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Creating shockwaves when first published in Italy eight years ago, this is a historical novel based on a true account of a grisly murder in turn-of-the-century Verona. In her relentless narrative based on interviews and contemporary accounts, Maraini has brought a long-submerged story of injustice and oppression to light. The fact that Isolina became pregnant by her lieutenant lover and refused to have an abortion was published in newspapers after the murder. Also known, but not reported, was the suspicion that she was probably murdered by soldiers who, protecting their comrade's reputation, tried to abort the pregnancy. The crime could easily have been solved, but evidence was destroyed by the state in efforts to defend the image of the military. Dacia Maraini is one of the best known writers in Italy. Her previous prize-winning novel, The Silent Duchess, sold 200,000 copies in Italy and was on the bestseller list for seventy weeks.
Detective fiction is a universally popular genre; stories about the investigation of a crime by a detective are published all over the world and in hundreds of languages. Detective fiction provides more than entertainment, however; it often has a great deal to say about crime and punishment, justice and injustice, testimony and judgment. The Novel as Investigation examines a group of detective novels by three important Italian writers - Leonardo Sciascia, Dacia Maraini, and Antonio Tabucchi - whose conviction about the ethical responsibility of the writer manifests itself in their investigative fiction. Jo-Ann Cannon explores each writer's denunciation of societal ills in two complementary texts. These investigative novels shed light on pressing social ills, which are not particular to Italian society of the late twentieth century but are universal in scope: Sciascia focuses on abuses of power and the death penalty, Maraini on violence against women, Tabucchi on torture and police brutality. In addition, each of these texts self-reflexively explore the role of writing in society. Sciascia, Maraini, and Tabucchi all use their fiction to defend the power of the pen to address "il male del mondo." The Novel as Investigation will be of interest to a broad audience of readers, including those interested in Italian and comparative literature, Italian social history, and cultural studies.
This volume is an exploration of the innovative ways in which three generations of women writers in modern Italy have dealt with history - both as narration of events and the events themselves. The essays challenge traditional historiography and foster a rereading of history based on the tenets of feminist historicism. They also claim a central role for fiction in the construction of women's history and in a rereading of Italian history.
In Italy, as in most Western cultures, the 1960s was a dynamic and turbulent decade of social change. Dacia Maraini, in this short story collection, explores the vexing, tragic, and often humorous experiences of women living in modern urban Italy. With a style as lean as Samuel Beckett’s, and a love of the absurd that rivals Eugène Ionesco, Maraini’s stories are both poignant and wickedly funny. The writer’s ironic lens zooms in to examining sexual relations, working conditions, women’s issues, and family dynamics, illuminating the lives of an entire generation. With classic existential angst, Maraini’s characters are often profoundly dissatisfied with their situations, but also ill-equipped to initiate any real change. This feminist version of the absurd is deliciously wry and terrible. The stories have a real bite. Originally published as Mio marito in 1968, this is the first English translation of My Husband.
One of the New York Times’s Ten Best Books of the Year: These traditional stories of Italy, retold by a literary master, are “a treasure” (Los Angeles Times). Filled with kings and peasants, saints and ogres—as well as some quite extraordinary plants and animals—these two hundred tales bring to life Italy’s folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense. Selected and retold by one of the country’s greatest literary icons, “this collection stands with the finest folktale collections anywhere” (The New York Times Book Review). “For readers of any age . . . A masterwork.” —The Wall Street Journal “A magic book, and a classic to boot.” —Time
In a groundbreaking call to arms, Fifty Plus takes an important look at the seventy-eight million strong American baby boomer revolution. From age 50+ on up, Americans are now refusing to rock away their retirement and are actively changing the face of aging in America. The Boomers are no strangers to the gym, voting booth, online investing sites, or even management of their 401(k)s. They're joining an already on the go group of Americans 50+ who are leaving their mark. Bill Novelli, CEO of AARP, knows firsthand that 50+ Americans are actively seizing the day by: Transforming health care by demanding quality care, lower pharmaceutical costs, and engaging in healthy lifestyles and preventive care Creating a secure retirement by advance personal finance planning and working on Social Security solvency for all Revolutionizing the workplace to benefit not only Boomers but their colleagues Building livable communities with improved housing, transportation, and services, allowing all Americans to age in place Developing innovative and affordable products and services to add value to 50+ live Advocating for causes that will create a lasting legacy so we can leave the world a better place By igniting a 21st century revolution to make a better, stronger America, Bill Novelli knows, if you're 50+: The best is yet to come.