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A freelance agent stalks a shadowy arms dealer in this novel of action and adventure by the Edgar Award finalist . . . Rebellion is brewing in New Grenada—and the government of Cuba is only too happy to help the cause along. Now, freelance agent Joe Gall has been tasked with heading there to gather intel on Mike Bonner, an international salesman of arms and explosives. And when Gall untangles the truth about Bonner’s role in the simmering crisis, he must take all necessary action to prevent widespread bloodshed . . . “[Philip Atlee is] the John D. MacDonald of espionage fiction.” —Larry McMurtry, The New York Times “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
Principles of Irish Contract Law emphasises the theory behind contract law, demystifying difficult concepts and providing a policy-driven introduction to this challenging subject.
The “grand spy-chase novel . . . highly successful and realistic” that introduced the international operative with a lethal touch (Publishers Weekly). Secret agent Joe Gall has a puzzle to put together that stretches from the streets of Laredo, Texas, to the steamy island of Trinidad—and along the way, he must deal with a New Orleans nun with some surprising fighting skills as well as civil unrest in a small southern town . . . As he battles bad guys using all the smarts and survival tactics he learned from the CIA, there are two beautiful women who may hold the answers—but Gall has to start asking the right questions—in the debut thriller of this action-packed series that would go on to earn an Edgar Award nomination. “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
Late at night on the eleventh-floor balcony of a deserted building on the Persian Gulf, American businessman Steve Kemp finds himself falling back in love with Helen -- the Irishwoman he'd left more than a decade before -- as bombs explode below. Kemp returned to the Eastern Province of Saudi Arabia as a last attempt to find success. Fired from his job in L.A. and divorced from his wife, he hoped to salvage his finances in a peaceful part of the Middle East. But he arrived to find a country on the verge of a political meltdown, where an explosive mix of resentment, revolt, and jihadists threatened the regime. And he found his old flame Helen, who was now married to a diplomat at the end of his career. The overextended military props up the crumbling monarchy, buying a little time -- time Kemp and Helen use to rekindle their affair. As the country plunges into violent political crisis, Kemp focuses on financing his escape with Helen. All he needs is one last big sale -- their contract out. The country enters its final descent when Kemp's sale at last appears. The deal will be complete once Kemp visits a correspondent bank. It is standard procedure. But suddenly the picture darkens. The bank is on the wrong side of an obscure island. Helen, and even her husband, may have had a hand in the sale. And the terms may be more ambiguous -- and more dangerous -- than Kemp had thought. Written with compassion and a true understanding of the current politics and business world of the Middle East, The Desert Contract paints a dead-on portrait of Saudi Arabia's near future and, at the same time, deftly examines what happens when passion, commitment, and loyalties collide.
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
In Northern Ireland, it takes an assassin to catch one, in this thriller by “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times). As the Troubles rage in Northern Ireland, a mysterious killer has been putting bullets in victims’ heads one by one—with no apparent pattern or logic. Now Joe Gall has been tasked with quietly looking into the matter by a high-ranking American cabinet official who fears his son may be involved. Gall sets out to find the boy and bring him home alive—if possible. But the story behind the murders may be more complicated than it seems . . . “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler