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*SOON TO BE A MAJOR MOTION PICTURE STARRING BRAD PITT AND SANDRA BULLOCK* Satoshi looks like an innocent schoolboy but he is really a viciously cunning psychopath. Kimura's young son is in a coma thanks to him, and Kimura has tracked him onto the bullet train heading from Tokyo to Morioka to exact his revenge. But Kimura soon discovers that they are not the only dangerous passengers onboard. Nanao, the self-proclaimed 'unluckiest assassin in the world', and the deadly partnership of Tangerine and Lemon are also travelling to Morioka. A suitcase full of money leads others to show their hands. Why are they all on the same train, and who will get off alive at the last station?
A dark, satirical thriller by the bestselling Japanese author, following the perilous train ride of five highly motivated assassins—soon to be a major film from Sony starring Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, and Benito A Martínez Ocasio, and more Satoshi—The Prince—looks like an innocent schoolboy but is really a stylish and devious assassin. Risk fuels him, as does a good philosophical debate, such as questioning: Is killing really wrong? Kimura’s young son is in a coma thanks to The Prince, and Kimura has tracked him onto a bullet train heading from Tokyo to Morioka to exact his revenge. But Kimura soon discovers that they are not the only dangerous passengers on board. Nanao, also nicknamed Ladybug, the self-proclaimed “unluckiest assassin in the world,” is put on the bullet train by his boss, a mysterious young woman called Maria, to steal a suitcase full of money and get off at the first stop. The lethal duo of Tangerine and Lemon are also traveling to Morioka, and the suitcase leads others to show their hands. Why are they all on the same train, and who will make it off alive? A bestseller in Japan, Bullet Train is an original and propulsive thriller that fizzes with incredible energy as its complex net of double-crosses and twists unwinds up to the last station.
A New York Times Book Review Editors' Choice Pick By the internationally bestselling author of Bullet Train, the high-octane new thriller, set in Tokyo’s criminal underworld, pits an ordinary man against a group of talented and very unusual assassins Three Assassins is the high-stakes, high-style, and utterly propulsive follow-up to Kotaro Isaka’s international bestseller, Bullet Train, a Crime Reads "Most Anticipated Book of 2021." Suzuki is an ordinary man until his wife is murdered. To get answers and his revenge, Suzuki abandons his law-abiding lifestyle and takes a low-level job with a front company operated by the crime gang Maiden, who are responsible for his wife’s death. Before long, Suzuki finds himself caught up in a network of quirky and highly effective assassins: The Cicada is a knife expert. The Pusher nudges people into oncoming traffic. The Whale whispers bleak aphorisms to his victims until they take their own lives. Intense and electrifying, Three Assassins delivers a wild ride through the criminal underworld of Tokyo, populated by contract killers who are almost superhumanly good at their jobs.
An epic manhunt begins when Masaharu Aoyagi, an unemployed delivery truck driver, is accused of the assination of Sadoyoshi Kaneda, the youngest prime minister in Japanese history.
In 1912, just over a year after returning from his studies at Columbia and Oxford, the thirty-year-old Pixley ka Isaka Seme succeeded where others had failed in forming a political organisation that represented all black South Africans. Seme also established a national newspaper, became one of the pioneering black lawyers in South Africa, bought land from white farmers for black settlement at the time when opposition to it was gaining momentum, became an adviser and confidant to African royalty, and was considered a leading visionary for black economic empowerment. And yet, when he became president general of the ANC in the 1930s, he brought it to its knees through sheer ineptitude and an authoritarian style of leadership. On more than one occasion he was found guilty for breaching the law, which partly led to him being struck off the roll of attorneys. This book discusses in detail Seme’s extraordinary life, tracing it back to his humble beginnings at Inanda Mission to his triumphs and disappointments across the continents, in his public and private life. When Seme died in 1951 he was bankrupt and his political standing had suffered greatly. And yet he was praised as one of the greatest South Africans ever to have lived. For all this, he has largely been forgotten. This biography brings the remarkable life of this extraordinary South Africa back to public consciousness.
Kabuki is well known for its exaggerated acting, flamboyant costumes and makeup, and unnatural storylines. The onnagata, usually male actors who perform the roles of women, have been an important aspect of kabuki since its beginnings in the 17th century. In a “labyrinth” of gendering, the practice of men playing women’s roles has affected the manifestations of femininity in Japanese society. In this case study of how gender has been defined and redefined through the centuries, Maki Isaka examines how the onnagata’s theatrical gender “impersonation” has shaped the concept and mechanisms of femininity and gender construction in Japan. The implications of the study go well beyond disciplinary and geographic cloisters.
Originally published in 1977, this volume completes with a wealth of case material and against the background of a whole century, Monica Wilson's detailed study of the Nyakyusa-Ngonde people of Tanzania and Malawi. The unusual age-village system for which the Nyakyusa are well known has broken down under the economic presures of the prohibition of cattle raiding, lad shortage and labour migration and the changing values of the 20th century. The book traces the roots of these developments which are parallelled in many parts of Africa and emphasize the zig-zag nature of the path of social change.
This book is a historical study of modern Gujarat, India, addressing crucial questions of language, identity, and power. It examines the debates over language among the elite of this region during a period of significant social and political change in the late nineteenth and early twentieth centuries. Language debates closely reflect power relations among different sections of society, such as those delineated by nation, ethnicity, region, religion, caste, class, and gender. They are intimately linked with the process in which individuals and groups of people try to define and project themselves in response to changing political, economic, and social environments. Based on rich historical sources, including official records, periodicals, literary texts, memoirs, and private papers, this book vividly shows the impact that colonialism, nationalism, and the process of nation-building had on the ideas of language among different groups, as well as how various ideas of language competed and negotiated with each other. Language, Identity, and Power in Modern India: Gujarat, c.1850–1960 will be of particular interest to students and scholars working on South Asian history and to those interested in issues of language, society, and politics in different parts of the modern world.
This “fascinating historical account” of a Christian mission in Niger offers a personal and richly detailed look at religious institutions in the region (Religious Studies Review). Barbara M. Cooper looks closely at the Sudan Interior Mission, an evangelical Christian mission that has taken a tenuous hold in a predominantly Hausa Muslim area on the southern fringe of Niger. Based on sustained fieldwork, personal interviews, and archival research, this vibrant, sensitive, compelling, and candid book gives a unique glimpse into an important dimension of religious life in Africa. Cooper’s involvement in a violent religious riot provides a useful backdrop for introducing other themes and concerns such as Bible translation, medical outreach, public preaching, tensions between English-speaking and French-speaking missionaries, and the Christian mission’s changing views of Islam.