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Anthropologists George and Sharon Gmelch have been studying the quasi-nomadic people known as Travellers since their fieldwork in the early 1970s, when they lived among Travellers and went on the road in their own horse-drawn wagon. In 2011 they returned to seek out families they had known decades before—shadowed by a film crew and taking with them hundreds of old photographs showing the Travellers' former way of life. Many of these images are included in this book, alongside more recent photos and compelling personal narratives that reveal how Traveller lives have changed now that they have left nomadism behind.
Helleiner's study documents anti-Traveller racism in Ireland and explores the ongoing realities of Traveller life as well as the production and reproduction of contemporary Traveller collective identity and culture.
The slow passing of an itinerant culture in Ireland
This book contains historical accounts of the Irish American Travellers as seen through their eyes and the eyes of their ancestors. It is a glimpse into a people that have isolated themselves from conventional America. It uses facts and reality to discredit lies and propaganda. If you are ready for the truth, open your mind, and turn the page.
This book addresses the culture, history, ethnicity, language and nomadism of the Irish Travellers, who may be compared to the Gypsies of other nations.
Thrilling and romantic, Once a Gypsy starts a brand new series from award-winning author Danica Winters. “A haunting and fresh voice in paranormal romance. Be prepared for Danica Winters to ensnare you in her dark and seductive world.”—Cecy Robson, author of the Weird Girls series and 2016 Double-Nominated RITA® Finalist Even for a clairvoyant, the future is never a sure thing. Helena has always struggled to fit in with her Irish Traveller family. It’s not just her opposition to getting married or her determination to attend university; Helena also has one talent that sets her apart from the rest of her clan—the gift of the Forshaw, the ability to see the future. Graham is the groundskeeper at a manor in Adare, Ireland. Though the estate appears idyllic, it holds dark secrets, and despite his own supernatural gifts, Graham can’t solve Adare Manor’s problems by himself. Desperate for help, Graham seeks out a last resort: Helena, whose skills are far greater than even she knows. When he promises to teach her to control her powers, Helena resists, afraid both of the damage her abilities might do and her increasing attraction to the handsome groundskeeper. Her entire way of life is at risk: Any involvement, especially romantic, with non-Travellers like Graham is forbidden. But Helena’s future is anything but certain, and fate has other plans for her family, her powers, and her relationship with Graham.
Margaret Mead Award finalist! Nan Donohoe was an Irish Travelling woman, one of Ireland’s indigenous gypsies or “tinkers.” Traditionally, they traveled the countryside making and repairing tinware, sweeping chimneys, selling small household wares, and doing odd-job work. Over time, they came to live on the roadside in trailers and in government-built camps. Told largely in her own voice, Nan’s saga begins in 1919 with her birth in a tent in the Irish Midlands; it follows her life in Ireland and England, in countryside and city slums, through adversity and adventure. Gmelch brings to her task not only the resources of anthropology, but the skill of a sensitive writer and a warmth that allows her to see Nan as a person, not a subject. What emerges is a human story, filled with cruelty and compassion, sorrow and humor, bad luck and good.
This dictionary identifies over 6000 British and Irish travellers who toured in Italy in the 18th century. Compiled from the archive accumulted by Sir Brinsley Ford, it provides brief formal biographies of these travellers, their Italian itineries and selective accounts of their experiences.
Between freedom and ostracism: The world of the Irish Traveller Children
The history of Irish Travellers is not analogous to that of the 'tinker', a Europe-wide underworld fantasy created by sixteenth-century British and continental Rogue Literature that came to be seen as an Irish character alone as English became dominant in Ireland. By the Revival, the tinker represented bohemian, pre-Celtic aboriginality, functioning as the cultural nationalist counter to the Victorian Gypsy mania. Long misunderstood as a portrayal of actual Travellers, J.M. Synge's influential The Tinker's Wedding was pivotal to this 'Irishing' of the tinker, even as it acknowledged that figure's cosmopolitan textual roots. Synge's empathetic depiction is closely examined, as are the many subsequent representations that looked to him as a model to subvert or emulate. In contrast to their Revival-era romanticization, post-independence writing portrayed tinkers as alien interlopers, while contemporaneous Unionists labelled them a contaminant from the hostile South. However, after Travellers politicized in the 1960s, more even-handed depictions heralded a querying of the 'tinker' fantasy that has shaped contemporary screen and literary representations of Travellers and has prompted Traveller writers to transubstantiate Otherness into the empowering rhetoric of ethnic difference. Though its Irish equivalent has oscillated between idealization and demonization, US racial history facilitates the cinematic figuring of the Irish-American Traveler as lovable 'white trash' rogue. This process is informed by the mythology of a population with whom Travelers are allied in the white American imagination, the Scots-Irish (Ulster-Scots). In short, the 'tinker' is much more central to Irish, Northern Irish and even Irish-American identity than is currently recognised.