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Helen Leah Reed's "Irma in Italy" transports readers on a captivating journey through the picturesque landscapes of Italy. The narrative follows the adventures of Irma, a young protagonist, as she embarks on a transformative trip to Italy. Set against the backdrop of Italy's rich history and culture, the story unfolds with themes of exploration, self-discovery, and the magic of travel. Irma's experiences as she navigates the art, architecture, and vibrant scenes of Italy lead to personal growth and new perspectives. The novel delves into themes of friendship, cultural immersion, and the power of embracing new experiences. As Irma forms connections with fellow travelers and encounters the beauty of Italy, she learns valuable lessons about the significance of stepping outside one's comfort zone. "Irma in Italy" captures the allure of wanderlust and the profound impact of travel on the soul. Helen Leah Reed's storytelling transports readers to the heart of Italy's enchanting cities and landscapes, offering a glimpse into the transformative power of exploration.
Irma in Italy
Without A Homeland is Albanian songwriter Irma Kurti's fourth collection in English. In these poems, Kurti explores her life as a dual citizen of Albania and Italy. She searches her past and sings celebrations of her parents who influenced her and imparted their wisdom. She writes of grief in eloquent passages and reminds the reader not to take human life for granted. Her poetry is both of place and being-- exploring the inner continent of emotion and passion, as well as the beauty of Nature,
A prominent writer, a master painter, and a treasure of art that for centuries had been largely neglected are brought brilliantly to life in this first important study of one of the great legacies of Renaissance art. The immense castle at Cataio, about thirty-five miles from Venice, was builtbetween 1570 and 1573. An extraordinary series of frescoes, painted in 1573, covers the walls of six of its palatial halls. Programmed by Giuseppe Betussi, the forty frescoes depict momentous events in the history of the Obizzi family from 1004 to 1422. Executed by Giambattista Zelotti andassistants, the frescoes, plus ceiling decorations, are painted in a Mannerist, highly illusionist style with such skill that the walls seem to be windows through which one views battle scenes, weddings, political negotiations, and other episodes in the dramatic history of the Obizzi family. Now one of the most distinguished scholars of Italian art takes readers room by room, fresco by fresco, on the first guided tour of this Betussi-Zelotti masterpiece. Writing with characteristic clarity, Irma Jaffe combines art history, iconography, formal analysis, Italian history, and the story ofthe Obizzi family in a richly detailed esthetic, social and historical introduction to the entire series. Describing and explaining with spirit and authority the composition and meaning of each fresco - each illustrated with full color plates - Jaffe also illuminates the fascinating decorations on the ceilings and overdoors of the great rooms. In figures that personify virtues and vices, to comment onthe events painted on the walls beneath them, the values of sixteenth century Italy are reflected with uncommon clarity in both the fresco saga and the decorations above. A full understanding of Mannerism and sixteenth century painting must now include the contribution of Battista Zelotti. In the scenes at Cataio he reveals the possibilities available to Mannerist style in his countless poses of the human figure and of horses, in his variety of settings - indoor andoutdoor, land and sea - and in the range of preeminent sixteenth century values such as family rank and pride, personal courage, and religion that are expressed in his Saga of the Obizzi family. Zelotti's masterpiece carries the artificiality inherent in Mannerism to a new level of theatrical drama.Viewing the scenes of fierce battles, magnificent weddings, assassinations, and triumph after triumph, suggests to modern viewers something of the splendor of grand opera. For Renaissance scholars and students, for art historians, for travelers and art lovers interested in the heritage of the Renaissance in Italy and in the glorious estates of the Veneto, Zelotti's Epic Frescoes at Cataio: The Obizzi Saga will be an indispensable introduction and guide to a treasurehidden in plain sight for many years.
The first biography in any language of one of the most celebrated Italian writers of the twentieth century. Born in 1912 to an unconventional family of modest means, Elsa Morante grew up with an independent spirit, a formidable will, and an unshakable commitment to writing. Forced to hide from the Fascists during World War II in a remote mountain hut with her husband, renowned author Alberto Moravia, she re-emerged at war's end to take her place among the premier Italian writers of her day. When Rome was film capital of the world, she counted Pasolini, Visconti, and the young Bertolucci among her circle of friends. She was charismatic, beautiful, and fiercely intelligent; her marriage, a passionate union of literary giants, captivated a nation; her love affairs were intense and often tragic. And until now few Americans have known of this remarkable woman and her powerful, original talent.
"Critical interest in biography and autobiography has never been higher. However, while life-writing flourishes in the UK, in Italy it is a less prominent genre. The twelve essays collected here are written against this backdrop, and address issues in biographical and autobiographical writing in Italy from the later nineteenth century to the present, with a particular emphasis on the interplay between individual lives and life-writing and the wider social and political history of Italy. The majority of essays focus on well-known writers (D'Annunzio, Svevo, Bontempelli, Montale, Levi, Calvino, Eco and Fallaci), and their varying anxieties about autobiographical writing in their work. This picture is rounded out by a series of studies of similar themes in lesser known figures: the critic Enrico Nencioni, the Welsh-Italian painter Llewellyn Lloyd and Italian writers and journalists covering the Spanish Civil War. The contributors, all specialists in their fields, are Antonella Braida, Charles Burdett, Jane Everson, John Gatt Rutter, Robert Gordon, Gwyn Griffith, Peter Hainsworth, Martin McLaughlin, Gianni Oliva, Giuliana Pieri, and Jon Usher. The volume is dedicated to John Woodhouse, on his seventieth birthday, and concludes with a bibliography of his writings."
“The compelling true story of the impassioned love shared between a south Texas woman of Hispanic descent and a German military officer.” —Yvonne Freeman, PhD, professor, Department of Language, Literacy, and Intercultural Studies at the University of Texas at Brownsville After World War II, Peter, a handsome German pilot, met Irma, a beautiful Texan woman of Hispanic descent. It was love at first sight. Their meeting had been prophesized—for Irma by her grandmother and for Peter by a palm reader—and together the couple would create an extraordinary life. Irma’s Story: American by Birth, Hispanic by Choice chronicles Irma’s life and the experiences of the “Texan Gawendas” during their tenure in the German military in Europe and the United States. Though Irma, accepted as an American while in Europe, faced discrimination in her home country and contended with the challenges of being a military wife, Peter’s love and companionship remained constant. In his second book, Peter B. Gawenda, author of The Children’s War, offers readers an insider’s view of the joys that the marriage of two people—from two completely different worlds—can bring. Presenting the dynamics of racial issues against the backdrop of military life, the captivating story of Irma Lozano de Gawenda depicts a fearless, fiercely loyal woman willing to do anything for her family. Written with a passion that has spanned five decades, Irma’s Story celebrates the strength of a once-in-a-lifetime love. “He thrills [readers] again, turning to his narrative gifts and rich trove of memories to tell another story with universal appeal—the power of enduring love.” —Robert Becker, veteran journalist and former international wire news editor, Houston Chronicle
This Was Not Our War shares amazing first-person accounts of twenty-six Bosnian women who are reconstructing their society following years of devastating warfare.