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Louise Fuller sets the Church's role in its historical perspective before considering the triumphant institution of the 1950s. It was a Church of piety and ritual: mass attendance, church building, processions, pilgrimages, the erection of crosses, statues and grottos, the widespread dissemination of devotional literature and the cult of indulgences were its distinguishing characteristics. The rising prosperity of the '60s, plus the effects of the Vatican Council, began the liberalisation of Irish society. The bishops reacted defensively. Their conservatism stimulated the emergence of a Catholic intelligentsia, propagating more liberal attitudes and championing the new theology. The '70s and '80s saw a Church more open to liberation theology, to ecumenism and to issues of justice and peace generally, albeit change was gradual and piecemeal. The real revolution did not come until the 1990s, when a succession of clerical sexual scandals fatally subverted the unique moral authority of the Church which had been its greatest strength.
This is the first book-length study to investigate the place of lay Catholic women in modern Irish history. It analyses the intersections of gender, class and religion by exploring the roles that middle-class, working-class and rural poor women played in the evolution of Irish Catholicism and thus the creation of modern Irish identities. The book demonstrates that in an age of Church growth and renewal, stretching from the aftermath of the Great Famine through the Free State years, lay women were essential to all aspects of Catholic devotional life, including both home-based religion and public rituals. It also reveals that women, by rejecting, negotiating and reworking Church dictates, complicated Church and clerical authority. Irish women and the creation of modern Catholicism re-evaluates the relationship between the institutional Church, the clergy and women, positioning lay Catholic women as central actors in the making of modern Ireland.
Until the end of the 16th century, Ulster was the most Gaelic part of Ireland. Fifty years later, it was the last Gaelic part. In 1607 Hugh O'Neill, Earl of Tyrone, and other Gaelic chieftains fled the continent and settled in Rome. Their lands were declared forfeit to the crown and were cleared for the plantation of Ulster, which followed.
Argues that only a comprehensive cultural and intellectual renewal will enable the contemporary Church to rise effectively to the challenges posed by modern Ireland. This renewal will involve a new self-consciousness rooted in faith and drawing inspiration from our rich Irish tradition, and will call for new ecclesiastical structures to fit a much changd world. The topics discussed include: Irish Catholic identity, its nature and cultural expression; an exploration of how the modern Irish Church can recover her public, secular and divine 'voices'; an examination of possible new Church structures; a new approach to the relationship between church and state; the so-called crisis of vocations--in reality a crisis of faith--and the standing of theology in the Irish Church. -- Book cover.
En personlig skildring af 1900-tallets Irland med vægten på den katolske kirkes betydning for den historiske og samfundsmæssige udvikling
The fifth volume of The Oxford History of British & Irish Catholicism--covering the period from the Great War, through the Second World War and the Second Vatican Council--surveys the transformed ecclesial landscape between the papacies of Benedict XV and Pope Francis. It explores the efforts of bishops, priests and people in Ireland and Scotland, Wales and England to respond to modern challenges and reintegrate the experiences and expertise of the laity into the ministry of the Church. Alongside the twentieth century's designation as an era of technological innovation, war, peace, globalization, decolonization and liberation, this period has also been designated 'the People's Century'. Viewed through the lens of the Catholic church in Britain and Ireland, these same dynamics are explored within thematic, synoptic chapters by leading scholars. As a century characterized by the rise, or better renewal of the apostolate of the laity, this edited collection traces the struggles to reconcile tradition, re-evaluate hierarchical authority, adapt to social and educational mobility, as well as to adjudicate serious challenges from outside and within--including inflammatory biopolitics and clerical sexual abuse--to religious belief and the legitimacy of the Church as an institution.
This book of essays will appeal to anyone interested in the dismantling of Ireland's cultural attachment to Catholicism over the past four decades.
This book traces the steady decline in Irish Catholicism from the visit of Pope John Paul II in 1979 up to the Cloyne report into clerical sex abuse in that diocese in 2011. The young people awaiting the Pope’s address in Galway were entertained by two of Ireland’s most charismatic clerics, Bishop Eamon Casey and Fr Michael Cleary, both of whom were subsequently revealed to have been engaged in romantic liaisons at the time. The decades that followed the Pope’s visit were characterised by the increasing secularisation of Irish society. Boasting an impressive array of contributors from various backgrounds and expertise, the essays in the book attempt to trace the exact reasons for the progressive dismantling of the cultural legacy of Catholicism and the consequences this has had on Irish society.
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
This final volume in the Cambridge History of Ireland covers the period from the 1880s to the present. Based on the most recent and innovative scholarship and research, the many contributions from experts in their field offer detailed and fresh perspectives on key areas of Irish social, economic, religious, political, demographic, institutional and cultural history. By situating the Irish story, or stories - as for much of these decades two Irelands are in play - in a variety of contexts, Irish and Anglo-Irish, but also European, Atlantic and, latterly, global. The result is an insightful interpretation on the emergence and development of Ireland during these often turbulent decades. Copiously illustrated, with special features on images of the 'Troubles' and on Irish art and sculpture in the twentieth century, this volume will undoubtedly be hailed as a landmark publication by the most recent generation of historians of Ireland.