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After surrendering to the Red Army in 1945, Irma sets out on a trail of self-preservation, falsehoods her only defence. While waiting for Russian justice a Colonel takes an interest in the young woman, first despatching her on a hellish journey to a Siberian Gulag, before conversely saving her from the gallows and taking her under his wing. Love? Lust? Intrigue? Reason falls below Anatoly Kuznetsov’s motives, and the couple form a loose partnership, he with his goals, Irma with hers. Appointed by Stalin to battle the growing gang culture (The Bratva), Anatoly enrolls Irma, changing her name to Nikita Ivanov, to hide her from the war crimes investigators, where the woman in the company of her comrade Johanna Wolf, offer a creative ability to the guerrilla warfare they find themselves engaged in. While Anatoly pursues Irma’s history, the woman haunted by an old man, cuts a future while fending off the truth of her past. Only Johanna knows that truth, and the girl proves just as evasive as Irma.
After surrendering to the Red Army in 1945, Irma sets out on a trail of self-preservation, falsehoods her only defence. While waiting for Russian justice a Colonel takes an interest in the young woman, first despatching her on a hellish journey to a Siberian Gulag, before conversely saving her from the gallows and taking her under his wing. Love? Lust? Intrigue? Reason falls below Anatoly Kuznetsov's motives, and the couple form a loose partnership, he with his goals, Irma with hers. Appointed by Stalin to battle the growing gang culture (The Bratva), Anatoly enrolls Irma, changing her name to Nikita Ivanov, to hide her from the war crimes investigators, where the woman in the company of her comrade Johanna Wolf, offer a creative ability to the guerrilla warfare they find themselves engaged in. While Anatoly pursues Irma's history, the woman haunted by an old man, cuts a future while fending off the truth of her past. Only Johanna knows that truth, and the girl proves just as evasive as Irma.
On Her Majesty's Secret Service is the second book in what is known as the "Blofeld trilogy", which begins with Thunderball and concludes with You Only Live Twice. The story centres on Bond's ongoing search to find Ernst Stavro Blofeld after the Thunderball incident; through contact with the College of Arms in London Bond finds Blofeld based in Switzerland. After meeting him and discovering his latest plans, Bond attacks the centre where he is based, although Blofeld escapes in the confusion. Bond meets and falls in love with Contessa Teresa "Tracy" di Vicenzo during the story.
The first book of a trilogy of novels known collectively as "The Rosy Crucifixion." It is autobiographical and tells the story of Miller's first tempestuous marriage and his relentless sexual exploits in New York. The other books are "Plexus" and "Nexus."
"This book is the result of a study in which the authors identified all of the American women who earned PhD's in mathematics before 1940, and collected extensive biographical and bibliographical information about each of them. By reconstructing as complete a picture as possible of this group of women, Green and LaDuke reveal insights into the larger scientific and cultural communities in which they lived and worked." "The book contains an extended introductory essay, as well as biographical entries for each of the 228 women in the study. The authors examine family backgrounds, education, careers, and other professional activities. They show that there were many more women earning PhD's in mathematics before 1940 than is commonly thought." "The material will be of interest to researchers, teachers, and students in mathematics, history of mathematics, history of science, women's studies, and sociology."--BOOK JACKET.
This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections. Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world. The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.