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(Educational Piano Solo). This delightful collection of Celtic favorites for the intermediate level pianist features 24 traditional Irish folk songs, as well as notes on the songs, illustrations, and even a map of Ireland! Songs include: As I Walked Out One Morning * Ballinderry * Carrickfergus * The Cliffs of Doneen * Down by the Salley Gardens * Follow Me Up to Carlow * The Gartan Mother's Lullaby * I'll Tell My Ma * Kitty of Coleraine * The Londonderry Air * Rocky Road to Dublin * Slieve Gallion Braes * and more.
A treasure trove for anyone interested in the folklore of the British Isles. Illustrated throughout, this lovely collection contains 360 folk songs from field recordings. Includes melody lines, lyrics, and chord symbols. Melody line format.
A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle
Author Steve Marsh has spent many years playing guitar in the folk clubs of the United Kingdom where Irish music is in abundance. This collection draws from his extensive collection of original arrangements of traditional tunes. the songs vary in style and can be grouped into sets for use in a recital program. Many of the folk songs have been handed down from generation to generation so several versions of a song may exist. Therefore, the author has taken a few liberties with the tempo and rhythmic structures of a limited number of tunes in this collection. In general, the pieces in this album range from moderate standard to difficult. In standard notation only.
First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.
Contains all of Petrie's original text, including song texts in Irish and English; the melodies; and his introduction. The text is prefaced with a biographical essay, which positions the collection in the context of Petrie's life and work, and within the broader field of Irish traditional music. The piano accompaniments written by Petrie's daughter, which were included in the original collection have been removed; instead melodies have been restored back to the form in which Petrie originally notated them.
Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a framework to fully contextualize and understand this process of music curation.
An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.