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DIVIshmael Reed’s parody of slave narratives—the classical literature of the African American tradition—which redefined the neo-slave genre and launched a lucrative academic industry/divDIV Some parodies are as necessary as the books they answer. Such is the case with Flight to Canada, Ishmael Reed’s scathing, offbeat response to conventional anti-slavery novels such as Uncle Tom’s Cabin. Though Flight to Canada has been classified by some as a “post race” novel, the villains and the heroes are clear./divDIV /divDIVThree slaves are on the run from the Swille plantation. Among them, the most hotly pursued is Raven Quickskill, a poet who seeks freedom in Canada, and ultimately hopes to return and liberate others. But this particular Civil War–era landscape is littered with modern elements, from Xerox copiers to airplanes, and freely reimagines historic figures as sacred as Abraham Lincoln. A comedy flashing with insight, Flight to Canada poses serious questions about history and the complex ways that race relations in America are shaped by the past. /divDIV /divDIVThis ebook features an illustrated biography of Ishmael Reed including rare images of the author./div
Masochism is out and feminism is in, Jews are out and Germans are in, race is out and gender is in, and everyone's fighting (and rewriting) for a piece of the pie. Jewish director Jim Minsk disappears during a trip to the South. Black playwright Ian Ball writes the all-female play Reckless Eyeballing in hopes of getting off the "sex-list." Preeminent playwright Jack Brashford, claiming the Jews stole all his black material, decides to write about Armenians. In the background, an unknown assailant dubbed the "Flower Phantom" runs loose through the city shaving heads of prominent black feminists (to the secret delight of black men).In this hilarious, devastating, but also deeply sympathetic novel, Ishmael Reed turns characters on the backs, sides, tops and bottoms to expose the multiple hypocrisies at the heart of American culture.
DIVDIVIshmael Reed’s inspired fable of the ragtime era, in which a social movement threatens to suppress the spread of black culture—hailed by Harold Bloom as one of the five hundred greatest books of the Western canon/divDIV In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the “Jes Grew” epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they’ll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a “Talking Android,” an African American who will infiltrate the unruly black communities and help crush the outbreak. But PaPa LaBas, a houngan voodoo priest, is determined to keep his ancient culture—including a key spiritual text—alive. /divDIV /divDIVSpanning a dizzying host of genres, from cinema to academia to mythology, Mumbo Jumbo is a lively ride through a key decade of American history. In addition to ragtime, blues, and jazz, Reed’s allegory draws on the Harlem Renaissance, the Back to Africa movement, and America’s occupation of Haiti. His style throughout is as avant-garde and vibrant as the music at its center./divDIV /divDIVThis ebook features an illustrated biography of Ishmael Reed including rare images of the author./div/div
Tato kniha se zaměřuje na tvorbu afroamerického spisovatele Ishmaela Reeda a sleduje, jak se napříč jeho padesátiletou románovou tvorbou proměňuje způsob, jímž autor uplatňuje satiru. Přestože je každý Reedův román originálním knižním počinem, v uplatnění satiry lze najít jisté pravidelnosti a vývojové tendence. Zatímco v Reedově rané satiře převládá společenská kritika založená na zobrazení nestandardní sexuality, v jeho současnější satiře (čímž je označována autorova románová tvorba od roku 1993 dále) dominuje společenská kritika založená na argumentaci. Uvedené mody satiry jsou v knize dále propojeny se dvěma druhy amerického rasismu, s rasismem zjevným a skrytým. Kniha dokládá, že spolu s tím, jak se zjevný rasismus stal v americkém společenském diskurzu nepřípustným a byl nahrazen rasismem skrytým, aktualizoval Ishmael Reed svoji satiru, aby i nadále zůstala efektivním modem společenské kritiky. Kniha je určena pro čtenáře z řad odborné i širší veřejnosti, kteří mají zájem o tvorbu Ishmaela Reeda i afroamerickou literaturu obecně. Inspirativní může být i pro ty, jež se zajímají o žánr satiry a její vývoj.
“That’s a lot of horse hockey, Hamilton.” Described by the New York Times as “classic activist theater” and “a cross between ‘A Christmas Carol’ and a trial at The Hague’s International Criminal Court.” "In this, his latest work, the protean Ishmael Reed--the legendary artist and prolific writer--continues to burnish his already sterling reputation by dismantling the 'Creation Myth' of the founding of the U.S., as represented in the incredibly profitable play and musical, Hamilton. Reed, a verbal acrobat of global renown, demonstrates here why he is widely considered to be the leading intellectual in the U.S. today." -Gerald Horne, author of The Counter-Revolution of 1776: Slave Resistance and the Origins of the USA This powerful play, originally produced at the Nuyorican Poets Café, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical’s crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective – it is a meticulously researched rebuttal, an absorbing drama, and brilliant rallying cry for justice. The perfect tie-in to both the success of and backlash to Hamilton, it is the major voice in contrast to the recent movie. It captures both the earnest engagement that fans of the musical desire, as well as the exhausted disbelief of those who can’t stand it. Teachers, students and fans of drama, literature, and history will find much to love. It is written by one of America’s most respected and original writers, who is eagerly promoting it, and who is long overdue for a renaissance.
"The Last Days of Louisiana Red blends paradox, hyperbole, understatement and signifyin' so expertly you can almost hear a droll black voice telling the tales as you read it." The New Republic
When Ishmael Reed wrote The Terrible Twos about the American infantile need for instant gratification, he could not have realized that during the week of June 29, 2020, journalist Nicole Wallace would be referring to a president as a "toddler." Part science fiction, part Washington Novel and part Christmas Novel, The Terrible Fours follows The Terrible Twos (1982) and The Terrible Threes (1989). Some characters have been dropped and some of the principals are back. St. Nicholas is here, but his sidekick Black Peter, who appeared in The Terrible Twos, has been shelved to the Epilog. In The Terrible Threes, former president Dean Clift, who was removed from office after a bizarre television address, disappeared with his entourage while en route to resume his presidency after Supreme Court justice, Nola Payne, casts the vote that declared his removal from office under the 25th Amendment unconstitutional. Televangelist Clement-Jones still runs the White House and continues to humiliate his hand-picked president Jesse Hatch whom he is blackmailing. "The Rapture," that Jones and figurehead president Jesse Hatch promised, hasn't arrived. Realizing that the Catholic Church has been losing
In Patrick McGee's account of Ishmael Reed's fiction from the perspective of gender and race theory, Ishmael Reed and the Ends of Race makes a case for the relevance of such fiction to the understanding of contemporary American and Black diasporic cultures.
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
A collection representing "the authentic voice of the new Rainbow America," including African American, Native American, Asian American and Euro-ethnic.