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Among many other treasures, the Oriental Department of the Wellcome Library houses a small, but important, collection of Islamic calligraphy. Unlike many modern catalogues on Islamic calligraphy, which primarily comprises of illustrations and their physical description, this volume includes full details of each item described. The diversity of topics, languages and styles of calligraphy represented in the Wellcome collection, together with the contributions by various scholars, will make this volume an important reference on Islamic calligraphy for many years to come.
This book is a pioneering study of temporal typography and time-based calligraphic art written in the Arabic system of writing. Inspired by the innate qualities of Arabic script as well as certain practices in Islamic calligraphy and contemporary calligraphic art, the book devises five broad categories of temporal behaviors for Arabic characters in time-based media. It goes onto expand the vocabulary used to describe Arabic script’s appearance in time-based media and proposes a theory to help artists, practitioners, and theoreticians push the boundaries of temporal text-based art. Furthermore, it tackles questions of legibility and readability, and seeks to understand how temporality of Arabic text influences the creation of meaning. This book will therefore appeal not only to animators, designers, and artists, but also to commentators and scholars who deal with temporal text-based art written in Arabic script.
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception. Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Joint Winner of the 2007 British-Kuwait Friendship Society Prize for Middle Eastern StudiesThis stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script.The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. The book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization.The argument is enhanced by the inclusion of more than 150 colour illustrations, as well as over a hundred black-and-white details that highlight the salient features of the individual scripts and hands. Examples are chosen from dated or datable examples with secure provenance, for the problem of forgeries and copies (both medieval and modern) is rampant. The illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script.This beautiful new book is an ideal reference for anyone with an interest in Islamic art.Key Features* Written by the world's leading expert on Islamic calligraphy* Includes c.150 colour illustrations* Comprehensive: covers the art of calligraphy throughout Islamic civilisation, from the 7thc. to the present* The first volume to explain this art form to modern readers, guiding them in the identification, understanding and appreciation of its varied style
Ink and Gold charts the development of Islamic calligraphy over a thousand years, from its beginnings in the Arabian Peninsula. Given the status of the Qur'an as the word of Allah and ambivalence towards representation of living things, the art of the pen became the focus of an extraordinary energy. The essays in this volume cover all the major centers of Islamic calligraphy, from North Africa to Central Asia, highlighting the achievements of Islamic calligraphers in the ages of the 'Abbasid (749-258), Seljuk (1055-1243), Ilkhanid (1256-1357), Safavid (1502-1736), and Mughal Empires (1526-1857). Though pride of place is given to the Qur'an, calligraphy is also examined in mystical and scientific works, Persian poetry, and calligraphy albums.
"Traces of the Calligrapher" reconstructs the intimate world of the calligrapher during the early modern period of Islamic culture, bringing together the "tools of the trade" - works in their own right that are rarely exhibited or published - and the exquisite art made with these functional objects in India, Iran, and Turkey. Drawn primarily from a prestigious private collection in Houston, the works in this fascinating book include pens, pen boxes, chests, tables, paper scissors, knives, burnishers, and book bindings of superb manufacture and design. These objects are presented with examples of calligraphy that were executed as practice exercises, occasional works, wall hangings, and manuscripts. Seen together, these rare works reveal the traces of their makers."-- Cover.