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The last two decades have given rise to a proliferation of scholarship by Israeli feminists working in diverse fields, ranging from sociology to literature, anthropology, and history. As the Israeli feminist movement continually decentralizes and diversifies, it has become less Eurocentric and heterocentric, making way for pluralistic concerns. Collecting fifteen previously published essays that give voice to this diversity, Israeli Feminist Scholarship showcases articles on Ashkenazi, Mizrahi, Palestinian, and lesbian identities as well as on Israeli women's roles as mothers, citizens and activists, and soldiers. Citing evidence that these scholars have redefined their object of inquiry as an open site of contested and constructed identity, luminary Esther Fuchs traces the history of Israeli feminism. Among the essays are Jewish historian Margalit Shilo's study of the New Hebrew Woman, sociologist Ronit Lentin's analysis of gendered representations of the Holocaust in Israeli culture, peace activist Erella Shadmi on lesbianism as a nonissue in Israel, and cultural critic Nitza Berkovitch's examination of womanhood as constructed in Israeli legal discourse. Creating a space for a critical examination of the relationship between disparate yet analogous discourses within feminism and Zionism, this anthology reclaims the mobilizing, inclusive role of these multifaceted discourses beyond the postmodern paradigm.
This engaging feminist approach to Judaism blends the interpretation of primary Jewish sources with contemporary social change. Bonna Devora Haberman shares her first-hand account of the “Women of the Wall” and a feminist approach to traditional Judaism, while interacting with ancient Jewish texts. In a rich network of sources, seaming together scholarship with activism, Haberman analyzes the sacred, with attention to power and gender. While much religious and national culture focuses on death and sacrifice, Haberman proposes an alternative model for a Jewish theology of liberation: birth—no less universal than death. Life-giving rather than life-taking is the nucleus of this work, reformulating performances of gender in a realm of exaggerated sexual difference. Using her experiences with the “Women of the Wall” movement interwoven in scripture, Haberman contributes toward liberating religious culture from its gender oppressions, and rendering religion a liberating force in society.
This book argues that Jewish feminist theory is currently limited by several frames of reference that are usually taken for granted. The critical analysis is intended to release the grip of these limiting frames on Jewish feminism so as to let it evolve, grow, and live up to its fullest potential.
Judaism Since Gender offers a radically new concept of Jewish Studies, staking out new intellectual terrain and redefining the discipline as an intrinsically feminist practice. The question of how knowledge is gendered has been discussed by philosophers and feminists for years, yet is still new to many scholars of Judaism. Judaism Since Gender illuminates a crucial debate among intellectuals both within and outside the academy, and ultimately overturns the belief that scholars of Judaism are still largely oblivious of recent developments in the study of gender. Offering a range of provocations--Jewish men as sissies, Jesus as transvestite, the problem of eroticizing Holocaust narratives--this timely collection pits the joys of transgression against desires for cultural wholeness.
The story of Zionist women's struggle for suffrage within the complex political and religious context of the Yishuv
Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
The first and only complete exploration of the role of American women in the creation and support of the State of Israel from pre-State years through the struggles of Israel's first decades.
The contributors are highly productive and respected Jewish-American scholars, critics, and teachers from departments of English, history, American studies, Romance literature, Slavic studies, art, women's studies, comparative literature, anthropology, Judaic studies, and philosophy.
This book explores, for the first time, the impact of the Holocaust on the gender identities of Jewish men. Drawing on historical and sociological arguments, it specifically looks at the experiences of men in France, Holland, Belgium, and Poland. Jewish Masculinity in the Holocaust starts by examining the gendered environment and ideas of Jewish masculinity during the interwar period and in the run-up to the Holocaust. The volume then goes on to explore the effect of Nazi persecution on various elements of male gender identity, analysing a wide range of sources including diaries and journals written at the time, underground ghetto newspapers and numerous memoirs written in the intervening years by survivors. Taken together, these sources show that Jewish masculinities were severely damaged in the initial phases of persecution, particularly because men were unable to perform the gendered roles they expected of themselves. More controversially, however, Maddy Carey also shows that the escalation of the persecution and later enclosure – whether through ghettoisation or hiding – offered men the opportunity to reassert their masculine identities. Finally, the book discusses the impact of the Holocaust on the practice of fatherhood and considers its effect on the transmission of masculinity. This important study breaks new ground in its coverage of gender and masculinities and is an important text for anyone studying the history of the Holocaust.
For thousands of years the Jewish tradition has been a source of moral guidance, for Jews and non-Jews alike. As the essays in this volume show, the theologians and practitioners of Judaism have a long history of wrestling with moral questions, responding to them in an open, argumentative mode that reveals the strengths and weaknesses of all sides of a question. The Jewish tradition also offers guidance for moral conduct by individuals, communities, and countries and shows how to motivate people to do the good and right thing. The Oxford Handbook of Jewish Ethics and Morality is a collection of original essays addressing these topics--historical and contemporary, as well as philosophical and practical--by leading scholars from around the world. The first section of the volume describes the history of the Jewish tradition's moral thought, from the Bible to contemporary Jewish approaches. The second part includes chapters on specific fields in ethics, including the ethics of medicine, business, sex, speech, politics, war, and the environment.