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Sophisticated and engaging, this volume explores and compares musical irony in the works of major composers, from Mozart to Mahler.
Donald Phillip Verene has advanced a completely new reading of Hegel's Phenomenology of Spirit. He shows that the philosophic meaning of this work depends as much on Hegel's use of metaphor and image as it does on Hegel's dialectical and discursive descriptions of various stages of consciousness. The focus is on Hegel's concept of recollection (Erinnerung). Consciousness confronts itself with the aim of achieving absolute knowing. This is the first commentary to regard metaphor, irony, and memory as keys to the understanding of Hegel's basic philosophical position.
This book discusses how to write about the process of psychic change without betraying either love or science. It investigates the concepts of subjectivity and objectivity that are appropriate for psychoanalysts, the concepts of internalization and of transference.
Donald Phillip Verene has advanced a completely new reading of Hegel's Phenomenology of Spirit. He shows that the philosophic meaning of this work depends as much on Hegel's use of metaphor and image as it does on Hegel's dialectical and discursive descriptions of various stages of consciousness. The focus is on Hegel's concept of recollection (Erinnerung). Consciousness confronts itself with the aim of achieving absolute knowing. This is the first commentary to regard metaphor, irony, and memory as keys to the understanding of Hegel's basic philosophical position.
"The objective of this book is to review the complex of issues in Soren Kierkegaard's concept of existence. It is evident that for Kierkegaard existence is always composed of three elements: namely, the subject, freedom, and the ethical. In the process of clarifying the relation between these three elements in the different stages of existence, the course of the development the individual must go through in order to become the single individual is described. "The study falls into four parts. The first section describes the levels in existence on which as person attempts by his own powers to actualize the ethical ideals; in this stage the center of gravity for a person's effort still lies within the bounds of immanence. The second section describes a person's ethical and religious growth as it develops in relation to a transcendent power, whose highest expression is Christ as the revelation of God. The third section discusses the issues in existence that Kierkegaard himself designated as the most difficult of all for human thought. The last section points to the highest existential position to which philosophy in the broader sense and Christianity respectively can take a person. Kierkegaard utilizes these positions as a standard for evaluating existence within immanence and for Christian existence.
What is it to claim that “misogyny” might be “ironic”? Why is it that, in the works of Nietzsche, Kierkegaard and Schopenhauer, the possibility of irony constantly interferes with a conclusive ethical judgement over the meaning of their “misogyny”? How do we hold our interpretations of such ambiguous texts ethically accountable? This book brings together the driving concerns of hermeneutics, feminist philosophy and the history of philosophy in dealing with the “problem of irony”. It develops a thematic account of the concept of irony as a philosophical form of interpretation, and explores this through close readings of three key sites of controversy regarding the relationship between irony and misogyny: Schopenhauer’s “On Women”, Kierkegaard’s “In Vino Veritas” and Nietzsche’s “Woman and Child”. Far from a distraction from or “excuse” for misogyny, the book argues that ironic ambiguity is a formative aspect of all three texts; and explores the different ways in which the authority of Schopenhauer, Kierkegaard and Nietzsche are constructed in terms of the problem of irony.
How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory.
Beyond Anger is a detailed literary analysis of the three poems which make up Juvenal's third book of Satires (i.e. Satires 7, 8 and 9). Dr Braund pays particular attention to the satiric techniques Juvenal employs in this book, arguing that in Book III Juvenal uses a new, ironic persona, which makes his satire more indirect, subtle and double-edged than does the angry approach found in the earlier books.
Landmark study of World War I, describing its effects on the nation.