Download Free Irish Houses Book in PDF and EPUB Free Download. You can read online Irish Houses and write the review.

Irish houses have a character and personality quite different from that found anywhere else. Quixotic, often whimsical and definitely quirky, they provide a sanctuary from the Irish climate, which is frequently gray, cold, and damp. No wonder, therefore, that over the centuries Ireland's domestic architecture and interior design have developed a distinctive personality in which color and vivacity are highly prized. Romantic Irish Homes presents 15 of the finest examples of these traits, each one of them distinctive and yet sharing the same native spirit. From vast ancient castles through sturdy Georgian manors to small farmhouses, the majority of them never previously photographed, the homes featured here offer a unique insight into the Irish temperament and an exploration of a style of decoration that, while adapted to meet 21st-century demands, still retains an historic integrity. Photographed by Simon Brown, Romantic Irish Homes is every bit as charming and memorable as the Irish people themselves.
A photographic chronicle of Irish country houses from their heyday to contemporary times.
This book examines the architectural design of housing projects in Ireland from the mid-twentieth century. This period represented a high point in the construction of the Welfare State project where the idea that architecture could and should shape and define community and social life was not yet considered problematic. Exploring a period when Ireland embraced the free market and the end of economic protectionism, the book is a series of case studies supported by critical narratives. Little known but of high quality, the schemes presented in this volume are by architects whose designs helped determine future architectural thinking in Ireland and elsewhere. Aimed at academics, students and researchers, the book is accompanied by new drawings and over 100 full colour images, with the example studies demonstrating rich architectural responses to a shifting landscape.
22 Folk Tales from Ireland retold and illustrated by the author. One of Irish-American writer James Reynolds’ best works is this lively compilation of Irish ghost stories that reflects the rich Celtic imagination. First published in 1947, this compilation draws from his personal collection of over 200 tales, ranging from the tenth to the twentieth centuries, these 22 yarns are a mix of the eerie, the terrifying, and the madly comic. In “The Bloody Stones of Kerrigan’s Keep,” vengeful spirits from a centuries-old massacre terrorize all who come close to their fortress grave. In “The Headless Rider of Castle Sheela,” the ghost of a beheaded horseman continues to haunt his castle every Christmas day. You’ll meet the demonic harpies of “The Ghostly Catch,” the giddy spirits of the fashionable O’Haggerty twins, and the gluttonous ghost of Jason Bannott. Other tales include “The Weeping Wall,” “The Bridal Barge of Aran Roe,” “Mrs. O’Moyne and the Fatal Slap,” and more. Enhanced by Reynolds’ illustrations of Irish houses and their residents—both ghostly and human—this anthology is a treasure to savor.
Displays 26 castles and country seats and discusses social history alongside the development of the Irish country house.
This book is a comprehensive study of the ascendancy novel from Maria Edgeworth's Castle Rackrent (I800) through contemporary reinventions of the form. Kreilkamp argues that Irish fiction needs to be rescued from the critical assumptions underlying attacks on the historical mythologies of Yeats and the Literary Revival. Exploring the uniquely Irish dimensions of colonial and post-colonial societies, Kreilkamp charts the self-critical formulations of a gentry culture facing its extinction—more often and more successfully with comic irony than nostalgia. Kreilkamp positions the Big House novels within current debates in postcolonial criticism and theory. She argues that these fictional representations of a beleaguered society provide a complex, nuanced gaze into a hybrid colonial group that distanced itself from the self-aggrandizements of the revivalists. As she examines the gothic, revisionist, and postmodern permutations of an enduring national form, she illustrates the ways ascendancy women transformed conventions of an English domestic genre into political fiction. Her attention to Edgeworth's Irish works, the fiction of the neglected Victorian novelist Charles Lever, and the gothic forms of the Big House by Sheridan Le Fanu and Charles Maturin provide a historical context for later reformulations of the genre by Somerville and Ross, Elizabeth Bowen, Molly Keane, William Trevor, Jennifer Johnston, Aidan Higgins, and John Banville.
During the past decade, Ireland’s economic growth has attracted international attention. This book analyses the consequences of that growth on housing and serves as a primer to other countries on the complexities of delivering sustainable housing solutions in the face of economic success. It introduces key housing developments and also reports on the findings of the latest research on the transformation of the sector in the past decade.
Nearly 2000 Irish country houses are feature d in this book, each having an alphabetical entry describing it. Almost all the entries give information on the history and ownership of the houses; many of them are enlivened with anecdotes and details. '