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THE STORY: As the play begins we are in Hollywood, where a failed author has been offered a contract to write a film on the life and loves of Isadora Duncan. Reluctant at first, he decides to go ahead with the project, and as he creates the various
THE STORY: As the play begins, the young Henri de Toulouse-Lautrec is already in rebellion against the constraints of his noble breeding and background, and determined to become an artist. Heading for Paris, he takes up residence in a bordello (muc
Geographic Personas explores how writers, dancers, actors, imposters, and con artists were influenced by three transformative factors—population growth, technology, and literary realism—that contributed to their personal reinvention during the late nineteenth and twentieth centuries in the American West.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"Theatre reviews is a complete guide and record of the New York stage, reprinted from New York sun, New York times, New York herald tribune, New York post, New York daily news, New York world telegram" 1940- ; reprinted from the New York daily news, Wall Street journal, Time, New York post, Women's wear daily, New York times, Christian science monitor, Newsweek, NBC ,1976-
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.
THE STORIES: AUTO-DESTRUCT. Briefly described, the action of the play is the story of a man who robbed the Bank of Mexico and married a gas station attendant. To be sure, there's a bank robbery; a double-cross; a getaway scene; and a passel of sn
THE STORY: The scene is a small town in South Carolina, where Hodge, a Vietnam veteran, shares his house with Vernie, his childlike girlfriend, and Sheryl, the widow of a talented but obscure novelist and a close friend of his late mother. Nervous