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With five Nobel Prize-winners, seven Pulitzer Prize-winners and two Booker Prize-winning novelists, modern Irish writing has contributed something special and permanent to our understanding of the twentieth century. Irish Writing in the Twentieth Century provides a useful, comprehensive and pleasurable introduction to modern Irish literature in a single volume. Organized chronologically by decade, this anthology provides the reader with a unique sense of the development and richness of Irish writing and of the society it reflected. It embraces all forms of writing, not only the major forms of drama, fiction and verse, but such material as travel writing, personal memoirs, journalism, interviews and radio plays, to offer the reader a complete and wonderfully varied sense of Ireland's contribution our literary heritage. David Pierce has selected major literary figures as well as neglected ones, and includes many writers from the Irish diaspora. The range of material is enormous, and ensures that work that is inaccessible or out of print is now easily available. The book is a delightful compilation, including many well known pieces and captivating "discoveries," which anyone interested in literature will long enjoy browsing and dipping into.
"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.
This collection presents international research on the work of Irish women writers at the turn of the twentieth century. These essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period.
This book argues that the sudden decline of old rural vernaculars – such as French patois, Italian dialects, and the Irish language – caused these languages to become the objects of powerful longings and projections that were formative of modernist writing. Seán Ó Ríordáin in Ireland and Pier Paolo Pasolini in Italy reshaped minor languages to use as private idioms of poetry; the revivalist conception of Irish as a lost, perfect language deeply affected the work of James Joyce; the disappearing dialects of northern France seemed to Marcel Proust to offer an escape from time itself. Drawing on a broad range of linguistic and cultural examples to present a major reevaluation of the origins and meaning of European literary modernism, Barry McCrea shows how the vanishing languages of the European countryside influenced metropolitan literary culture in fundamental ways.
Ireland's bestselling popular historian tells the story of contemporary Ireland - controversial, authoritative and highly readable. Tim Pat Coogan's biographies of Michael Collins and DeValera and his studies of the IRA, the Troubles and the Irish Diaspora have transformed our understanding of contemporary Ireland, and all have been massive bestsellers. Now he has produced a major history of Ireland in the twentieth century. Covering both South and North and dealing with cultural and social history as well as political, this enthralling work will become the definitive single-volume account of the making of modern Ireland.
This book studies the 20th-century Irish Catholic Bildungsroman. This comparative examination of six Irish novelists tracks the historical evolution of a literary genre and its significant role in Irish culture, with chapters on James Joyce and Kate O'Brien, along with studies of Maura Laverty, Patrick Kavanagh, Edna O'Brien and John McGahern.
Offers an exemplary probe into the Irish literary tradition that has been much remarked upon but little analysed, examines the collision between Irish and English pastoral forms and seeks to ascertain the ways in which these literary modes subsequently intertwine as a seeming result of the consolidation of English colonial dominance of Ireland.
What did the Easter Rising really change? / Peter Hart -- Ending war in a "sportsmanlike manner" : the milestone of revolution, 1919-23 / Anne Dolan -- Women's political rhetoric and the Irish revolution / Jason Knirck -- The problem of equality : women's activist campaigns in Ireland, 1920-40 / Maria Luddy -- Nuanced neutrality and Irish identity : an idiosyncratic legacy / Thomas E. Hachey -- Modernity, the past and politics in post-war Ireland / Enda Delaney -- "Ireland is an unusual place" : President Kennedy's 1963 visit and the complexity of recognition / Mike Cronin -- Sex and the archbishop : John Charles McQuaid and social change in 1960s Ireland / Diarmaid Ferriter -- Turmoil in the sea of faith : the secularization of Irish social culture, 1960-2007 / Tom Garvin -- The Irish Cattholic narrative : reflections on milestones / Louise Fuller -- Some fitting and adequate recognition : a new direction for civic portraiture in nineteenth-century Ireland's industrial capital / Gillian McIntosh -- The origins of the peace process / Thomas Hennessey.
Provides a history of literature in the Irish language from the fifth century to the twentieth. This book traces the development of manuscripts from the Latin records made by monastic scribes and the vernacular works of ecclesiastics and lay scholars. It describes the fall of the native order and offers appraisals of the work of Irish writers.
Heather Ingman's study argues that reading twentieth-century Irish women's fiction in the light of Kristeva's theories of nationhood places Irish women at the heart of writing about the nation and demonstrates that the political dimension of their fiction has often been underestimated. Her book is an important contribution to the study of gender in Irish writing that changes the way we view Irish women's writing.