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Patrick Sims-Williams provides an approach to some of the issues surrounding Irish literary influence on Wales, situating them in the context of the rest of medieval literature and international folklore.
"In this book, the first general history of the literature of medieval Wales, Andrew Breeze surveys the development of this subject over the course of a millennium, including the heroic poems of Aneirin and Taliesin, tales of magic and romance in 'The Mabinogion', and the comic genius of the fourteenth-century bard Dafydd ap Gwilym. Dr Breeze discloses the authorship of the centrepiece of medieval Welsh literature, The Four Branches of the Mabinogi, revealing it to have been written by a woman, Gwenllian, the wife of Gruffydd ap Rhys, prince of Dyfed. She emerges from this study as the greatest of Welsh prose writers, and among the first rank of medieval women writers. Written for the general reader in an accessible style, Medieval Welsh Literature incorporates the latest research in the field."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Charles Wright identifies the characteristic features of Irish Christian literature which influenced Anglo-Saxon vernacular authors. As a full-length study of Irish influence on Old English religious literature, the book will appeal to scholars in Old English literature, Anglo-Saxon studies, and Old and Middle Irish literature.
Law and Language in the Middle Ages investigates the relationship between law and legal practice from the linguistic perspective, exploring not only how legal language expresses and advances power relations but also how the language of law legitimates power.
The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.
Situates Celtic languages and literatures in relation to European movements, in the tradition of Helen Fulton's groundbreaking research. Professor Helen Fulton's influential scholarship has pioneered our understanding of the links between Welsh and European medieval literature. The essays collected here pay tribute to and reflect that scholarship, by positioning Celtic languages and literatures in relation to broader European movements and conventions. They include studies of texts from medieval Wales, Ireland, and the Welsh March, alongside discussions of continental multicultural literary engagements, understood as a closely related and analogous field of enquiry. Contributors present new investigations of Welsh poetry, from the pre-Conquest poetry of the princes to late-medieval and early Tudor urban subject matters; Welsh Arthuriana and Irish epic; the literature of the Welsh March - including the writings of the Gawain-poet; and the multilingual contexts of medieval and post-medieval Europe, from the Dutch speakers of polyglot medieval Calais to the Romantic poet Shelley's probable ownership of a Welsh Bible.
This is the first comprehensive authoritative survey of Arthurian literature and traditions in the Celtic languages of Welsh, Cornish, Breton, Irish and Scottish Gaelic. With contributions by leading and emerging specialists in the field, the volume traces the development of the legends that grew up around Arthur and have been constantly reworked and adapted from the Middle Ages to the twentieth century. It shows how the figure of Arthur evolved from the leader of a warband in early medieval north Britain to a king whose court becomes the starting-point for knightly adventures, and how characters and tales are reimagined, reshaped and reinterpreted according to local circumstances, traditions and preoccupations at different periods. From the celebrated early Welsh poetry and prose tales to less familiar modern Breton and Cornish fiction, from medieval Irish adaptations of the legend to the Gaelic ballads of Scotland, Arthur in the Celtic Languages provides an indispensable, up-to-date guide of a vast and complex body of Arthurian material, and to recent research and criticism.
This first full-length theological study of sources from early medieval Wales traces common Celtic features in early Welsh religious literature. The author explores the origins of the earliest Welsh tradition in the fusion of Celtic primal religion with primitive Christianity, and traces some considerable Irish influence. These specific Celtic spiritual emphases are examined in the religious poetry of the Black Book of Carmarthen, the Book of Taliesin and the Poets of the Princes, and in prose texts such as The Food of the Soul and the Life of Beuno. Many of these Welsh texts appear here in English translation for the first time.