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"Royal Armouries, arms and armour series"--Cover.
The book illustrates over 1,000 items of Islamic and Oriental arms and armour which represent the finest and most interesting examples originating from Islamic and Hindu cultures and beyond, including Russia, China, Tibet, Mongolia, Korea and South East Asia. All the items illustrated have passed through the hands of Robert Hales during the last 45 years. Divided into four sections: daggers, swords, firearms, and armour, with the occasional transgression, the publication also includes a useful glossary of terms. The text is concise and descriptive as well as containing information that is being published for the first time.
This is a lavishly illustrated presentation of the Nasser D. Khalili Collection of Islamic Art's collection of arms and armor. The items range in date from the seventh to the nineteenth centuries A.D. In avoiding the strictly typological classification of most previous catalogues of the subject, the aim is to give a full sense of the panoply of warfare: the stirrup, the drum, and the talismanic shirt were as important to the Muslim warrior as the sword and the mail shirt. David Alexander, the leading authority on Islamic arms and armor, has provided a detailed scholarly guide to this outstanding collection.
This lavishly illustrated volume details the armies of western and central European states and their client kingdoms in the Middle East in over three centuries of military development and almost continuous warfare -- a decisive period when Christendom, Islam, and the Mongol world came into violent and sustained conflict, this definitive study pinpoints the evolving military sciences, technologies, and practices in an era of revolutionary change.
Does Islam have a special approach to warfare and arms and armour? Do weapons from the Islamic world have particular characteristics? Publishing in conjunction with an exhibition at The David Collection in Copenhagen from 24 February to 15 August 2021, Fighting, Hunting, Impressing discusses the central issues relating to Islamic arms and armour: the types and the different contexts in which they were used in warfare, in hunting, and as symbols of social position. Other aspects include the roles of arms and armour in the Quran; their collection history from trophies to museum objects; their inscriptions; and furusiyya-literature - the manuals for the chivalrous Islamic warrior. The publication showcases 151 items of arms and armour from the Ottoman, Safavid and Mughal empires, in addition to miniature paintings that illustrate how the objects were used in their historical contexts, and supporting essays.
This book is the result of more than a decade of intensive research in the field of Iranian arms and armor, illustrating for the first time selected arrays from 10 Iranian museums. The topic is introduced with a general overview of Iranian history with particular emphasis on military history. Drawing from more than 500 sources, this study also includes an overview of the development of historical copper, bronze, iron, and steel weapons such as swords, bows, maces, axes, shields, armor, and more. In-depth information regarding the classification of the various artifacts is also presented, and different signatures on swords and other weapons are illustrated within the treatise, exploring each item in its cultural setting. A chapter dedicated to the martial arts and warrior training in ancient Iran, traces of which are still evident in the modern culture, is also featured.
The technological relationship between the three main civilizations of the Western world - Byzantium, the Islamic world and the West - most particularly in the area of arms, armour and military technology is a field of research for which Dr Nicolle is noted. This volume deals principally with Western Europe and Byzantium, which for many centuries learnt from the Muslims in these matters; several articles also focus on military interactions in the Crusader states. The work draws upon both written and archaeological sources, but above all makes use of the depictions of war and military equipment in contemporary art to examine the interconnections across the medieval world.