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This book explores Muslim communities in Southeast Asia and the integration of Islamic culture with the diverse ethnic cultures of the region, offering a look at the practice of cultural and religious coexistence in various realms. The volume traces the origins and processes of adoption, transmission, and adaptation of Islam by diverse ethnic communities such as the Malay, Acehnese, Javanese, Sundanese, the Bugis, Batak, Betawi, and Madurese communities, among others. It examines the integration of Islam within local politics, cultural networks, law, rituals, education, art, and architecture, which engendered unique regional Muslim identities. Additionally, the book illuminates distinctive examples of cultural pluralism, cosmopolitanism, and syncretism that persisted in Islamic religious practices in the region owing to its maritime economy and reputation as a marketplace for goods, languages, cultures, and ideas. As part of the Global Islamic Cultures series that investigates integrated and indigenized Islam, this book will be of interest to students and researchers of theology and religion, Islamic studies, religious history, political Islam, cultural studies, and Southeast Asian studies. It also offers an engaging read for general audiences interested in world religions and cultures.
Providing an introduction to the artistic and architectural traditions of the Islamic world, A Story of Islamic Art explores fifty case studies, taken from different regions of the Islamic world and from the seventh to the twenty-first centuries. The novel aspect of these case studies is that they are presented as fictional narratives, allowing the reader to imagine art and architecture, either in their original cultural settings or at some later point in their histories. These stories are supported by a scholarly framework that allows the reader to continue their exploration of the chosen artefacts and their historical context. The fifty case studies take the form of short stories, each of which focuses on one or more object from the Islamic world. These encompass portable items in a wide variety of media, book illustrations, calligraphy, photographs, architectural decoration, buildings, and archaeological sites. The book also provides a detailed introduction, maps, timeline, glossary, and guides for further reading. This book offers accessible answers to key questions in the scholarship on Islamic art and architecture from its earliest times to the present. The issues dealt with in each of the stories include iconography, attitudes towards representation, the role of script, the elaboration of geometric decoration, the creation of sacred and secular spaces in architecture, and the socio-cultural context of art production and consumption. Artistic interactions between the Islamic world and other regions including Europe and China are also discussed in this book. A Story of Islamic Art is an engaging and informative introduction for interested readers and students of Islamic art, history, and architecture.
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
The Princess of the Flaming Womb, the Javanese legend that introduces this pioneering study, symbolizes the many ambiguities attached to femaleness in Southeast Asian societies. Yet, despite these ambiguities, the relatively egalitarian nature of male-female relations in Southeast Asia is central to arguments claiming a coherent identity for the region. This challenging work by senior scholar Barbara Watson Andaya considers such contradictions while offering a thought-provoking view of Southeast Asian history that focuses on women's roles and perceptions. Andaya explores the broad themes of the early modern era (1500-1800) - the introduction of new religions, major economic shifts, changing patterns of state control, the impact of elite lifestyles and behaviors - drawing on an extraordinary range of sources and citing numerous examples from Thai, Vietnamese, Burmese, Philippine, and Malay societies.
The Islamic World is an outstanding guide to Islamic faith and culture in all its geographical and historical diversity. Written by a distinguished international team of scholars, it elucidates the history, philosophy and practice of one of the world's great religious traditions. Its grounding in contemporary scholarship makes it an ideal reference source for students and scholars alike. Edited by Andrew Rippin, a leading scholar of Islam, the volume covers the political, geographical, religious, intellectual, cultural and social worlds of Islam, and offers insight into all aspects of Muslim life including the Qur’an and law, philosophy, science and technology, art, literature, and film and much else. It explores the concept of an ‘Islamic’ world: what makes it distinctive and how uniform is that distinctiveness across Muslim geographical regions and through history?
Papers presented at the 2nd International Conference on Islamic Heritage Architecture and Art are contained in this volume. The conference attracted important research highlighting the significance of Islamic heritage architecture and art to the world and its influence across different regions. The papers deal with the design of many types of buildings in Islamic countries, including not only the better known public buildings like mosques, mausolea, citadels and forts, but also houses and gardens, engineering works such as bridges and dams, irrigation systems and many others which have also had a profound impact on society. Traditional architecture and urban environment in most Islamic countries is now being eroded by overemphasis on a global type of architecture and city planning. As a consequence, many regions are losing their identity. The included studies review these developments in the light of what classical Islamic urban design and architecture has to offer modern society. Research contained in this book provides an analysis of the materials employed and the types of structural elements used, particularly those unique to Islamic architecture. Associated topics covered include music, textiles and ceramics, which are essential parts of the architectural fabric. Also looked at are construction materials, including not only stone and brick but also more perishable materials like adobe, wood and reeds. The preservation of heritage features also requires the development of appropriate conservation techniques in response to the different materials used and the ways structural forms work, including under extreme conditions, such as earthquakes. Academics, researchers, practitioners and government employees actively involved in the topic of Islamic heritage architecture and art will find this publication of interest.
Just who are ‘the Malays’? This provocative study posesthe question and considers how and why the answers have changedover time, and from one region to another. Anthony Milner developsa sustained argument about ethnicity and identity in an historical,‘Malay’ context. The Malays is a comprehensiveexamination of the origins and development of Malay identity,ethnicity, and consciousness over the past five centuries. Covers the political, economic, and cultural development of theMalays Explores the Malay presence in Brunei, Singapore, Indonesia,Thailand, Cambodia, Sri Lanka, and South Africa, as well as themodern Malay show-state of Malaysia Offers diplomatic speculation about ways Malay ethnicity willdevelop and be challenged in the future
The current political events surrounding the Iranian nuclear crisis, the precarious situation in Lebanon, as well as the still unsettled fate of Iraq have resulted in a renewed interest in the Shi'ite dimension of Islam among political observers. This volume covers the phenomenon of political assertiveness among contemporary Shi'ite Muslims in the Middle East, as well as among converts in Southeast Asia. It argues that Shi'ite identities are often based on local cultural heritage and history and are - contrary to what is usually assumed by the wider public - not to be considered monolithic. Christoph Marcinkowski, award-winning Professor of Islamic Studies and Interreligious Relations at Germany's Catholic University of Eichstatt-Ingolstadt and the author of "Religion and Politics in Iraq," is currently working for Germany's Federal Interior Ministry and CIBEDO (the Christian-Muslim dialogue forum of the German Catholic Bishops' Conference) on a survey of Shi'ite organisations in Germa