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Connor Raposo wird zufällig Zeuge eines grässlichen Unfalls: Ein Motorradfahrer ist gegen einen Laster geprallt, die Identifizierung gestaltet sich schwierig. Ist der Tote tatsächlich Robert »Fat Bob« Rossi? Und war es tatsächlich ein tragischer Unfall? Kurz darauf überschlagen sich die Ereignisse, Morde geschehen, Leute verschwinden, die Polizei tritt auf den Plan – und mittendrin Connor, der von einer aberwitzigen Situation in die nächste stolpert, bis ihm dämmert, dass man auch hinter ihm her ist. Mit umwerfender Situationskomik und lakonischen Dialogen jagt Stephen Dobyns seine Helden durch eine höchst raffinierte Krimigeschichte, die in einem so furiosen wie unerwarteten Showdown mündet. Ein Lesevergnügen für alle Freunde des schrägen Humors.
Witnessing a gruesome motorcycle accident in the seaport city of New London, Connecticut, newcomer Connor Raposo sees a strangely familiar man with an Elvis haircut at the scene and is embroiled in a small-time con operation.
"Historians and philosophers alike have pondered the crucial turning points of history--the events that forever altered the course of civilization and set the stage for the world in which we live today. In these essays, some of the most respected minds of our time as the question "What if...": Pontius Pilate hadn't ordered Jesus Christ's crucifixion? Abraham Lincoln hadn't abolished slavery? A Confederate aide hadn't accidentally lost General Robert E. Lee's plans for invading the North? The Allied invasion of D Day had failed? Pope Pius XII had spoken out against the Holocaust? The Mongols had succeeded in conquering Europe?"--Back cover.
In 1100, King William II died in a tragic accident... or was it murder? In The Death of the Red King, acclaimed historian Paul Doherty investigates the suspicious death of William II in a masterful 'faction' - a mix of both fact and fiction. Concentrating on both old and new evidence, Paul Doherty explores the highly suspicious elements surrounding the death of King William II of England, nicknamed "Rufus the Red King". Through the eyes of the great philosopher Anselm, a secret admirer of the Red King, a far more chilling interpretation of his death is put forward that challenges everything we think we know. What readers are saying about Paul Doherty: 'An interesting look at a little known real-life mystery' 'The book is interesting, well written, fact and fiction coming easily together to form a well-argued case' 'Doherty proves that he is a scholar as well as a writer of novels'
Analyzes the heated critical debate on Heine from his own lifetime to the present. Heinrich Heine (1797-1856), one of the best known and most controversial German writers of the nineteenth century, has been the subject of intense critical debate. Heine's lyric poetry ranks second only to Goethe's in popularity and is known world wide in musical settings. He is also known for his stories and travel sketches, his writings on political, social, and cultural developments in Europe, and for essays on literature, religion, and philosophy. Peters's study records the stormy development of Heine's critical reception from his own time down to the present. As a Jew living in Paris, an outspoken critic of both repressive political policies in Germany and the stifling influence of the Catholic church, and the author of the most famous satirical poem in the German language, Deuschland. Ein Wintermärchen, Heine engendered the wrath of the conservative critics of his day, while progressive critics, particularly those supportive of his emancipatory ideals, came to his defense. Since his death, Heine criticism has continued to be partisan in tone. Twentieth-century Heine criticism has mirrored Germany's historical development, from the nationalistic fervor of the Wilhelminian era, through the tolerance of Weimar, the anti-Semitic frenzy of the Third Reich, the postwar period of competing critical views in East and West, to the final decade of the century and a period of renewed and intense critical interest. George F. Peters is professor of German and Chair of the Department of Languages and Linguistics at Michigan State University.
Robert Frank has always faced up to one thing only, himself. That is shown by this work, the films even more than the photographs. This book is dedicated to Frank's film even more than the photographs. This book is dedicated to Frank's film and video oeuvre, which grew and developed impressively in the years between 1959 and 2002, though unnoticed by most of the world. ...
The Gods are dead. The Magelord Salazar and his magically enhanced troops, the Augmentors, crush any dissent they find in the minds of the populace. On the other side of the Broken Sea, the White Lady plots the liberation of Dorminia, with her spymistresses, the Pale Women. Demons and abominations plague the Highlands. The world is desperately in need of heroes. But what it gets instead are a ragtag band of old warriors, a crippled Halfmage, two orphans and an oddly capable manservant: the Grim Company.
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
Society often makes strange bedfellows—and even more surprising betrothals... IS IT A REASON FOR ROMANCE? In Why Earls Fall in Love by Manda Collins, young widowed Georgina Mowbray is settling into her role as Lady Russell's companion quite well—until the lady's nephew Dominic, the Earl of Coniston, arrives in Bath for a visit. Georgie's always found him shallow and too smooth, and trusts him as much as she trusts most men...which is to say, not at all. But Con turns out to be more intriguing than she remembers—and completely irresistible... OR A PROMISE OF PASSION? Pretty, practical Georgie is nothing like the women Con usually woos—especially since she seems blind to his charms. But his elderly aunt is so fond of her that Con is determined at least to be sociable...with the occasional flirtation thrown in just for fun. But things take a serious turn when a dangerous figure from Georgie's unhappy past appears and threatens to bring her harm. Con will do whatever it takes to keep Georgie safe. And if he can show her that all men are not menaces, he might be able to keep her in his arms and never let go... "Absolutely delightful...an emotion-packed, passionate historical romance."—Romance Junkies, five stars (on How to Romance a Rake)