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Before the advent of television in the 1950s, the newsreels were the only visual news medium available to the Irish public. This title tells the story of how the newsreels depicted the Irish as violent, insular and backward, as well as enterprising, plucky and an asset to Britain, depending on the political climate.
This volume addresses the underscrutinised topic of cinema newsreels. These short, multi-themed newsfilms, usually accompanied by explanatory intertitles or voiceovers, were a central part of the filmgoing experience around the world from 1910 through the late 1960s, and in many cases even later. As the only source of moving image news available before the widespread advent of television, newsreels are important social documents, recording what the general public was told and shown about the events and personalities of the day. Often disregarded as quirky or trivial, they were heavily utilised as propaganda vehicles, offering insights into the socio-political norms reflected in cinema during the first half of the twentieth century. The book presents a range of current research being undertaken in newsreel studies internationally and makes a case for a reconsideration of the importance of newsreels in the wider landscape of film history.
From an analysis of the Guinness brand’s reflection of Irish identity to an exploration of murals and film portrayals of political prisoners, this pioneering collection of essays seeks to present Ireland’s relationship to visual culture as a whole. While other works have explored the imagistic history of Ireland, most have restricted their lens to a single form of visual representation. Ireland in Focus is the first book to address the diverse range of visual representations of national and communal identity in Ireland. The contributors examine the politics of visual representation from both historical and contemporary perspectives. Drawing from the areas of cultural theory, postcolonial studies, art criticism, documentary and archival history, and gender studies, the essays provide novel insights on a variety of visual-cultural forms, including film, theater, photography, landscape art, political murals, and the visual iconography of commercial marketing. Bringing together established scholars and emerging young critics in the field, Ireland in Focus breaks new ground in showcasing the essential dynamism of visual culture and its relationship to Irish studies
The volume offers a broad range of academic approaches to contemporary and historical Irish filmmaking and representations of nationality, national identity, and theoretical questions around the construction of Ireland and Irishness on the screen.
This second edition of Historical Dictionary of Irish Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key Irish actors, directors, producers and other personnel from over a century of Irish film history.
From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.
Analysing historical and contemporary examples, this book offers a thematically-informed synthesis of influential research on Irish audio-visual culture.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Beatles Irish Concerts chronicles the Fab Four's riotous, entertaining and historic visits to Ireland in 1963 and 1964, at the height of Beatlemania. Based on over 200 interviews, this book brings you backstage at the Adelphi in Dublin and the ABC Ritz in Belfast in 1963, and also features the Kings’s Hall concerts in Belfast in 1964 – painting a never-before-told story of the days Ireland shook to its foundations when ