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"The desire to know the future, influence life's decisions and repel adversities are deeply human impulses found across time and space. In the Islamic world these could be seen as clashing with Islam's central message -- total surrender to God's will, and its foremost principle -- God's supreme and unmediated authority. Yet history reveals that Muslim societies developed different views towards engaging with the supernatural, ranging from plain acceptance to utter condemnation. Spanning from Morocco to China and the 12th to the 20th century, the books, vessels, garments and jewellery showcased in Power and Protection: Islamic Art and the Supernatural present divinatory and talismanic arts as intellectual resources and founts of artistic inspiration. By reflecting the daily fears and hopes of lower and upper classes alike, they also reveal how the human quest for protection and good luck has often overlapped with the belief in God's all-powerfulness"--Provided by publisher.
- Never-seen-before textiles with a wide appeal - Accompanies major exhibition of Greek Island embroideries at the Ashmolean Museum in Oxford - dates to be confirmed Embroideries from the Greek islands dazzle with their bright colors and charming motifs. This publication reveals little-known pieces from the Ashmolean Museum at the University of Oxford, newly photographed and published here for the first time. The embroideries include fragments of pillowcases, bed valances, tents and curtains, as well as items of dress. As with all collections of textiles, the story of the Ashmolean holdings is chiefly about their makers and their ingenuity. Once forming the bulk of bridal trousseaux, Greek embroidered textiles were produced and maintained by young and old women for themselves and the house using locally produced materials. A mark of their worth and a platform for self-expression, embroidered textiles also helped Greek women to negotiate their place in the community, signaling status and affiliation.
The Ashmolean's holdings of Indian art are the most extensive in Britain after the great London collections of the British Museum and the V&A. This book is arranged chronologically in three separate sections -- Hindu, Buddhist and Jain sculpture; folk bronzes and paintings; paintings and decorative arts of the Mughal and British periods.
Shown are rare embroideries and woven striped silks, painted fabrics and knitting from time of the Tulunid, Fatimid, and Ayyubid, through to the Mamluk Sultanate of Egypt and Syria, up to the Ottoman conquest. Included are decorative objects , etc.
Islamicate Occult Sciences in Theory and Practice brings together the latest research on Islamic occult sciences from a variety of disciplinary perspectives, namely intellectual history, manuscript studies and material culture. Its aim is not only to showcase the range of pioneering work that is currently being done in these areas, but also to provide a model for closer interaction amongst the disciplines constituting this burgeoning field of study. Furthermore, the book provides the rare opportunity to bridge the gap on an institutional level by bringing the academic and curatorial spheres into dialogue. Contributors include: Charles Burnett, Jean-Charles Coulon, Maryam Ekhtiar, Noah Gardiner, Christiane Gruber, Bink Hallum, Francesca Leoni, Matthew Melvin-Koushki, Michael Noble, Rachel Parikh, Liana Saif, Maria Subtelny, Farouk Yahya, and Travis Zadeh.
Dedicated to the topic of eroticism and sexuality in the visual production of the medieval and early modern Muslim world, this volume offers new insights and methodological models that extend our understanding of erotic and sexual subjects in the Islamic tradition. The essays shed light on the diverse socio-cultural milieus of erotic images, on the motivations underlying their production, and on the responses generated by their circulation.
This exhaustive archive is a data base program with 6,523 images comprising the unique collection of Professor K.A.C. Creswell, the pioneer of Medieval Islamic architectural history. Subjects range from Andalus to Iraq and span the 7th-18th centuries. Many of the buildings are no longer extant. Professor Creswell has photographed each image and the CD-Rom includes a textural description of each image. The database can be sorted, searched and saved in sets, and images and text can be printed from this database. (Ashmolean Museum)
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)