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When best friends Iris and Walter go on a field trip to an aquarium, Walter gets lost and a worried Iris helps Miss Cherry look for him.
The second title in the acclaimed easy reader series, now with a new look!
Walter is so excited that his favorite cousin, Howie, is coming to visit. He is sure that Iris will like Howie as much as he does. But nine year-old Howie has other plans . . . and none of them include Iris.
At Walter's birthday party his guests are supposed to go for horseback rides, but his horse Rain has other plans on the day of the party.
Iris thought that having a baby sister would be just like playing with a doll. But newborn Baby Rose is a crabby cake. She fusses and cries and wails so much that Iris decides she needs a new baby sister. But with a little help from her family and her best friend, Walter--and with the passage of time--Iris discovers that being a big sister can be fun . . . some of the time!
In three short stories, two fox sisters run away from home, bury a time capsule, and take advantage of some creative juice.
Art Forum’s Best of the Year List A panoramic look at art in America in the second half of the twentieth century, through the eyes of the visionary curator who helped shape it. An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol’s Campbell’s Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman’s edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington’s Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as "the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation)." He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book. With an introduction by legendary Pop artist Ed Ruscha, The Dream Colony is a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century.
Growing up in Boiling Springs, North Carolina, in the '70s and '80s, Linda Hammerick knows that she is different. She has strong, almost paralysing associations between words and tastes; she doesn't look like everyone else; and she isn't popular at school. She finds her way through life with the help of her great uncle 'Baby' Harper, who loves her and loves to dance, and her best friend fat-thin-fat Kelly with whom she has been exchanging letters since they were seven. But then a tragedy and a revelation will make her question everything she thought she knew about herself and her family.
Iris is devastated when she has to miss her first school play when she is sick.
"2 story paths, 54 choices, 14 endings"--Cover.