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Irelands of the Mind: Memory and Identity in Modern Irish Culture offers a compelling series of essays on changing images of Ireland from the mid-nineteenth century to the present. It seeks to understand the various ways in which Ireland has been thought about, not only in fiction, poetry and drama, but in travel writing and tourist brochures, nineteenth-century newspapers, radio talk shows, film adaptations of fictional works, and the music and songs of Van Morrison and Sinéad O’Connor. The prevailing theme throughout the twelve essays that constitute the book is the complicated sense of belonging that continues to characterise so much of modern Irish culture. Questions of nationhood and national identity are given a new and invigorated treatment in the context of a rapidly changing Ireland and a changing set of intellectual methods and approaches.
The first complete introduction to the subject ever published, A History of Irish Thought presents an inclusive survey of Irish thought and the history of Irish ideas against the backdrop of current political and social change in Ireland. Clearly written and engaging, the survey introduces an array of philosophers, polemicists, ideologists, satirists, scientists, poets and political and social reformers, from the anonymous seventh-century monk, the Irish Augustine, and John Scottus Eriugena, to the twentieth century and W.B. Yeats and Iris Murdoch. Thomas Duddy rediscovers the liveliest and most contested issues in the Irish past, and brings the history of Irish thought up to date. This volume will be of great value to anyone interested in Irish culture and its intellectual history.
From Oscar Wilde to James Joyce, from Virginia Woolf to Frank McCourt: three centuries of Irish, English, and American writers in search of the real Ireland. From the editor of the outstandingly popular Italy in Mind comes another superb collection: three centuries of fiction, poems, and essays, from both Irish expatriates and non-Irish visitors. From the comic terror of Frank McCourt's First Communion to the raucous pagan festival Muriel Rukeyser attended in County Kerry in the 1930s; from John Betjeman's lyrical evocation of a ruined abbey in the mist to Eric Newby's hilariously disastrous bicycle trip through Ireland; from William Trevor's gentle Irish clergyman encountering the long angry reach of his country's past tragedies to Brian Moore's wistful return from a life spent in exile, this anthology offers a kaleidoscope of this mysterious, elusive country. For travelers of all kinds, for those who have long been fascinated by Ireland and those who are feeling its lure for the first time, Ireland in Mind will provide a rich and rewarding imaginative journey. Contributors also include: Samuel Beckett, Wallace Stevens, Oliver Goldsmith, Jonathan Swift, Edna O'Brien, Paul Theroux, V.S. Pritchett, Anthony Trollope, George Bernard Shaw, T.H. White From the Trade Paperback edition.
The Magdalen laundries were workhouses in which many Irish women and girls were effectively imprisoned because they were perceived to be a threat to the moral fiber of society. Mandated by the Irish state beginning in the eighteenth century, they were operated by various orders of the Catholic Church until the last laundry closed in 1996. A few years earlier, in 1993, an order of nuns in Dublin sold part of their Magdalen convent to a real estate developer. The remains of 155 inmates, buried in unmarked graves on the property, were exhumed, cremated, and buried elsewhere in a mass grave. This triggered a public scandal in Ireland and since then the Magdalen laundries have become an important issue in Irish culture, especially with the 2002 release of the film The Magdalene Sisters. Focusing on the ten Catholic Magdalen laundries operating between 1922 and 1996, Ireland's Magdalen Laundries and the Nation's Architecture of Containment offers the first history of women entering these institutions in the twentieth century. Because the religious orders have not opened their archival records, Smith argues that Ireland's Magdalen institutions continue to exist in the public mind primarily at the level of story (cultural representation and survivor testimony) rather than history (archival history and documentation). Addressed to academic and general readers alike, James M. Smith's book accomplishes three primary objectives. First, it connects what history we have of the Magdalen laundries to Ireland's “architecture of containment” that made undesirable segments of the female population such as illegitimate children, single mothers, and sexually promiscuous women literally invisible. Second, it critically evaluates cultural representations in drama and visual art of the laundries that have, over the past fifteen years, brought them significant attention in Irish culture. Finally, Smith challenges the nation—church, state, and society—to acknowledge its complicity in Ireland's Magdalen scandal and to offer redress for victims and survivors alike.
NATIONAL BESTSELLER • A book in the best tradition of popular history—the untold story of Ireland's role in maintaining Western culture while the Dark Ages settled on Europe. • The perfect St. Patrick's Day gift! Every year millions of Americans celebrate St. Patrick's Day, but they may not be aware of how great an influence St. Patrick was on the subsequent history of civilization. Not only did he bring Christianity to Ireland, he instilled a sense of literacy and learning that would create the conditions that allowed Ireland to become "the isle of saints and scholars"—and thus preserve Western culture while Europe was being overrun by barbarians. In this entertaining and compelling narrative, Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization -- copying manuscripts of Greek and Latin writers, both pagan and Christian, while libraries and learning on the continent were forever lost—they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated. In the tradition of Barbara Tuchman's A Distant Mirror, How The Irish Saved Civilization reconstructs an era that few know about but which is central to understanding our past and our cultural heritage. But it conveys its knowledge with a winking wit that aptly captures the sensibility of the unsung Irish who relaunched civilization.
This book is a study of the Irish popular mind between the late-seventeenth and the early-nineteenth century. It examines the collective assumptions, aspirations, fears, resentments and prejudices of the common people as they are revealed in the vernacular literature of the period. The topics investigated include: politics, religion, historical memory, European conflicts, Anglo-Irish patriotism, agrarian agitation, the tumultuous decade of the 1790s, and the rise of Daniel O'Connell. Extensive use is made of contemporary song and verse preserved in literary manuscripts from the eighteenth and the nineteenth centuries -- an essential source that has previously been neglected by historians. Elements of both continuity and change are identified, and the evolution of popular attitudes is traced over the hundred and fifty years from the Williamite conquest to O'Connell's campaign for Repeal of the Union. The texts of eight important works composed between 1691 and 1830 are presented in full -- seven of them translated for the first time -- to allow those who are unable to read the originals an opportunity to assess the temper of Irish popular culture during a formative period in the country's history. This book substantially revises, extends and updates the view of eighteenth-century Irish literature that was presented in Daniel Corkery's classical account, The Hidden Ireland.
Michael Hartnett's masterly translations of Aodhagan O Rathaille (c.1670-1729) grant us entry into issues of religious, political, and economic conflict. They marry the energy of the original meters to the vitality of fervent speech. A variety of Gaelic forms pulses with excitements and anxieties. The laments fuse personal and cultural sorrows and proffer reports of the death of an entire civilization.