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This text is a comprehensive study of fiction written by Irish authors during the Victorian age. James Murphy analyses the development of the novel in Ireland and examines the work of authors including William Carleton, Charles Lever, Somerville and Ross, and Bram Stoker in the social and literary contexts of their times.
A fresh new reassessment of Joseph Sheridan Le Fanu (1814-73), one of the bestselling Irish novelists of the mid-Victorian period, who is recognized today for his ghost stories and tales of psychological terror, including In a Glass Darkly and The Wyvern Mystery."This excellent study...is far more than a revelation of Le Fanu, though this is incidentally provided in a discriminating and scholarly way...Dr. McCormack illuminates the more private and tortured universe of Le Fanu himself". -- Times Literary Supplement
Examines the works and careers of the principal Irish novelists of the early 19th century, including; Edgeworth, Morgan, Banim, Griffin and Carleton. Also looks at the history of the time in terms of political, social, and religious aspects.
"Ireland's experience in the nineteenth century was quite different from that of Victorian Britain. Its fictions were written in differing forms - like the gothic or historical novel - and its poetry and drama were populated with ballad and song. Its writers were by turns nationalist or unionist, anglophile or deanglicising. If the effects of Famine and emigration were catastrophic for mid-nineteenth-century Irish culture, they initiated a literary story that spread across the diaspora. Despite the decline of spoken Irish, literature continued to be published, while scholarly endeavours such as translation or the Ordance Survey preserved much from the Gaelic past. This rich volume examines the many forms of new writing that thrived throughout this period. Utilizing a thematic and historical approach, it addresses addresses a broad anglophone readership in Victorian literature. Essays consider the Irish authors in America and India, women's writing, and the resilience of Irish literature before the revival"--
The Victorian Age in Literature by Gilbert Keith Chesterton, first published in 1914, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Studies of Irish fiction are still scanty in contrast to studies of Irish poetry and drama. Attempting to fill a large critical vacancy, Irish Novels 1890-1940 is a comprehensive survey of popular and minor fiction (mainly novels) published between 1890 and 1922, a crucial period in Irish cultural and political history. Since the bulk of these sixty-odd writers have never been written about, certainly beyond brief mentions, the book opens up for further exploration a literary landscape, hitherto neglected, perhaps even unsuspected. This new landscape should alter the familiar perspectives on Irish literature of the period, first of all by adding genre fiction (science fiction, detective novels, ghost stories, New Woman fiction, and Great War novels) to the Irish syllabus, secondly by demonstrating the immense contribution of women writers to popular and mainstream Irish fiction. Among the popular and prolific female writers discussed are Mrs J.H. Riddell, B.M. Croker, M.E. Francis, Sarah Grand, Katharine Tynan, Ella MacMahon, Katherine Cecil Thurston, W.M. Letts, and Hannah Lynch. Indeed, a critical inference of the survey is that if there is a discernible tradition of the Irish novel, it is largely a female tradition. A substantial postscript surveys novels by Irish women between 1922 and1940 and relates them to the work of their female antecedents. This ground-breaking survey should also alter the familiar perspectives on the Ireland of 1890-1922. Many of the popular works were problem-novels and hence throw light on contemporary thinking and debate on the 'Irish Question'. After the Irish Literary Revival and creation of the Free State, much popular and mainstream fiction became a lost archive, neglected evidence, indeed, of a lost Ireland.
Knowing their Place is a comprehensive account of the public, private and intellectual life of Irish women in the Victorian age. In particular, this book looks at the steady progress of girls and women within the education system, their gradual involvement in intellectual life through amateur societies (such as the Royal Dublin Society); their emergence of independent, highly motivated scholarly and philanthropic individuals who operated within local spheres with often very considerable degrees of success and influence.
A stunning new novel from the two-time Man Booker shortlisted author of The Secret Scripture. Sebastian Barry's latest novel, A Thousand Moons, is now available. Irishman Jack McNulty is a “temporary gentleman”—an Irishman whose commission in the British army in World War II was never permanent. Sitting in his lodgings in Accra, Ghana, in 1957, he’s writing the story of his life with desperate urgency. He cannot take one step further without examining all the extraordinary events that he has seen. A lifetime of war and world travel—as a soldier in World War II, an engineer, a UN observer—has brought him to this point. But the memory that weighs heaviest on his heart is that of the beautiful Mai Kirwan, and their tempestuous, heartbreaking marriage. Mai was once the great beauty of Sligo, a magnetic yet unstable woman who, after sharing a life with Jack, gradually slipped from his grasp. Award-winning author Sebastian Barry’s The Temporary Gentleman is the sixth book in his cycle of separate yet interconnected novels that brilliantly reimagine characters from Barry’s own family.
The representation of the Irish in English canonical fictions was to have been the subject of this monograph. The editor realised the enormity of the task and limited the present volume to an overview of the Irish, Irish authors and Ireland in English literature.