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Presents an illustrated A to Z reference containing over 1,000 entries providing information on Celtic myths, fables and legends from Ireland, Scotland, Celtic Britain, Wales, Brittany, central France, and Galicia.
Birds have been important symbols in our art and culture for thousands of years. They have inspired poets and painters, and feature in many place names and legends. In this book, Niall Mac Coitir draws together the mythology, legends and folklore of Ireland's birds, both wild and domestic. The birds are presented in seasonal order based on their migratory habits (the cuckoo and summer) or on their cultural associations (the robin with Christmas). He also explores how birds are often powerful symbols of various virtues and qualities, such as the goose, which is a symbol of watchfulness and bravery. This challenges us to look at birds in a different way, as dynamic creatures that have influenced our society over the millennia. Written with imagination and enthusiasm, this mix of natural history, mythology and folklore will delight and enlighten all interested in the birds of Ireland.
Niall Mac Coitir provides a comprehensive look at the folklore, legends and history of animals in Ireland, and describes their relations with people, being hunted for food, fur, sport, or as vermin, and their position today. A final section, inspired by stories of animal transformation, looks at twelve animals and how we can enrich our lives by visualising ourselves with their special qualities. This fascinating and beautifully illustrated compilation of folklore, legends and natural history will delight all with an interest in Ireland's animals.
Nowhere in the nineteenth century did interest in folklore and mythology have a more thorough revival than in Ireland. There, in 1887, Lady Francesca Speranza Wilde, Oscar Wilde's mother and a well-known author in her own right, compiled this collection of charming, authentic folk tales. Collected from among the peasantry and retaining their original simplicity, the myths and legends reveal delightfully the Irish people's relationship with a spiritual and invisible world populated by fairies, elves, and evil beings. Included in Lady Wilde's collection, among others, are eerie tales of "The Horned Women," "The Holy Well and the Murderer," and "The Bride's Death-Song," as well as beguiling accounts of superstitions concerning the dead, celebrations and rites, animal legends, and ancient charms. The first book to link Irish folklore with nationalism, Legends illustrates the mythic underpinnings of the Irish character and signals the country's cultural reemergence. It remains, said the Evening Mail, "an important contribution to the literature of Ireland and the world's stock of folklore."
"Ancient legends, Mystic Charms & Superstitions of Ireland" by Lady Wilde (the pen-name for Jane Wilde) is perhaps one of the best compilations of Irish lore ever published. Yet, it was almost lost to time. Ireland is a country full of myths and magic, and Wilde has managed to write an engaging and yet still succinct summary of the most important aspects of it. With a culture as rich as that of the Irish, it's a truly remarkable feat to be able to have it all at one's fingertips the way it is thanks to Lady Wilde's work.
A unique interdisciplinary study, this book examines the British and European tradition of the wren hunt, in which a bird ordinarily revered and protected for most of the year was killed around the time of the annual solstice. In focusing on this ancient ritual, Elizabeth Atwood Lawrence draws on her training in cultural anthropology and biology to cast a fresh light on the complexities of human-animal relationships.Following an introductory chapter on animal symbolism, Lawrence proceeds in subsequent chapters to describe the wren both as a biological entity and as the subject of numerous tales and legends, to delineate the details of the wren hunt ceremony and the various meanings ascribed to it, and, finally, to relate the ceremony to important contemporary issues in human-animal interactions and current attitudes toward the living environment. Whereas most other studies tend to concentrate solely on human perceptions of animals and fail to include the animal's role in the relationship, Lawrence's approach shows how the participation of both animal and human determines the symbolic status of the animal -- which in turn influences the treatment of that animal within a particular society.At a time when human destructiveness toward nature has reached tragic proportions, Lawrence contends, it is critical that we understand the processes by which certain cultural beliefs, in combination with observations about the natural history of a particular animal, result in emotional and mental responses that may ultimately determine the fate of that species. The author argues persuasively that the wren hunt -- with its ancient roots, associated beliefs, and complex meanings in thepreindustrialized world -- still has much to teach us.