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Explore the work of a founding father of the mechanical philosophy of nature, Isaac Beeckman (1588–1637). The contribution of the Dutch craftsman and scholar Isaac Beeckman to early modern scientific thought has never been properly acknowledged. Surprisingly free from the constraints of traditional natural philosophy, he developed a view of the world in which everything, from the motion of the heavens to musical harmonies, is explained by reducing it to matter in motion. His ideas deeply influenced Descartes and Gassendi. Klaas van Berkel has succeeded in unearthing and explicating Beeckman's scientific notebooks, allowing us to follow how he developed his new philosophy, almost day by day. Beeckman was almost forgotten until the discovery of his notebooks in the early twentieth century. Isaac Beeckman on Matter and Motion is the first full-length study of the ideas and motives of this remarkable figure. Van Berkel's important study first relates Beeckman's life, placing him in the religious, intellectual, educational, and social context of the Dutch Republic in its golden age. Van Berkel then analyzes the notebooks themselves and the nature and development of Beeckman's "mechanical philosophy." He demonstrates how Beeckman's artisanal background and religious convictions shaped his natural philosophy, even as the decisive influence stems from the educational philosophy of the sixteenth-century French philosopher Peter Ramus. Historians of science and the philosophy of science will find the substance of Beeckman's thought and the unraveling of its growth and development highly interesting. Van Berkel's account provides a new and comprehensive interpretation of the origins of the mechanical philosophy of nature, the philosophy that culminated in the work of Isaac Newton.
"Historians of science and the philosophy of science find the substance and stance of Isaac Beeckman's thought highly interesting, for it represented an early attempt to develop a comprehensive picture of the world by means of mechanistic theory, that is, forces acting upon one another. Besides possibly influencing Descartes, this view broke away from medieval religious assumptions and belief in occult forces. Berkel teases out Beeckman's evolving approach to nature by means of his extensive journals, explaining the leading concept of "picturability." Beeckman supplied a stepping stone (one still not widely appreciated) on the path that led to the scientific revolution"--
The Cambridge Descartes Lexicon is the definitive reference source on René Descartes, 'the father of modern philosophy' and arguably among the most important philosophers of all time. Examining the full range of Descartes' achievements and legacy, it includes 256 in-depth entries that explain key concepts relating to his thought. Cumulatively they uncover interpretative disputes, trace his influences, and explain how his work was received by critics and developed by followers. There are entries on topics such as certainty, cogito ergo sum, doubt, dualism, free will, God, geometry, happiness, human being, knowledge, Meditations on First Philosophy, mind, passion, physics, and virtue, which are written by the largest and most distinguished team of Cartesian scholars ever assembled for a collaborative research project - 92 contributors from ten countries.
In this first book-length treatment of Descartes' important and influential natural philosophy, Daniel Garber is principally concerned with Descartes' accounts of matter and motion—the joint between Descartes' philosophical and scientific interests. These accounts constitute the point at which the metaphysical doctrines on God, the soul, and body, developed in writings like the Meditations, give rise to physical conclusions regarding atoms, vacua, and the laws that matter in motion must obey. Garber achieves a philosophically rigorous reading of Descartes that is sensitive to the historical and intellectual context in which he wrote. What emerges is a novel view of this familiar figure, at once unexpected and truer to the historical Descartes. The book begins with a discussion of Descartes' intellectual development and the larger project that frames his natural philosophy, the complete reform of all the sciences. After this introduction Garber thoroughly examines various aspects of Descartes' physics: the notion of body and its identification with extension; Descartes' rejection of the substantial forms of the scholastics; his relation to the atomistic tradition of atoms and the void; the concept of motion and the laws of motion, including Descartes' conservation principle, his laws of the persistence of motion, and his collision law; and the grounding of his laws in God.
This book examines the life and works of Santorio Santori and his impact on the history of medicine and natural philosophy. Reputed as the father of experimental medicine and procedures, he is also known for his invention of numerous scientific instruments, including early precision medical devices (pulsimeters, hygrometers, thermometers, anemometers), as well as clinical and surgical tools. The chapters in this volume explore Santorio’s legacy through the seventeenth and eighteenth centuries. They highlight the role played by medical practitioners such as Santorio in the development of corpuscularian ideas, central to the ‘new science’ of the period, and place new emphasis on the role of the life sciences, chemistry and medicine in encouraging new forms of experimentation and instrument-making. Chapters 1 and 2 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Richard Baxter, one of the most famous Puritans of the seventeenth century, is generally known as a writer of practical and devotional literature. But he also excelled in knowledge of medieval and early modern scholastic theology, and was conversant with a wide variety of seventeenth-century philosophies. Baxter was among the early English polemicists who wrote against the mechanical philosophy of René Descartes and Pierre Gassendi in the years immediately following the establishment of the Royal Society. At the same time, he was friends with Robert Boyle and Matthew Hale, corresponded with Joseph Glanvill, and engaged in philosophical controversy with Henry More. In this book, David Sytsma presents a chronological and thematic account of Baxter's relation to the people and concepts involved in the rise of mechanical philosophy in late-seventeenth-century England. Drawing on largely unexamined works, including Baxter's Methodus Theologiae Christianae (1681) and manuscript treatises and correspondence, Sytsma discusses Baxter's response to mechanical philosophers on the nature of substance, laws of motion, the soul, and ethics. Analysis of these topics is framed by a consideration of the growth of Christian Epicureanism in England, Baxter's overall approach to reason and philosophy, and his attempt to understand creation as an analogical reflection of God's power, wisdom, and goodness, or vestigia Trinitatis. Baxter's views on reason, analogical knowledge of God, and vestigia Trinitatis draw on medieval precedents and directly inform a largely hostile, though partially accommodating, response to mechanical philosophy.
Bilingual Europe makes clear that Latin played an important role in European culture for a much longer period than we thought and it explores how and why this was so.
Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds.
The difference between Pierre Gassendi's (1592-1655) and René Descartes' (1596-1650) versions of the mechanical philosophy directly reflected the differences in their theological presuppositions. Gassendi described a world utterly contingent on divine will and expressed his conviction that empirical methods are the only way to acquire knowledge about the natural world. Descartes, on the contrary, described a world in which God had embedded necessary relations, some of which enable us to have a priori knowledge of substantial parts of the natural world. In this book, Professor Osler explores theological conceptions of contingency and necessity in the world and how these ideas influenced the development of the mechanical philosophy in the seventeenth century. She examines the transformation of medieval ideas about God's relationship to the Creation into seventeenth-century ideas about matter and method as embodied in early articulations of the mechanical philosophy. Refracted through the prism of the mechanical philosophy, these theological conceptualizations of contingency and necessity in the world were mirrored in different styles of science that emerged in the second half of the seventeenth century.