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An important new monograph offering a novel reading of the philosophy of Iris Murdoch.
Best known as the author of twenty-six novels, Iris Murdoch has also made significant contributions to the fields of ethics and aesthetics. Collected here for the first time in one volume are her most influential literary and philosophical essays. Tracing Murdoch's journey to a modern Platonism, this volume includes incisive evaluations of the thought and writings of T. S. Eliot, Jean-Paul Sartre, Albert Camus, Simone de Beauvior, and Elias Canetti, as well as key texts on the continuing importance of the sublime, on the concept of love, and the role great literature can play in curing the ills of philosophy.Existentialists and Mystics not only illuminates the mysticism and intellectual underpinnings of Murdoch's novels, but confirms her major contributions to twentieth-century thought.
Revealing, in an original and provocative study, the mystical contents of the works of famous atheists Virginia Woolf and Iris Murdoch, Donna Lazenby shows how these thinkers' refusal to construe worldviews on available reductive models brought them to offer radically alternative pictures of life which maintain its mysteriousness, and promote a mystical way of knowing. A Mystical Philosophy contributes to the contemporary resurgence of interest in Spirituality, but from an entirely new direction. This book provides a warning against reductive scientific and philosophical models that impoverish our understanding of ourselves and the world, and a powerful endorsement of ways of knowing that give art, and a restored concept of contemplation, their consummative place.
The decline of religion and ever increasing influence of science pose acute ethical issues for us all. Can we reject the literal truth of the Gospels yet still retain a Christian morality? Can we defend any 'moral values' against the constant encroachments of technology? Indeed, are we in danger of losing most of the qualities which make us truly human? Here, drawing on a novelist's insight into art, literature and abnormal psychology, Iris Murdoch conducts an ongoing debate with major writers, thinkers and theologians—from Augustine to Wittgenstein, Shakespeare to Sartre, Plato to Derrida—to provide fresh and compelling answers to these crucial questions.
Iris Murdoch's debut—a comic novel about work and love, wealth and fame Jake Donaghue, garrulous artist, meets Hugo Bellfounder, silent philosopher. Jake, hack writer and sponger, now penniless flat-hunter, seeks out an old girlfriend, Anna Quentin, and her glamorous actress sister, Sadie. He resumes acquaintance with the formidable Hugo, whose ‘philosophy’ he once presumptuously dared to interpret. These meetings involve Jake and his eccentric servant-companion, Finn, in a series of adventures that include the kidnapping of a film-star dog and a political riot on a film set of ancient Rome. Jake, fascinated, longs to learn Hugo’s secret. Perhaps Hugo’s secret is Hugo himself? Admonished, enlightened, Jake hopes at last to become a real writer.
A reassessment of Murdoch's fictional work regarding her links with her own philosophy and the philosophy of Plato, Sartre, Nietzsche, Heidegger and Freud.
The bestselling author of "Possession" pairs her searching intelligence with the insights of psychoanalyst Ignes Sodre in a free-wheeling and exhilarating discussion of one novel each by six women writers--Jane Austen, Charlotte Bronte, George Eliot, Willa Cather, Iris Murdoch, and Toni Morrison. The result reveals how literature engages and nourishes the reader.
A charismatic businessman casts a dark spell over others in this psychologically suspenseful novel by the Man Booker Prize–winning author of The Black Prince. Mischa Fox’s name is known throughout London, though he himself is rarely seen. Enigmatic and desired, vicious yet sympathetic, he is a model of success, wealth, and charisma. When Fox turns his entrepreneurial gaze on a small feminist magazine known as the Artemis, his intoxicating influence quickly begins to affect the lives of those involved with the paper: the fragile editor, Hunter; generous Rosa, who splits her time and affections between her brother and two other men; innocent Annette, whose journey from school to the real world ends up being more fraught than she could have foreseen; and their circle of friends and acquaintances, all of whom find themselves both drawn to and repulsed by Fox. Told with dark humor, keen wit, and intense insight into the seductive nature of power, The Flight from the Enchanter is an intricate and dazzling work of fiction from the author of The Sea, The Sea and Under the Net, “one of the most significant novelists of her generation” (The Guardian).
In an age of self-affirmation and self-assertion, 'selfless love' can appear as a threat to the lover's personal well-being. This perception jars with the Biblical promise that we gain our life through losing it and therefore calls for a theological response. In conversation with the Protestant theologian Paul Tillich and the atheistic moral philosopher and novelist Iris Murdoch, Selfless Love and Human Flourishing in Paul Tillich and Iris Murdoch enquires into the anthropological grounds on which selfless love can be said to build up, rather than undermine, the lover's self. It proposes that while the implausibility of selfless love was furthered by the modern deconstruction of the self, both Tillich and Murdoch utilize this very deconstruction towards explicating and restoring the link between selfless love and human flourishing. Julia T. Meszaros shows that they use the modern diagnosis of the human being's lack of a stable and independent self as manifest in Sartre's existentialism in support of an understanding of the self as relational and fallen. This leads them to view a loving orientation away from self and a surrender to the other as critical to the full flourishing of human selfhood. In arguing that Tillich and Murdoch defend the link between selfless love and human flourishing through reference to the human being's ontological selflessness, Meszaros closely engages Søren Kierkegaard's earlier attempt to keep selfless love and human flourishing in a productive, dialectical tension. She also examines the breakdown of this tension in the later figures of Anders Nygren, Simone Weil, and Jean-Paul Sartre, and addresses the pitfalls of this breakdown. Her examination concludes by arguing that the link between selfless love and human flourishing would be strengthened by a more resolute endorsement of a personal God, and of the reciprocal nature of selfless love.