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A rich history of the years leading up to 1066 when Vikings, Anglo-Saxons and Normans vied for the English crown. A tale of loyalty, treason and military might. In a saga reminiscent of Game of Thrones and The Last Kingdom, Battle for the Island Kingdom reveals the life-and-death struggle for power which changed the course of history. The six decades leading up to 1066 were defined by bloody wars and intrigues, in which three peoples vied for supremacy over the island kingdom. In this epic retelling, Don Hollway (The Last Viking) recounts the clashes of Vikings, Anglo-Saxons and Normans, their warlords and their conniving queens. It begins with the Viking Cnut the Great, forging three nations into his North Sea Empire while his Saxon wife Aelfgifu rules in his stead and schemes for England's throne. Her archenemy is Emma of Normandy, widow of Saxon king Aethelred, claiming Cnut's realm in exchange for her hand in marriage. Their sons become rivals, pawns in their mothers' wars until they can secure their own destinies. And always in the shadows is Godwin of Wessex, playing all sides to become the power behind the throne until his son Harold emerges as king of all of England. But Harold's brother Tostig turns traitor, abandons the Anglo-Saxons and joins the army of the last great Viking, Harald Hardrada, where together they meet their fate at the battle of Stamford Bridge. And all this time watching from across the water is William, the Bastard, fighting to secure his own Norman dukedom, but with an eye on the English crown.
Uniquely among the nations of the Pacific Islands, Tonga was never subject to European rule at any point in its history. Since the original settlement of the islands by pottery-making, seafaring colonists about 1200 BC, Tongans have been the masters of their archipelago, developing a distinctive and elegant culture. Amid rapid modernisation, the ancient kingdom has survived, along with many of the traditional ways, giving rise to Tonga's claim that it alone offers today's tourist an authentic taste of ancient Polynesia. Ian Campbell's authoritative and readable account of Tongan history tells the entire story from first settlement to the present day. This new edition is a revision of the original 1992 book, incorporating the results of new research and with an additional chapter on the last decade.
Concerned that the increasing influence of Americans will make her island's traditional ways disappear, seven-year-old Princess Lydia Liliuokalani commits traditional stories of the Hawaiian people to paper and presents them to King Kamehameha on Restoration Day in 1846.
Enter a magical world full of friendship and fun! Ellie, Summer, and Jasmine are thrilled to be visiting Cloud Island, a fluffy wonderland high in the sky over the Secret Kingdom. But wicked Queen Malice has hidden a nasty thunderbolt among the cloud bunnies and cotton candy fields. If the girls can't find it, Cloud Island will be torn apart for good!
A young boy is stranded on a small island with a mysterious man who shows him how to survive in this adventure story by the acclaimed author of War Horse. When Michael’s father loses his job, he buys a boat and convinces Michael and his mother to sail around the world. It’s an ideal trip—even Michael’s sheepdog can come along. It starts out as the perfect family adventure—until Michael is swept overboard. He’s washed up on an island, where he struggles to survive. Then he discovers that he’s not alone. His fellow-castaway, Kensuke, is wary of him. But when Michael’s life is threatened, Kensuke slowly lets the boy into his world. The two develop a close understanding in this remote place, but the question of rescue continues to divide them. Praise for Kensuke’s Kingdom “[A] poignant adventure story . . . This well-crafted story has all the thrills and intrigues of Gary Paulsen’s Hatchet . . . and Theodore Taylor’s The Cay . . . and it will resonate with the same audience.” —School Library Journal “Highly readable.” —Booklist
Concerned that the increasing influence of Americans will make her island's traditional ways disappear, seven-year-old Princess Lydia Liliuokalani commits traditional stories of the Hawaiian people to paper and presents them to King Kamehameha on Restoration Day in 1846.
In the fourth installment of the exciting Dragon Kingdom of Wrenly graphic novel series, Ruskin and his dragon friends discover there’s more than just ghosts to worry about on Ghost Island! After surviving a curse, a few wicked spells, and an angry smoke dragon, Ruskin, Cinder, Groth, and Roke decide it’s time for some fun. The dragon friends set out on a camping trip to Ghost Island, located in a remote corner of Wrenly, to see the “statues” of the woodland creatures that have temporarily been turned to stone by the resident basilisk babies. Groth assures the others that there are no ghosts on Ghost Island…it’s just called that because it’s so deserted. And the basilisks sleep during the day and hunt at night, so as long as they are cautious and quiet, they should have nothing to worry about. But when the dragons arrive, they quickly discover there’s much more to Ghost Island than some creepy statues. In fact, the basilisks are not even the scariest thing there!
How did the British come to conquer South Asia in the late eighteenth and early nineteenth centuries? Answers to this question usually start in northern India, neglecting the dramatic events that marked Britain’s contemporaneous subjugation of the island of Sri Lanka. In Islanded, Sujit Sivasundaram reconsiders the arrival of British rule in South Asia as a dynamic and unfinished process of territorialization and state building, revealing that the British colonial project was framed by the island’s traditions and maritime placement and built in part on the model they provided. Using palm-leaf manuscripts from Sri Lanka to read the official colonial archive, Sivasundaram tells the story of two sets of islanders in combat and collaboration. He explores how the British organized the process of “islanding”: they aimed to create a separable unit of colonial governance and trade in keeping with conceptions of ethnology, culture, and geography. But rather than serving as a radical rupture, he reveals, islanding recycled traditions the British learned from Kandy, a kingdom in the Sri Lankan highlands whose customs—from strategies of war to views of nature—fascinated the British. Picking up a range of unusual themes, from migration, orientalism, and ethnography to botany, medicine, and education, Islanded is an engaging retelling of the advent of British rule.