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Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!"
Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!"
A noir classic about the era of the sideshow when freaks were the star attraction — respected and revered by other carnival members. Their stories are frankly and tenderly told by an author who lived and worked as a carny.
Forty-six years later those words still ring true: there has since been no book that has brought to life early Calgary the way that Eye Opener Bob does. Perhaps more importantly, it's the closest we'll ever get to Robert Chambers Edwards—Eye Opener Bob —the irrepressible editor of Calgary's most singular newspaper, and the city's most singular denizen. Bob Edwards was a true Canadian original, the prototypical hard-drinking, pull-no-punches editor of the Calgary Eye Opener—at the time the largest paper between Vancouver and Toronto, with a circulation of over 30,000 copies. A paper with the power to elect or dethrone governments, to bring the mighty CPR to reform its ways, and to skewer the pretensions of society like few before or since. Eye Opener Bob brings this fascinating character to life in all his glorious self-contradictions. MacEwan arrived in the city at just the right time to write Eye Opener Bob—the old Sandstone City hadn't yet been whitewashed over by the new money from the Leduc gusher, and there were still living people who had known Edwards. MacEwan ferreted out their stories as only he could do, combined the interviews with hard research, and the result is Grant MacEwan's best book by a country mile. Eye Opener Bob can be enjoyed on its own or as a companion piece to the new compilation of Edwards's writing, Irresponsible Freaks, Highball Guzzlers, and Unabashed Grafters: A Bob Edwards Chrestomathy.
For as long as people have developed new technologies, there has been debate over the purposes, shape, and potential for their use. In this exciting collection, a range of contributors, including Sherry Turkle, Lynn Spigel, John Perry Barlow, Langdon Winner, David Nye, and Lord Asa Briggs, discuss the visions that have shaped "new" technologies and the cultural implications of technological adaptation. Focusing on issues such as the nature of prediction, community, citizenship, consumption, and the nation, as well as the metaphors that have shaped public debates about technology, the authors examine innovations past and present, from the telegraph and the portable television to the Internet, to better understand how our visions and imagination have shaped the meaning and use of technology. Author note: Marita Sturken is Associate Professor in the Annenberg School for Communication at the University of Southern California and the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering and Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright). Douglas Thomas is Associate Professor in the Annenberg School for Communication at the University of Southern California. He is author of three books, most recently Hacker Culture. Sandra Ball-Rokeach is a Professor and Director of the Communication Technology and Community Program in the Annenberg School for Communication at the University of Southern California. She is author of several books, including Theories of Mass Communication (with M. L. De Fleur).
Reproduction of the original: Brann The Iconoclast by William Cowper Brann