who are broke and want to sell their father's ranch until one day everything changes. "A Texas Matchmaker" a man makes it big in Texas. "The Outlet" another cowboy story with a detailed account of how to herd cattle in a true cowboy fashion. Andy Adams (1859–1935) was an American writer of western fiction and was born in Indiana. Since childhood Andy used to help his parents with the cattle and horses on the family farm. Due to this Andy's works have been lauded widely for his first hand and authentic portrayal of the life of a cowboy unlike his contemporaries like Owen Wister who romanticised it.
Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture. In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur.
First edition of Sinclair's savage satire, loosely based on the life and career of Edward L. Doheny, and the Teapot Dome scandal of the Harding administration. Although Sinclair's famous novel The Jungle deals with Chicago's meatpacking industry, he moved west to Pasadena in 1916 and began writing novels set in California, the best of which was Oil!, the story of the education of Bunny Ross, son of wildcat oil man Joe Ross after oil is discovered outside Los Angeles. The novel was the basis for Paul Thomas Anderson's 2007 film There Will Be Blood. In California Classics, Lawrence Clark Powell called Oil! "Sinclair's most sustained and best writing."
"The Log of a Cowboy" is an account of a five-month drive of 3,000 cattle from Brownsville, Texas, to Montana during 1882 along the Great Western Cattle Trail. The book is considered by many to be literature's best account of cowboy life. "Reed Anthony, Cowman: An Autobiography" is the fascinating story of the protagonist and how he became a successful rancher. "The Wells Brothers: The Young Cattle Kings" tells the story of two brothers who are broke and want to sell their father's ranch until one day everything changes. "A Texas Matchmaker" a man makes it big in Texas. "The Outlet" another cowboy story with a detailed account of how to herd cattle in a true cowboy fashion. Andy Adams (1859–1935) was an American writer of western fiction and was born in Indiana. Since childhood Andy used to help his parents with the cattle and horses on the family farm. Due to this Andy's works have been lauded widely for his first hand and authentic portrayal of the life of a cowboy unlike his contemporaries like Owen Wister who romanticised it.
Annotation Before Owen Wister's publication of The Virginian in 1902, the image of the cowboy was essentially that of the dime novel. This title details the evidence that Everett Johnson a cowboy from Virginia who had been a friend of Wister's in Wyoming in the 1880s, was the initial and prime inspiration for Wister's cowboy.
Folklore is everywhere, whether you are aware of it or not. A culture's traditional knowledge is used to remember the past and maintain traditions, to communicate with other members within a community, to learn, to celebrate, and to express creativity. It is what helps distinguish one culture from another. Although folklore is so much a part of our daily lives, we often lose sight of just how integral it is to everything we do. If we look for it, we can find folklore in places where we'd never think it existed. Folklore: In All of Us, In All We Do includes articles on a variety of topics. One chapter looks at how folklore and history complement one another; while historical records provide facts about dates, places and names, folklore brings those events and people to life by making them relevant to us. Several articles examine the cultural roles women fill. Other articles feature folklore of particular groups, including oil field workers, mail carriers, doctors, engineers, police officers, horse traders, and politicians. As a follow-up article to Inside the Classroom (and Out), which focused on folklore in education, there is also an article on how teachers can use writing in the classroom as a means of keeping alive the storytelling tradition. The Texas Folklore Society has been collecting and preserving folklore since its first publication in 1912. Since then, it has published or assisted in the publication of nearly one hundred books on Texas folklore.
Elizabeth Martin explores the impact of globalization on the language of French advertising, showing that English and global imagery play an important role in tailoring global campaigns to the French market, with media companies undeterred by the attempts through legislation to curb language mixing in the media.