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The present book deals with the so-called “pre-classical” prophecy in the Northern Kingdom of Israel. It becomes evident that the introduction of kingship in the early period of prophecy marks the beginning of a consideration of social situations. The prophet is placed over the king and stylized as the actual saviour figure. This development is examined along with the extensive prophetic traditions of Samuel, Elijah and Elisha. The texts are first analyzed from a diachronic standpoint to determine pre-deuteronomistic text components. These texts are then linked to their historical context and examined with respect to their medium and historicity. This book throws new light on the social and socio-structural importance of prophecy in this early period.
A collection of songs and poetry about hope, memory and the United States.
In this work, the author investigates Gal 1:13-14, Gal 3:6-14, 1 Thess 4:13-17, 2 Cor 12:1-10 and Rom 10:4 and then expounds how Paul, although originating from Judaism and having been educated in Jewish Biblical interpretation, reaches a new hermeneutic only after his experience of Christ. The apostle proves to be dependent neither on apocalyptic views nor on the methods of Greek Rhetoric nor on Rabbinic Midrash, although he is well versed in them. Instead, he develops a Christological interpretation of the Torah, and this interpretation becomes the centre of his mission to the non-Jews. The Torah finds its eschatological fulfillment in Christ and receives its ethical validity for the nations in the form of the love command.
Summary: Dot ventures out into the bush to locate the lost Joey and reunite him with his mother the kangaroo. She meets a rabbit who tries to convince Dot that he is the lost Joey . She names him Funnybunny and together they go to Kangaroo Valley in search of the lost Joey. Dot tries to keep Funnybunny out of trouble as he tries to prove he is a kangaroo.
"Transcending Dystopia features pioneering research on the role music played in its various connections to and contexts of Jewish communal life and cultural activity in Germany from 1945 to 1989. As the first history of the Jewish communities' musical practices during the postwar and Cold War eras, it tells the story of how the traumatic experience of the Holocaust led to transitions and transformations, and the significance of music in these processes. As such, it relies on music to draw together three areas of inquiry: the Jewish community, the postwar Germanys and their politics after the Holocaust (occupied Germany, the Federal Republic, the Democratic Republic, and divided Berlin), and on the concept of cultural mobility. Indeed, the musical practices of the Jewish communities in the postwar Germanys cannot be divorced from politics as can be observed in their relations to Israel and United States. On the grounds of these conceptual concerns, selective communities serve as case studies to provide a kaleidoscopic panorama of musical practices in worship and in social life. Within these pillars, the chapters in this volume cover a wide spectrum of topics from music during commemorations, on the radio and in Jewish newspapers to synagogue concerts and community events; from the absence and presence of cantor and organ to the resurgence of choral music. What binds these topics tightly together is the specific theoretical inquiry of mobility. Interdisciplinary in scope and method, the book builds on recent scholarship in Cold War studies, cultural history, German studies, Holocaust studies, and Jewish studies"--