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Drawing from years of archival research, preeminent Melvil Dewey historian Wayne A. Wiegand has produced the first frank and comprehensive biography of this enigmatic reformer. While providing richer background on Dewey's positive achievements than earlier, reverential biographies, Wiegand reveals his subject as one who was "driven, tense, often arrogant," who had "an obsessive need to control...and self-righteously denied his own racism and class prejudices.".
This book examines how grass-roots movements operated during the early twentieth century to shape urban education in the United States.
The Black Woods chronicles the history of Black pioneers in New York's northern wilderness. From the late 1840s into the 1860s, they migrated to the Adirondacks to build farms and to vote. On their new-worked land, they could meet the $250 property requirement New York's constitution imposed on Black voters in 1821, and claim the rights of citizenship. Three thousand Black New Yorkers were gifted with 120,000 acres of Adirondack land by Gerrit Smith, an upstate abolitionist and heir to an immense land fortune. Smith's suffrage-seeking plan was endorsed by Frederick Douglass and most leading Black abolitionists. The antislavery reformer John Brown was such an advocate that in 1849 he moved his family to Timbuctoo, a new Black Adirondack settlement in the woods. Smith's plan was prescient, anticipating Black suffrage reform, affirmative action, environmental distributive justice, and community-based racial equity more than a century before these were points of public policy. But when the response to Smith's offer fell radically short of his high hopes, Smith's zeal cooled. Timbuctoo, Freemen's Home, Blacksville and other settlements were forgotten. History would marginalize this Black community for 150 years. In The Black Woods, Amy Godine recovers a robust history of Black pioneers who carved from the wilderness a future for their families and their civic rights. Her immersive story returns the Black pioneers and their descendants to their rightful place at the center of this history. With stirring accounts of racial justice, and no shortage of heroes, The Black Woods amplifies the unique significance of the Adirondacks in the American imagination.
Elections lie at the heart of democracy, and this book seeks to understand how the rules governing those elections are chosen. Drawing on both broad comparisons and detailed case studies, it focuses upon the electoral rules that govern what sorts of preferences voters can express and how votes translate into seats in a legislature. Through detailed examination of electoral reform politics in four countries (France, Italy, Japan, and New Zealand), Alan Renwick shows how major electoral system changes in established democracies occur through two contrasting types of reform process. Renwick rejects the simple view that electoral systems always straightforwardly reflect the interests of the politicians in power. Politicians' motivations are complex; politicians are sometimes unable to pursue reforms they want; occasionally, they are forced to accept reforms they oppose. The Politics of Electoral Reform shows how voters and reform activists can have real power over electoral reform.
The surprising, often fiercely feminist, always fascinating, yet barely known, history of home economics. The term “home economics” may conjure traumatic memories of lopsided hand-sewn pillows or sunken muffins. But common conception obscures the story of the revolutionary science of better living. The field exploded opportunities for women in the twentieth century by reducing domestic work and providing jobs as professors, engineers, chemists, and businesspeople. And it has something to teach us today. In the surprising, often fiercely feminist and always fascinating The Secret History of Home Economics, Danielle Dreilinger traces the field’s history from Black colleges to Eleanor Roosevelt to Okinawa, from a Betty Crocker brigade to DIY techies. These women—and they were mostly women—became chemists and marketers, studied nutrition, health, and exercise, tested parachutes, created astronaut food, and took bold steps in childhood development and education. Home economics followed the currents of American culture even as it shaped them. Dreilinger brings forward the racism within the movement along with the strides taken by women of color who were influential leaders and innovators. She also looks at the personal lives of home economics’ women, as they chose to be single, share lives with other women, or try for egalitarian marriages. This groundbreaking and engaging history restores a denigrated subject to its rightful importance, as it reminds us that everyone should learn how to cook a meal, balance their account, and fight for a better world.
In the tradition of A History of Reading, this book is an account of Manguel’s astonishment at the variety, beauty and persistence of our efforts to shape the world and our lives, most notably through something almost as old as reading itself: libraries. The Library at Night begins with the design and construction of Alberto Manguel’s own library at his house in western France – a process that raises puzzling questions about his past and his reading habits, as well as broader ones about the nature of categories, catalogues, architecture and identity. Thematically organized and beautifully illustrated, this book considers libraries as treasure troves and architectural spaces; it looks on them as autobiographies of their owners and as statements of national identity. It examines small personal libraries and libraries that started as philanthropic ventures, and analyzes the unending promise – and defects – of virtual ones. It compares different methods of categorization (and what they imply) and libraries that have built up by chance as opposed to by conscious direction. In part this is because this is about the library at night, not during the day: this book takes in what happens after the lights go out, when the world is sleeping, when books become the rightful owners of the library and the reader is the interloper. Then all daytime order is upended: one book calls to another across the shelves, and new alliances are created across time and space. And so, as well as the best design for a reading room and the makeup of Robinson Crusoe’s library, this book dwells on more "nocturnal" subjects: fictional libraries like those carried by Count Dracula and Frankenstein’s monster; shadow libraries of lost and censored books; imaginary libraries of books not yet written. The Library at Night is a fascinating voyage through the mind of one our most beloved men of letters. It is an invitation into his memory and vast knowledge of books and civilizations, and throughout – though mostly implicitly – it is also a passionate defence of literacy, of the unique pleasures of reading, of the importance of the book. As much as anything else, The Library at Night reminds us of what a library stands for: the possibility of illumination, of a better path for our society and for us as individuals. That hope too, at the close, is replaced by something that fits this personal and eclectic book even better: something more fragile, and evanescent than illumination, though just as important.
'Paling's deftly drawn vignettes are frequently funny, sometimes sad and occasionally troubling . . . Borrow a copy from your local library, if you still have one. Better yet, buy it' Neil Armstrong, Mail on Sunday 'Not only was I captivated by Paling's lovingly wrought series of pen portraits, I was amused, moved and - perhaps most surprising of all - uplifted' John Preston, Daily Mail 'There are many detractors who question whether libraries are still relevant in the digital age. Paling's keenly and kindly observed account of his encounters offers a gentle insight as to why they still are' Helen Davies, Sunday Times Chris works as a librarian in a small-town library in the south of England. This is the story of the library, its staff, and the fascinating group of people who use the library on a regular basis. We'll meet characters like the street-sleepers Brewer, Wolf and Spencer, who are always the first through the doors. The Mad Hatter, an elderly man who scurries around manically, searching for books. Sons of Anarchy Alan, a young Down's Syndrome man addicted to the American TV drama series. Startled Stewart, a gay man with a spray-on tan who pops in most days for a nice chat, sharking for good-looking foreign language students. And Trish, who is relentlessly cheerful and always dressed in pink - she has never married, but the marital status of everybody she meets is of huge interest to her. Some of the characters' stories are tragic, some are amusing, some are genuinely surreal, but together they will paint a bigger picture of the world we live in today, and of a library's hugely important place within it. Yes, of course, people come in to borrow books, but the library is also the equivalent of the village pump. It's one of the few places left where anyone, regardless of age or income or background, can wander in and find somebody to listen to their concerns, to share the time of day. Reading Allowed will provide us with a fascinating portrait of a place that we all value and cherish, but which few of us truly know very much about ...