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Far off the coast of California looms a harsh rock known as the island of San Nicholas. Dolphins flash in the blue waters around it, sea otter play in the vast kep beds, and sea elephants loll on the stony beaches. Here, in the early 1800s, according to history, an Indian girl spent eighteen years alone, and this beautifully written novel is her story. It is a romantic adventure filled with drama and heartache, for not only was mere subsistence on so desolate a spot a near miracle, but Karana had to contend with the ferocious pack of wild dogs that had killed her younger brother, constantly guard against the Aleutian sea otter hunters, and maintain a precarious food supply. More than this, it is an adventure of the spirit that will haunt the reader long after the book has been put down. Karana's quiet courage, her Indian self-reliance and acceptance of fate, transform what to many would have been a devastating ordeal into an uplifting experience. From loneliness and terror come strength and serenity in this Newbery Medal-winning classic.
The world does not care. The world doesn’t even know. There are European tourists sipping cocktails right now on the beaches in the south, who have no idea what’s happening in the north. Sri Lanka, 2009. A 26-year civil war between the government and the Tamil Tigers is coming to an end. The United Nations, the media and all independent witnesses are banned from entering the war zone. Nila, a young Tamil woman, is trapped in rebel-held territory. Rebecca, a British aid worker, is desperate to get her out. Erik, a Norwegian politician, thinks he has a plan for peace. But nothing is certain – and nobody is safe. Be transported to the heart of Sri Lanka to discover the shocking truths, and the extraordinary human sides, of the biggest unreported war story of our time. Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.
This book explores the malaise present in post-colonial Tonga, analyzing the way in which segments of this small-scale society hold on to different understandings of what modernity is, how it should be made relevant to local contexts, and how it should mesh with practices and symbols of tradition.
On March 28, 1979, the worst nuclear reactor accident in U.S. history occurred at the Three Mile Island power plant in Central Pennsylvania. Radiation Nation tells the story of what happened that day and in the months and years that followed, as local residents tried to make sense of the emergency. The near-meltdown occurred at a pivotal moment when the New Deal coalition was unraveling, trust in government was eroding, conservatives were consolidating their power, and the political left was becoming marginalized. Using the accident to explore this turning point, Natasha Zaretsky provides a fresh interpretation of the era by disclosing how atomic and ecological imaginaries shaped the conservative ascendancy. Drawing on the testimony of the men and women who lived in the shadow of the reactor, Radiation Nation shows that the region's citizens, especially its mothers, grew convinced that they had sustained radiological injuries that threatened their reproductive futures. Taking inspiration from the antiwar, environmental, and feminist movements, women at Three Mile Island crafted a homegrown ecological politics that wove together concerns over radiological threats to the body, the struggle over abortion and reproductive rights, and eroding trust in authority. This politics was shaped above all by what Zaretsky calls "biotic nationalism," a new body-centered nationalism that imagined the nation as a living, mortal being and portrayed sickened Americans as evidence of betrayal. The first cultural history of the accident, Radiation Nation reveals the surprising ecological dimensions of post-Vietnam conservatism while showing how growing anxieties surrounding bodily illness infused the political realignment of the 1970s in ways that blurred any easy distinction between left and right.
After a devastating tsunami destroys all that they have ever known, Mau, an island boy, and Daphne, an aristocratic English girl, together with a small band of refugees, set about rebuilding their community and all the things that are important in their lives.
The writer explores his beloved Australia in a memoir that is “a delight to read [and] a call to arms . . . It beseeches us to revere the land that sustains us” (Guardian). From boyhood, Tim Winton’s relationship with the world around him?rock pools, sea caves, scrub, and swamp?has been as vital as any other connection. Camping in hidden inlets, walking in high rocky desert, diving in reefs, bobbing in the sea between surfing sets, Winton has felt the place seep into him, and learned to see landscape as a living process. In Island Home, Winton brings this landscape?and its influence on the island nation’s identity and art?vividly to life through personal accounts and environmental history. Wise, rhapsodic, exalted?in language as unexpected and wild as the landscape it describes?Island Home is a brilliant, moving portrait of Australia from one of its finest writers, the prize-winning author of Breath, Eyrie, and The Shepherd’s Hut, among other acclaimed titles.
The second entry in this “inventive and exciting” zombie series that began with Monster Island (Publishers Weekly). This is where it begins. This is where the end of the world begins? She wakes up alone and feeling like she's half-dead. She can't remember her name. She staggers outside, looking for help—and that's when she sees that the dead have returned to life, that zombies are running in the streets and devouring the living. And she's one of them. She isn't breathing. The zombies leave her alone. Because they know she's one of their kind. And yet she differs from the brainless ghouls around her in some crucial ways. Somehow she's kept her intelligence intact, if not her memory. And being dead has certain compensations. She has developed strange powers. She calls herself Nilla, and all she knows is that staying alive only gets harder after you die? Meanwhile the National Guard has its hands full with the worst epidemic ever to strike the American west. From California to Colorado every town, every city is being overrun. Captain Bannerman Clark isn't prepared for this. He's semi-retired and he hasn't fired a gun in years, not since the Vietnam war. Yet it seems there's no one else around to take charge. As the world we know collapses he must find in himself the brains, the guts, and the moral courage to lead the survivors to safety, if there's any to be had. Meanwhile, behind the scenes, shadowy players are just beginning to show their hands. There's more going on here than meets the eye, and Clark and Nilla both have parts to play in a game they can't comprehend?
The story of the Australian people is a story of the interaction of land, cities and the sea. Land and cities have received ample attention but the role of the sea as an integral part of our national experience has remained largely unexplored. Island Nation sets out to restore the sea to its rightful place in Australia's history. It offers an alternative account of the past and opens new windows on the forces that have shaped our present. Island Nation traces the profound, diverse and all-embracing influence of the sea on Australian society - an influence that extends far beyond the coastline. In this story of the interaction of people and the sea, three major issues emerge: controlling sea space, taming distance, and living with the sea. In exploring these issues in all their diversity, Island Nation ranges widely, encompassing the birth of an Australian 'Monroe Doctrine', the development of unique economic and political institutions, the role of surfing and the growth of tourism, the impact of the sea on Australian art, 'ships of shame' and very much else besides. 'In this deftly innovative survey, Frank Broeze draws the reader's attention away from the landmass to the oceans that surround it, and then back to the shoreline, ports and beaches. There have been previous studies of Australians and the sea, but this is our first fully amphibious account.' - Professor Stuart Macintyre
Contains numerous speeches.