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When first published in 1926 this book aroused much controversy. The theory expounded in the book was that Islamic sources in general, and the writings of Ibn al-`Arabi in particular, formed the basis of Dante’s poem Divine Comedy, the poem which symbolised the whole culture of medieval Christianity. The book shows how fundamental Muslim legends of the nocturnal journey and of the ascension of the Prophet Muhammed appear in Dante’s writings.
Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a “night journey” taken by Muhammad. Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur’an and of Islamic philosophy and science in Dante’s day and explores the bases for Dante’s images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.
Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. For it is only by encountering Satan, in the heart of Hell, that he can truly understand the tragedy of sin.
These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.
The Divine Comedy has been a cornerstone of Western literature for the better part of a millennium. In this work, Joseph Gallagher brings the power and prestige of this medieval classic to a new generation of readers--taking them on a guided tour through heaven, purgatory, and hell. (Formerly titled To Hell and Back with Dante) Paperback
Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
The Prophet of Islam in Old French gives the first English translation of the only medieval French narratives that present comprehensive accounts of Muhammad's prophethood: Alexandre du Pont's Romance of Muhammad from 1258 and the 1264 translation of a Muslim apocalypse, The Book of Muhammad's Ladder. The introduction addresses the problems of the romance's divergence from conventional Christian representations of Muhammad's confirmation as prophet and the absence of Christian commentary in the apocalypse. It discusses the traditions regarding Muhammad's prophethood, the conventions of the apocalyptic genre, and the propagandistic aims of both narratives in relation to the crusades and missionary activity at that time. These works are of particular interest because they are the first to present to a French lay audience the topic of Muhammad's prophethood, and scholars have long debated whether the apocalypse influenced Dante's Divine Comedy.
Irshad Manji's message of moral courage, with stories about contemporary reformers such as Martin Luther King, Jr., Gandhi, and Islam's own Gandhi, inspire and show the way to practicing faith without fear. Irshad addresses all people, Muslim and non-Muslim alike, in this universal message about the importance of independent thought and internal strength, of love, liberty, free speech, and the pursuit of happiness. Allah, Liberty, and Love is about creating choices beyond conforming or leaving the faith, which is what Manji hears from young Muslims who write to her in frustration, whose emails, letters, and conversations are included in this book. Manji writes, "I'll show struggling Muslims how to embrace a third option: reforming ourselves." And she recounts many affecting stories from young people who have contacted her for advice on how to step out of limiting views of Islam and the restrictions they put on life, love, family, and careers.
The Sufi mystic Muhammad Ibn 'Arabi (1165-1240 CE) is known to this day as "The Greatest Sheikh" throughout the Islamic world. He was given the title Muhyiddin (Reviver of the Faith), and was also known as Doctor Maximus (the greatest teacher) in the West.This book, by Catholic priest and Arabic Scholar Miguel As�n Palacios, provides a biography of this fascinating mystic, followed by extracts from a number of Ibn 'Arabi's books. With this translation, most of these extracts are now available in English for the first time. The book also includes As�n Palacios' contention that Sufism emerged from the influence of Eastern Christian monasticism on Islam. The author's previously translated books Islam and the Divine Comedy and Saint John of the Cross and Islam have traced the reverse influence, of Sufism on Christianity. Here we see that the influence flowed in both directions.In a time when understanding Islam is of vital importance in the West, realizing the close relationship between Christianity and Islam can serve as a counterbalance to stereotyping and hopefully open deeper avenues of conversation between followers of these two major world religions. And for all those with an interest in Sufism or mysticism in general, these newly accessible writings of Ibn 'Arabi will be a rich treasure.