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The presence of Irish writers is almost invisible in literary studies of London. The Irish Writing London redresses the critical deficit. A range of experts on particular Irish writers reflect on the diverse experiences and impact this immigrant group has had on the city. Such sustained attention to a location and concern of Irish writing, long passed over, opens up new terrain to not only reveal but create a history of Irish-London writing. Alongside discussions of MacNeice, Boland and McGahern, the autobiography of Brendan Behan and identity of Irish-language writers in London is considered. Written by an internal array of scholars, these new essays on key figures challenge the deep-seated stereotype of what constitutes the proper domain of Irish writing, producing a study that is both culturally and critically alert and a dynamic contribution to literary criticism of the city.
The first study to consider how Irish writers have regarded, reported and represented London in their fiction, drama and poetry.
For fans of The Holiday & Letters to Juliet. Remember what it was like to feel twenty-one again . . . but with all the wisdom of thirty-five. Book 2 of The Irish Heart Series Original Trilogy. Elizabeth Lara has just finished her tour of Ireland. She’s moved on to London, but the dashing Connor Bannon isn’t far from her thoughts as she searches for Mags’ lost love. From dinner with the Queen, to an unexpected encounter with someone from her past, to the tabloids—London proves to be more excitement than she expected. Will she find Mags’ Matthieu? Will Connor be able to win her back or will she choose her gorgeous friend Wes? Both men will take her to exclusively exotic locations and bring her face to face with royalty. Find out what happens next in Beth’s life as she travels, experiences more romance, makes her way through the box of seventeen letters—and continues to find the missing pieces to her life. Come journey with Elizabeth in a story that explores the twists and turns of life and the magic of reconnection. This is more than a romantic story—it’s an invitation to rediscover life’s possibilities. Lose your way and find your life in The Irish Heart Series. READING ORDER: The Irish Heart Series Original Trilogy: The Irish Cottage: Finding Elizabeth (Book 1) The London Flat: Second Chances (Book 2) The Paris Apartment: Fated Journey (Book 3) . . . and for the readers who wanted more . . . 5 years later . . . The Irish Heart Series Continuing Trilogy: The Irish Castle: Keeping Elizabeth (Book 4) The Irish Secret: Wild Fire (Book 5) The Irish Wedding: A Novel Romance (Book 6) Juliet Gauvin’s books are feel-good romantic women’s fiction. They include international travel, holidays, contemporary women, and epic love. INTERVIEW WITH THE AUTHOR Q: How did you come up with The Irish Cottage? Juliet: Well the story came together in pieces. I love Ireland, I've always been attracted to the country, the people, the music, the dancing. I've spent time traveling the country so I knew I wanted to set the book there. And then the character of Elizabeth was based on a lot of the experiences I had when I was in law in San Francisco. When I was immersed in that world--it was a very dark time, and I really did lose my way--like Elizabeth. I even let long-time relationships die because I was in such a dark place, it was difficult to see anything past my own nose. So yeah, I knew I wanted my heroine to be a "recovering attorney" and I knew that I wanted her to have this great love affair in Ireland that would open her up to the truly great possibilities life has to offer. Q: And what about Connor Bannon? Is he based on anyone? Juliet: Ummm...he might be an amalgamation of several people, but I think I'll refrain from commenting further--have to keep some of it to myself, don't I? Q: Why did you elect to write romantic women's fiction as opposed to traditional contemporary romance? Juliet: I knew I wanted to write in the romantic women's fiction space because writing a story where the heroine's evolution is paramount--not just her relationship with Connor--is what really gets me, drives me--I love those types of stories. I like writing herstory--women's lives and journeys are so complex--I wanted to write a series that included a great love story, but didn't sacrifice the heroine's journey in any way. It's about Elizabeth finding her way--we all need to find our way. Sometimes people help with that, but ultimately each of us has to find our own path...and we all need love too. Q: Why London and then Paris? Juliet: I lived in London for a time--I love it so much. It's one of the best cities on the planet, really. When I closed my eyes and thought about where Elizabeth's journey would take her I knew London would be next. And Paris--I lived in Lyon for a time as well and I've spent a lot of time in Paris so it seemed only natural for the final book to be set there. I also set certain things in motion in The Irish Cottage that make it impossible to end anywhere else--I knew I wanted to end it in France. Plus, Elizabeth has a major sweet tooth, like me, and Paris has the most amazing dessert masters in the world. I spent many hours pouring over the websites of my favorites and discovering some new ones. Those were the hardest and best research nights--I'm nocturnal, I write at night--and pouring over the websites of my favorite masters was heaven and hell. I wanted to get on a plane already. My sugar intake definitely went up while I was writing The Paris Apartment--and my waistline with it.
