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This work is a complete English translation of the Latin Etymologies of Isidore, Bishop of Seville (c.560–636). Isidore compiled the work between c.615 and the early 630s and it takes the form of an encyclopedia, arranged by subject matter. It contains much lore of the late classical world beginning with the Seven Liberal Arts, including Rhetoric, and touches on thousands of topics ranging from the names of God, the terminology of the Law, the technologies of fabrics, ships and agriculture to the names of cities and rivers, the theatrical arts, and cooking utensils. Isidore provides etymologies for most of the terms he explains, finding in the causes of words the underlying key to their meaning. This book offers a highly readable translation of the twenty books of the Etymologies, one of the most widely known texts for a thousand years from Isidore's time.
This is the first complete English translation of De Ecclesiasticis Officiis (DEO) of St. Isidore of Seville (d. 636), considered the last Latin father of the church. The work is an invaluable source of information about liturgical practice and church offices.
A standard work in nineteen chapters from leading international scholars on bishop Isidore of Seville (d. 636), addressing the contexts in which the seventh-century bishop lived and worked, exploring his key works and activities, and finally considering his later reception.
Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.
In Isidore of Seville and the “Liber Iudiciorum,” the author re-interprets the meaning and “function” of the seventh-century Visigothic law-code, the Liber Iudiciorum within the context of the cooperative competition of history-writing between nodes of power in Seville and Toledo.
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The theology of sacred or clerical orders of the Latin Church in the high and later Middle Ages developed from an amalgam of texts written from late patristic antiquity through to the early 12th century. Such texts, many studied and edited here, include letters, tracts, sermons, liturgical commentaries, ordination instructions, and canon law pieces. Within these texts multiple topics might be considered, such as the Old and New Testament origins of each of the clerical grades, their number and hierarchical ranking, the duties, dress and moral conduct of a cleric, and ordination ritual. Particularly striking are the multiple duties assigned each grade and their modification in various parts of the Western Church. Many of these texts found their way not only into more formal theological treatments of sacred orders, but also into ordination rites. Probably the most public and visible duty of a cleric was his function as a eucharistic officer, and one essay in this collection deals with perhaps the most famous early medieval depiction of this clerical ritual on the ivory covers of the 9th-century Drogo Sacramentary.
Karl Valentin once asked: "How can it be that only as much happens as fits into the newspaper the next day?" He focussed on the problem that information of the past has to be organised, arranged and above all: selected and put into form in order to be perceived as a whole. In this sense, the process of selection must be seen as the fundamental moment – the “Urszene” – of making History. This book shows selection as highly creative act. With the richness of early medieval material it can be demonstrated that creative selection was omnipresent and took place even in unexpected text genres. The book demonstrates the variety how premodern authors dealt with "unimportant", unpleasant or unwanted past. It provides a general overview for regions and text genres in early medieval Europe.
This encyclopedia by the seventh century bishop of Seville, an important source for the history of intellectual culture in the early middle ages, gathers together the elements of secular learning and adds a great deal of ecclesiastical information. Its wide use in medieval education is attested by the more than a thousand extant manuscripts, second only to the number of manuscripts of the Bible.Isidore sets out the etymology or true meaning of words - to him, the fundamental means to all knowledge.