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In the seventeenth century, the Persian city of Isfahan was a crossroads of international trade and diplomacy. Manuscript paintings produced within the city’s various cultural, religious, and ethnic groups reveal the vibrant artistic legacy of the Safavid Empire. Published to coincide with an exhibition at the Getty Museum, Book Arts of Isfahan offers a fascinating account of the ways in which the artists of Isfahan used their art to record the life around them and at the same time define their own identities within a complex society.
An immense building campaign, initiated in 1590-91 at the millennial threshold of the Islamic calendar (1000 A.H.), transformed Isfahan from a provincial, medieval, and largely Sunni city into an urban-centered representation of the first Imami Shi'i empire in the history of Islam.This beautifully illustrated history of Safavid Isfahan (1501-1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early-modern and Perso-Shi'i practice of kingship.The historical process of Shi'ification of Safavid Iran and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household informs Sussan Babaie's fascinating study.
Following the establishment of the Islamic Republic of Iran in 1979, photographs of women uncovered were forbidden, resulting in the burning down of many photographers' studios. This work is a collection of pioneering photographs from the early twentieth century, which offers a window on the changing face of Iranian society during that period.
Renowned as great centres of learning, the cities of Baghdad and Isfahan were at the heart of the Islamic 'age of science'. Their distinct cultural voices inspired a unique historical dialogue, which finds new expression in Baghdad and Isfahan: A Dialogue of Two Cities in an Age of Science, the story of how knowledge was transmitted and transformed within Islamic lands, and then spread across the globe. Charting the history of Baghdad and Isfahan from 750 to 1750, Elaheh Kheirandish draws on the voices of court astronomers, mathematicians, scientists, mystics, jurists, statesmen and Arabic and Persian translators and scholars. Telling the story of the rise of Baghdad and the decline of Isfahan, as capital cities and as centres of intellectual thought, this unique book addresses Islamic culture's extensive and lasting contribution to the history of science. Kheirandish bases her narrative on a unique medieval manuscript and other historical sources and the result is more than a thousand-year "tale of two cities"-it is a city by city, and century by century, look at what it took to change the world. In a feat of travelogue and time travel, Kheirandish creates parallel stories with modern and historical characters, crossing cities worldwide, and capturing changes through time.
Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city at the transformative moment it became a cosmopolitan center of imperial rule. Bringing into view people's lives from a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves. Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.
A vibrant urban settlement from medieval times and the royal seat of the Safavid dynasty, the city of Isfahan emerged as a great metropolis during the seventeenth century. Using key sources, this book reconstructs the spaces and senses of this dynamic city. Focusing on nuances of urban experience, Farshid Emami expands our understanding of Isfahan in a global context. He takes the reader on an evocative journey through the city’s markets, promenades, and coffeehouses, bringing to life the social landscapes that animated the lives of urban dwellers and shaped their perceptions of themselves and the world. In doing so, Emami reveals seventeenth-century Isfahan as more than a cluster of beautiful monuments and gardens. It was a cosmopolitan city, where senses and materials, nature and artifice, and ritual and sociability acted in unison, engendering urban experiences that became paramount across the globe during the early modern period. Drawing extensively on Persian literary and visual sources, including the “Guide for Strolling in Isfahan,” this book casts new light on the history of a major Eurasian city and opens up new possibilities for cross-cultural studies of urban experience in the early modern period.
The Saljuq period of the eleventh and twelfth centuries saw the arrival in Iran of Türkmen nomads from Central Asia and the beginning of Turkish rule. Through the example of the city of Isfahan, the book analyses the internal evolution of Iranian society in this period and the interaction of the Iranian elites and Turkish rulers. Drawing on an analysis of a wide range of sources, including poetic and epistolary material, this study fills an historiographical gap and casts new light on the two centuries prior to the Mongol invasion. This comprehensive analytical study provides a new contribution to the understanding of many crucial issues: the cultural divide between Western and Eastern Iran; the military potential of city-dwellers; the attitude of the Turkish rulers toward cities and city life; the action of the famous vizier Nizam al-Mulk; the meaning of the Ismaili uprising; and above all the structure of the local elite, organized into rival networks and largely autonomous vis-à-vis state powers. The study is enhanced by a variety of additional features, including extensive genealogical tables, Arabic script and maps. Providing a new understanding of the cultural identity of Iran, this book is an important contribution to the study of the history of Iran and the Medieval period.