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"Along with a list of abbreviations and acronyms and a map of the Islamic world, a chronology lists important dates from the 6th to the end of the 20th century, and an introductory chapter outlines the history of Islam. A comprehensive bibliography guides the serious student for further research."--BOOK JACKET.
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Muslims believe that the Koran is God’s message in Arabic, revealed through the medium of the Prophet Muhammad for the guidance of the Arabs and subsequently for all humanity. There is both unity and variety in the Islamic world. Muslims are not a homogeneous people who can be explained solely by their normative texts: the Koran and the Sunnah. Muslims differ vastly in their interpretation of Islam: modernists want to reinterpret Islam to adapt to the requirements of modern times while traditionalists tend to look to the classical and medieval periods of Islam as their model of the Islamic state. This third edition of Historical Dictionary of Islam contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on major sects, schools of theology, and jurisprudence, as well as aspects of Islamic culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Islam.
Part II deals with agricultural science, alchemy, chemistry and chemical technology, mining and metallurgy military technology, textiles and manufacturing industries, mechanical technology, civil engineering, navigation and ship-building, medicine and pharmacy. Historians of Islamic science tend to limit their studies to the period up to the 16tb century but, Part II of this volume also deals with the continuation of science and technology in the Ottoman Empire, India and Iran.
A vital reference for everyone interested in Islamic inscriptions on buildings, objects and works of art. This beautifully illustrated book explains the importance of Islamic inscriptions and places them expertly in their historical and cultural context. It shows you how to decipher and interpret inscriptions and provides a standard for recording them. In addition, a fully annotated bibliography provides further reading on all aspects of Islamic epigraphy. Winner of the British Kuwait Friendship Society Al-Mubarak Prize 1999 for the best academic work on the Middle East