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Emile Prisse d'Avennes (1807-79) spent a total of nineteen years in Egypt, traveling throughout the country to collect the stunning images that he later published in Paris in two collections, Atlas de l'histoire de l'art egyptien and L' Art arabe. It is the illustrations from the latter that make up this volume. Prisse's masterly renderings of Cairo's mosques and their decorations more than retain their impact today: they still have the power to amaze and delight, while at the same time carrying valuable historical and artistic information for specialists studying Islamic art and architecture.
Appraises the early periods of Islamic art within its own cultural framework and according to Islamic esthetics
A girl whose fortunes have plummeted from wealthy aristocrat to servant-girl. A magic hazel twig. A prince. A desperate escape from danger. This is not the story of a girl whose fairy godmother arranges her future for her. This is the story of Selena, who will take charge of her own destiny, and learn that her magic is not to be feared but celebrated.
Ever since the Arab conquest of Egypt in the seventh century, Cairo has been one of the great centers of Islam. The noted French historian Prisse d'Avennes published from 1869 to 1877 his monumental L'art arabe, a sumptuous set of plates illustrating a wide range of art treasures located in and around Cairo. In the city's mosques and palaces, Prisse d'Avennes discovered rare architectural ornaments (tiles, wood carving, paintings on walls and ceilings, woven hangings), carpets, paper appliqués, and illuminated books, and his were the first publications of most of this hitherto neglected and unknown material. Arabic Art in Color contains 50 full-color plates from these rare volumes. There are 141 designs and motifs that constitute a grammar of Islamic decorative art in its authentic colors — naturalistic florals; geometrical patterns based on hexagons, octagons, and dodecagons; Koran illuminations of incredible intricacy; animal vignettes; spots and borders of many kinds. The illustrations range from the twelfth century to the eighteenth. Artists, art historians, collectors, designers of textiles, wallpaper and packaging, craftspeople working in stained glass, rugs, mosaics, etc. and others will find this book a valuable source of pictorial information and inspiration on Islamic art and design.
Courts and the complex phenomenon of the courtly society have received intensified interest in academic research over recent decades, however, the field of Islamic court culture has so far been overlooked. This book provides a comparative perspective on the history of courtly culture in Muslim societies from the earliest times to the nineteenth century, and presents an extensive collection of images of courtly life and architecture within the Muslim realm. The thematic methodology employed by the contributors underlines their interdisciplinary and comprehensive approach to issues of politics and patronage from across the Islamic world stretching from Cordoba to India. Themes range from the religious legitimacy of Muslim rulers, terminologies for court culture in Oriental languages, Muslim concepts of space for royal representation, accessibility of rulers, the role of royal patronage for Muslim scholars and artists to the growing influence of European courts as role models from the eighteenth century onwards. Discussing specific terminologies for courts in Oriental languages and explaining them to the non specialist, chapters describe the specific features of Muslim courts and point towards future research areas. As such, it fills this important gap in the existing literature in the areas of Islamic history, religion, and Islam in particular.
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.