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In word and picture, this book describes two thousand years of the Land of Israel's dazzling and fascinating past from the first millennium, which saw the destruction of the Temple, to the return of the Jewish people to their land at the close of the last millennium. The book combines an historical chronicle of this locus of world events, divided according to geographical location, with ravishing works of art. This unique publication makes an excellent and impressive gift, in Israel or anywhere in the world.
This landmark volume brings the rich legacy of Israeli art to a Western audience for the first time. Gideon Ofrat, Israel's preeminent curator, art critic, and art historian, traces the complete history of painting and sculpture in Israel, from nineteenth-century Jewish folk art in Ottoman Palestine to the kaleidoscopic postmodern patterns of Israeli art today. Contains over 350 illustrations, 185 in color.
In graphic novel format, presents 4,000 years of Jewish history culminating in the modern state of Israel.
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America
The old masters' new masters -- Was modernism Jewish? -- In the middle -- To have and have not.
Discover the compelling story of the evolution of contemporary art, its state today, and where it’s headed, through a sample of ten artworks created by ten artists over a span of fifteen years. Written in an engaging, straightforward style by prominent art historian Matthew Israel, this book presents ten outstanding examples of contemporary art, each with significant historical or cultural relevance to contemporary art’s big picture. Drawn from the fields of photography, painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture of the state of contemporary art today. From Andreas Gurskys large-scale color photograph “Rhine II” to Kara Walkers acclaimed installation in the Domino Sugar Factory in Brooklyn, each work is carefully explored within the larger perspective of its social and artistic milieu. Articulate and insightful, this book offers readers the ability to consider each work in-depth, while also providing an easily digestible foundation from which to study the often challenging but continually fascinating world of 21st-century art.
In this much-anticipated textbook, three respected biblical scholars have written a history of ancient Israel that takes the biblical text seriously as an historical document. While also considering nonbiblical sources and being attentive to what disciplines like archaeology, anthropology, and sociology suggest about the past, the authors do so within the context and paradigm of the Old Testament canon, which is held as the primary document for reconstructing Israel's history. In Part One, the authors set the volume in context and review past and current scholarly debate about learning Israel's history, negating arguments against using the Bible as the central source. In Part Two, they seek to retell the history itself with an eye to all the factors explored in Part One.
The history of Israel is a much-debated topic in Old Testament studies. On one side are minimalists who find little of historical value in the Hebrew Bible. On the other side are those who assume the biblical text is a precise historical record. Many serious students of the Bible find themselves between these two positions and would benefit from a careful exploration of issues in Israelite history. This substantive history of Israel textbook values the Bible's historical contribution without overlooking critical issues and challenges. Featuring the latest scholarship, the book introduces students to the current state of research on issues relevant to the study of ancient Israel. The editors and contributors, all top biblical scholars and historians, discuss historical evidence in a readable manner, using both canonical and chronological lenses to explore Israelite history. Illustrative items, such as maps and images, visually support the book's content. Tables and sidebars are also included.
Dor Guez: 100 Steps to the Mediterranean is the catalogue for an exhibition of videos and photographs at the Rose Art Museum, Brandeis University, on view from September 20 through December 9, 2012. Guez, an artist whose heritage is both Christian Palestinian and Jewish Tunisian, takes as his overt subject the Christian Arab minority in Israel, a community marginalized by the prevailing metanarratives of both Israelis and Arabs. Guez's art installations address the gaps in those narratives, while exploring the role of contemporary art in raising questions about history, nationality, ethnicity, and personal identity.