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"Royal Armouries, arms and armour series"--Cover.
This is a lavishly illustrated presentation of the Nasser D. Khalili Collection of Islamic Art's collection of arms and armor. The items range in date from the seventh to the nineteenth centuries A.D. In avoiding the strictly typological classification of most previous catalogues of the subject, the aim is to give a full sense of the panoply of warfare: the stirrup, the drum, and the talismanic shirt were as important to the Muslim warrior as the sword and the mail shirt. David Alexander, the leading authority on Islamic arms and armor, has provided a detailed scholarly guide to this outstanding collection.
- An introduction and overview to the arms and armor of the Indian region- The book is designed for easy use with pull out details from objects and timelines, maps and explanations of design detailsArms & Armour Of India, Nepal & Sri Lanka is a very visually-driven and broad-based introduction to the unique world of arms and armor of the Indian region, encompassing India, Pakistan, Nepal, and Sri Lanka, areas with strong martial traditions. It provides an overview of types of arms and armor, with extensive geographical and historical context with many illustrated maps, their decoration and methods of adornment, as well as the iconographic and religious symbology. A unique and valuable feature of the book is an illustrated glossary. It is specifically designed to suit the needs of anyone wanting to familiarize themselves with this topic and the region. It can serve as a reference for the novice collector, and as an image resource for experts. This would include anyone interested in arms and armor in general, antique dealers, museums, general art market, educators, and of course, collectors. There has been increased interest in both collecting and scholarship regarding Indic arms and armor. Nearly every major auction on Indian and Islamic material tends to include arms and armor.
Set in Hyderabad in the mid-nineteenth and early twentieth centuries, this book, a study of the cultural world of the Muslim soldiers of colonial India, focuses on the soldiers' relationships with the faqir holy men who protected them and the British officers they served. Drawing on Urdu as well as European sources, the book uses the biographies of Muslim holy men and their military followers to recreate the extraordinary encounter between a barracks culture of miracle stories, carnivals, drug-use and madness with a colonial culture of mutiny memoirs, Evangelicalism, magistrates and the asylum. It explores the ways in which the colonial army helped promote this sepoy religion while at the same time attempting to control and suppress certain aspects of it. The book brings to light the existence of a distinct 'barracks Islam' and shows its importance to the cultural no less than the military history of colonial India.
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
This fully illustrated study explores the armies of the Hindu, Buddhist and Jain states within what are now India, Pakistan, Bangladesh, Sri Lanka and Nepal during the period AD 500–1500, as well as Afghanistan until the early 13th century AD. Following the emergence of a distinct 'medieval Indian' civilization in the Late Classical and Early Medieval periods, there was a prolonged struggle between this civilization and that of the eastern Islamic world, concluding with the rise of the Mughal Empire at the start of the 16th century. In this fully illustrated study, David Nicolle investigates the traditions and enduring conservatism of non-Islamic medieval Indian warfare, notably evident in recruitment patterns and the significance of archery and cavalry. The role and impact of war-elephants, both positive and negative, are also considered, as well as the influence of climate and weather (notably the seasonal monsoon) on warfare in this region. As well as assessing arms and armour – contrasting the advanced technology and high status of Indian weapons (especially swords) with the remarkable lack of metallic armour in the region during this period – the author also explores siege warfare and riverine and naval warfare in South Asia. This book assesses the contributing factors identified by those who have sought to explain why the huge wealth and substantial populations of the traditional non-Islamic Indian states did not prevent their persistent failure in the face of Islamic invasion and conquest.
A detailed and spectacular overview of the arms and armours of the Collection of the Furusiyya Art Foundation. An invaluable contribution to the historical study of Islamic arms and material culture. The furusiyya is a whole of practical and theoretical knowledge related to the horse: horsemanship, hippology, veterinary medicine, art of warfa. It includes/understands also the disciplines of the fauconnery, the archery, the handling of the weapons, the fight, swimming and the set of failures, all considered as art of warfares. The Furusiyya Art Foundation's project of collecting artefacts and arms and armours relating to the arts of the Muslim fata or chevalier, commenced a little over a quarter of a century ago. Starting with a modest collection of white arms, the collection of the arts of the Muslim chevalier now numbers slightly over a thousand pieces spanning the 8th to the 18th centuries, with an accent on the early periods.
During the early medieval Islamic expansion in the seventh to eleventh centuries, al-Hind (India and its Indianized hinterland) was characterized by two organizational modes: the long-distance trade and mobile wealth of the peripheral frontier states, and the settled agriculture of the heartland. These two different types of social, economic, and political organization were successfully fused during the eleventh to thirteenth centuries, and India became the hub of world trade. During this period, the Middle East declined in importance, Central Asia was unified under the Mongols, and Islam expanded far into the Indian subcontinent. Instead of being devastated by the Mongols, who were prevented from penetrating beyond the western periphery of al-Hind by the absence of sufficient good pasture land, the agricultural plains of North India were brought under Turko-Islamic rule in a gradual manner in a conquest effected by professional armies and not accompanied by any large-scale nomadic invasions. The result of the conquest was, in short, the revitalization of the economy of settled agriculture through the dynamic impetus of forced monetization and the expansion of political dominion. Islamic conquest and trade laid the foundation for a new type of Indo-Islamic society in which the organizational forms of the frontier and of sedentary agriculture merged in a way that was uniquely successful in the late medieval world at large, setting the Indo-Islamic world apart from the Middle East and China in the same centuries. Please note that The Slave Kings and the Islamic Conquest, 11th-13th Centuries was previously published by Brill in hardback (ISBN 90 04 10236 1, still available).