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A maverick in the history of photography, Ishiuchi Miyako (b. 1947) burst onto the scene in Tokyo during the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, Ishiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka — site of an important American naval base since 1945 — Ishiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of Ishiuchi’s extended exploration of the American occupation and the shadows it cast over postwar Japan. Ishiuchi has since addressed the theme of occupation both indirectly — through her photographs of scars, skin, and other markers of time on the human body — and more explicitly, with her images of garments and accessories once owned by victims of the atomic blast in Hiroshima. Essays featured in this volume reveal the past as the wellspring of Ishiuchi’s work and the present moment as her principal subject. Ishiuchi Miyako: Postwar Shadows — which includes a selection of more than 100 works — is published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015, to February 21, 2016.
Frida by Ishiuchi is the first photographic documentation ever published of Mexican artist Frida Kahlo's personal attire and belongings, as portrayed by Japanese artist Miyako Ishiuchi. The victim of a nearly fatal bus accident as a young woman, Kahlo used fashion to channel her resulting physical difficulties into courageous statements of heritage, strength and beauty. Also focusing on the ways in which Kahlo used her iconic style to project her feminist and socialist beliefs, Ishiuchi's color photographs transform Kahlo's dresses, corsets, shoes, gloves, jewelry and other accessories into objects freighted with personal struggle, cultural awareness and sartorial inventiveness. Following Ishiuchi's acclaimed series Mothers and Hiroshima, this collection provides a special look at a very intimate dimension of Frida Kahlo's universe.
Japanese photographer Miyako Ishiuchi, one of the most respected and compelling photographers of her generation, is the 34rd recipient of the prestigious Hasselblad Foundation International Award in Photography. This publication celebrates her artistic achievements with a thorough presentation of the main themes in her work: remembrance, fabric, and the body. A significant feature in her work is the meaning and treatment of surface, whether the human skin, the materiality of an object, or personal clothing.
Following the huge success of Swimming Pool, Mária returns with a new collection of her photography in a limited edition book.
During the 1960s and 70s in Japan, the photobookthrough a combination of excellence in design, printing, and materialsovertook prints as a popular mode of artistic dissemination. This process has expanded to an extent where any discussion of Japanese photography now has to include the book work. Today, the most famous workssuch as Nobuyoshi Arakis Sentimental Journey and Eikoh Hosoes Man and Womancontinue to inspire artists internationally. Japanese Photobooks of the 1960s and 70s presents forty definitive publications from the era, piecing together an otherwise invisible history that has played out in tandem with photography as a medium. Included are some of the most influential works along with forgotten gems, placed within a larger historical and sociological context. Each book, beautifully reproduced through numerous spreads, is accompanied by an in-depth explanatory text and sidebars highlighting important editors, designers, themes, and periodicals. Lavishly produced, this unique publication is an ode to the distinct character and influence of the Japanese photobook.
Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is always on the road, a lone traveller whose black-and-white images recount visions and worlds hidden just beneath the surface of reality. This book contains 250 photographs taken over the latest five years. A constant flow of images that is often frenetic or suddenly suspended, following the rhythm of an unfettered, restless life spent travelling the roads of the world. Daido Moriyama (born 1938) is one of the most important living photographers and photobook makers.
18 contributed articles interspersed with 21 short studies (one page of text and 3 pages of pictures) of particular artists/photographers.
"This book offers a discovery: for the first time a comprehensive monograph explores the entire oeuvre of photographic artist Jan Groover (1943-2012), whose personal collection was transferred to the Swiss-based Musée de l'Elysée in 2017. Generously illustrated, 'Jan Groover, photographer: laboratory of forms' traces the artist's career from the beginnings in America to her late years in western France. Having started her career as a painter, when she turned to photography in the 1970s she developed a distinct artistic attitude that saw her amalgamate the disciplines of photography and painting. She was especially known for her carefully composed photographic still-lifes. Essays on her life and work, her significance as an artist, alongside a very personal contribution by her husband, French artist and critic Bruce Boice, complement the images."--Back cover.
Celebrating Daido Moriyama's 2019 Hasselblad Award in a concise overview, with testimonies from his many collaborators and admirers With its generous image flow, this book celebrates Japanese photographer Daido Moriyama (born 1938) as the 2019 Hasselblad Award winner and his highly influential, lifelong, radical and authentic approach to photography. A Diary draws on his daily photographic expeditions, resulting in a body of work charged with fragments, repetitions, chance and chaos. His production of images is enormous, and whereas some photographs have become iconic and reappear in numerous books and exhibitions, it is always possible to encounter more unknown works. In order to exemplify the long-term and wide-range impact of Daido Moriyama's photography, this publication not only presents an overview and analysis of his work by Sandra Phillips, but it also includes shorter personal notes from people who have encountered and worked with him over the years, such as Simon Baker, Mark Holborn, Hervé Chandès, Nick Rhodes and Ishiuchi Miyako.
Through a carefully curated selection of quotations, images and interviews, Photographers on Photography reveals what matters most to the masters. With enlightening text by Henry Carroll, author of the internationally bestselling Read This If You Want To Take Great Photographs series, you'll discover how the giants of the genres developed their distinctive visual styles, the core ideas that underpin their practice and, most importantly, what photography means to you.