The author of such works as Lamb, Cal, and Grace Notes, Bernard MacLaverty is one of Northern Ireland's leading-and most prolific-contemporary writers. Bringing together leading scholars from a full range of critical perspectives, this is a comprehensive survey of contemporary scholarship on MacLaverty. Covering all of his novels and many of his short stories, the book explores the ways in which the author has grappled with such themes as The Troubles, the Holocaust, Catholicism, and music. Bernard MacLaverty: Critical Readings also includes coverage of the film adaptations of his work.
This volume offers fresh perspectives on the political, military, religious, social, cultural, intellectual, economic, and environmental history of early modern Ireland and situates these discussions in global and comparative contexts. The opening chapters focus on 'Politics' and 'Religion and War' and offer a chronological narrative, informed by the re-interpretation of new archives. The remaining chapters are more thematic, with chapters on 'Society', 'Culture', and 'Economy and Environment', and often respond to wider methodologies and historiographical debates. Interdisciplinary cross-pollination - between, on the one hand, history and, on the other, disciplines like anthropology, archaeology, geography, computer science, literature and gender and environmental studies - informs many of the chapters. The volume offers a range of new departures by a generation of scholars who explain in a refreshing and accessible manner how and why people acted as they did in the transformative and tumultuous years between 1550 and 1730.
This is the first anthropological study of writers, writing and contemporary literary culture. Drawing on the flourishing literary scene in Ireland as the basis for her research, Helena Wulff explores the social world of contemporary Irish writers, examining fiction, novels, short stories as well as journalism. Discussing writers such as John Banville, Roddy Doyle, Colm Tóibín, Frank McCourt, Anne Enright, Deirdre Madden, Éilís Ní Dhuibhne, Colum McCann, David Park, and Joseph O ́Connor, Wulff reveals how the making of a writer's career is built on the 'rhythms of writing': long hours of writing in solitude alternate with public events such as book readings and media appearances. Destined to launch a new field of enquiry, Rhythms of Writing is essential reading for students and scholars in anthropology, literary studies, creative writing, cultural studies, and Irish studies.
In this deeply moving and life-affirming tale, a mother must nurture her five-year-old son through an unfathomable situation with only the power of their imagination and their boundless capacity to love. Written for the stage by Academy Award® nominee Emma Donoghue, this unique theatrical adaptation featuring songs and music by Kathryn Joseph and director Cora Bissett takes audiences on a richly emotional journey told through ingenious stagecraft, powerhouse performances, and heart-stopping storytelling. Room reaffirms our belief in humanity and the astounding resilience of the human spirit. This updated and revised edition was published to coincide with the Broadway premiere in Spring 2023.
G. K. Chesterton, London and Modernity is the first book to explore the persistent theme of the city in Chesterton's writing. Situating him in relation to both Victorian and Modernist literary paradigms, the book explores a range of theoretical and methodological approaches to address the way his imaginative investments and political interventions conceive urban modernity and the central figure of London. While Chesterton's work has often been valued for its wit and whimsy, this book argues that he is also a distinctive urban commentator, whose sophistication has been underappreciated in comparison to more canonical contemporaries. With chapters written by leading scholars in the field of 20th-century literature, the book also provides fresh readings and suggests new contexts for central texts such as The Man Who Was Thursday, The Napoleon of Notting Hill and the Father Brown stories. It also discusses lesser-known works, such as Manalive and The Club of Queer Trades, drawing out their significance for scholars interested in urban representation and practice in the first three decades of the 20th century.