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This is the second volume (of hte projected series of three of) in the catalogue of the Islamic glass collection in The Corning Museum of Glass. It is the largest and richest collection of early Islamic Glass in the United States. This volume describes and illustrates 482 objects and fragments made in the Islamic world pbetween the eighth and 14th centuries. Each catalog entry consists of a detailed decription, usually accompanied by a comment on the history and significance of the object and by a listing of similar pieces in other collections. Every object and fragment is illustrated with a color photograph and a line drawing that shows the profile. The book also provides concordances and an extensive bibliography.
The Corning Museum of Glass possesses the most celebrated collection of glass in the world, including the extensive world-renowned collection of Roman Glass.
For almost a millennium, a modest wooden ship lay underwater off the coast of Serçe Limani, Turkey, filled with evidence of trade and objects of daily life. The ship, now excavated by the Institute of Nautical Archaeology at Texas A&M University, trafficked in both the Byzantine and Islamic worlds of its time. Known as "the Glass Wreck," it bore cargo that included three metric tons of glass cullet, including broken Islamic vessels and eighty pieces of intact glassware, along with various artifacts of ship life. This second volume of the discovery’s investigation focuses on the excavation, conservation, and study of the glass found in the wreckage. The extensive catalog will be a valuable tool for archaeologists and scholars of Islamic glass and Islamic trade. Further, the systematic methodology and presentation of such a large undertaking will serve as a model for future study across many disciplines.
New insights into the history of Islamic glassmaking The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. Islamic Glass in the Making advocates a large-scale archaeometric approach to the history of Islamic glassmaking to trace the developments in the production, trade and consumption of vitreous materials between the eighth and twelfth centuries and to separate the norm from the exception. It proposes compositional discriminants to distinguish regional production groups, and provides insights into the organisation of the glass industry and commerce during the early Islamic period. The interdisciplinary approach leads to a holistic understanding of the development of Islamic glass; assemblages from the early Islamic period in Mesopotamia, Central Asia, Egypt, Greater Syria and Iberia are evaluated, and placed in the larger geopolitical context. In doing so, this book fills a gap in the present literature and advances a large-scale approach to the history of Islamic glass.
This book is an interdisciplinary exploration of archaeological glass in which technological, historical, geological, chemical, and cultural aspects of the study of ancient glass are combined. The book examines why and how this unique material was invented some 4,500 years ago and considers the ritual, social, economic, and political contexts of its development. The book also provides an in-depth consideration of glass as a material, the raw materials used to make it, and its wide range of chemical compositions in both the East and the West from its invention to the seventeenth century AD. Julian Henderson focuses on three contrasting archaeological and scientific case studies: Late Bronze Age glass, late Hellenistic-early Roman glass, and Islamic glass in the Middle East. He considers in detail the provenances of ancient glass using scientific techniques and discusses a range of vessels and their uses in ancient societies.
No Sasanian glass collection of comparable size and variety has yet been published, and thus the objects at Corning provide a starting point for anyone who wishes to study the glass made in the Sasanian Empire.
A rare look into the glass collection of the Museum of Islamic Art, Qatar, through the eyes of an ancient and medieval glass expert and aficionado. Imperfect Perfection summarises the material culture of glass from the time leading up to and during the Islamic Golden Age, providing insights into the artifacts, history and process of discovery. The glass is extravagantly photographed to reflect the intimacy of the objects.
This catalogue accompanies an exhibition that brings together more than 150 glass objects representing twelve centuries of Islamic glassmaking. Included are the principal types of pre-industrial glass from Egypt, the Middle East, and India in a comprehensive array of shapes, colors, and techniques such as glassblowing, the use of molds, the manipulation of molten glass with tools, and the application of molten glass to complete or decorate an object. -- Metropolitan Museum of Art website.
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Excavation reports from the medieval port of Sharma, discovered in 1996 at the extremity of the Ra's Sharma, 50km east of al-Shihr on the Hadramawt coast of Yemen.