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This book explores the economic history of the traditional Chinese iron industry in the nineteenth and twentieth centuries, with particular emphasis on the interactions among technological, economic and geographic factors. The traditional technology of iron production is described together with the ways in which it changed and developed in response to upheavals wrought by foreign competition, war and revolution and by the growth in China of a modern iron industry. Many of the book's findings are counter-intuitive, and will provide food for thought in the study of Third World industrial development. The author has written widely on the history of science and technology in China, and is currently engaged in writing the volume on ferrous metallurgy for Joseph Needham's Science and Civilisation in China.
A study of the production and use of iron and steel in early China, and simultaneously a methodological study of the reconciliation of archaeological and written sources in Chinese cultural history. Includes chapters on the technology of iron production based on studies of artifact microstructures.
This book is a study of the production and use of iron and steel in China up to the second century B.C., and simultaneously a methodological study of the reconciliation of archaeological and written sources in Chinese cultural history. An introductory chapter describes and discusses the available sources and their use, gives a brief outline of early Chinese archaeology and history, and develops certain important themes, especially the interaction of North and South in early China. Further chapters consider the invention of iron in a barbarian culture of southeast China, its spread to the area of Chinese culture, and the development of a large-scale iron industry in the third century B.C. The technology of iron production in early China is considered in two chapters, on the microstructures of wrought and cast iron artifacts.
Develops a fresh non-Eurocentric analysis of the rise and development of the global economy in the last half-millennium.
The sword was the most important of weapons, the symbol of the warrior, not to mention the badge of a officer and a gentleman. Much has been written about the artistic and historical significance of the sword, but outside specialised publications, relatively little about its metallurgy, and that often confined to a particular group. This book aims to tell the story of the making of iron and steel swords from the first Celtic examples through the Middle Ages to the Early Modern period. The results of the microscopic examination of over a hundred swords by the author and other archaeometallurgists are given and explained in terms of the materials available in Europe.
The history of China is a history of warfare. Rarely in its 3,000-year existence has the country not been beset by war, rebellion, or raids. Warfare was a primary source of innovation, social evolution, and material progress in the Legendary Era, Hsia dynasty, and Shang dynasty -- indeed, war was the force that formed the first cohesive Chinese empire, setting China on a trajectory of state building and aggressive activity that continues to this day. In Ancient Chinese Warfare, a preeminent expert on Chinese military history uses recently recovered documents and archaeological findings to construct a comprehensive guide to the developing technologies, strategies, and logistics of ancient Chinese militarism. The result is a definitive look at the tools and methods that won wars and shaped culture in ancient China.
The suit of armour distinguishes the European Middle Ages & Renaissance. This book tells its story from the 14th to the 17th century, and the making of its steel. The metallurgy of 600 armours has been analysed, and their probable effectiveness in battle assessed.
David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.