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Joan Keefe here presents her new versions of poems that come from the time when the great tradition of Irish poetry, as it had been known for a thousand years, was being brought to an end. It combines many of the characteristics of classical Irish poetry, roughened but kept vigorous by the common imagination.
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
Seamus Deane, one of Ireland's most important critics, assesses here the place of literature in "a colonial or neo-colonial culture like ours, where the naming of the territory has always been ... a politically charged act". The force of Deane's A Short History of Irish Literature derives precisely from his naming of the territory. With insight, erudition, and a razor-keen style, he locates Irish writers within the island's traumatic history. His aim is to show how literature has been inescapably allied with historical interpretation and with political allegiance.
The award of the 1995 Nobel Prize for Literature to Seamus Heaney recognized not only the aesthetic achievement of his work, but also its political urgency. Here Steven Matthews presents a genealogy of Irish poetry which centres upon Heaney's recent preoccupation with the relations between poetry, politics and history. Writing from the perspective of Irish critical responses to the poetry, he discusses a wide range of work from John Hewitt through Heaney himself to Paul Muldoon. All of these poets have been inspired directly or indirectly by the situation in the North of Ireland. Placing the poems in their historical context, the author also analyses how these poets have reacted to the influence of W.B. Yeats. This important book offers a new approach to Irish poetry, linking it for the first time to the crucial political and historical events which lie at its centre.
This is the second of four collections of essays intended to be published under the general title Studies in Contemporary Irish Literature (only two were) which are devoted to critical analysis of Irish writing since the 1950s.
A powerful poem of universal guilt and a protest against capital punishment.
In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book, first published in 2003, provides an introduction to major figures such as Seamus Heaney, and also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Nuala Ní Dhomhnaill and Paul Muldoon. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.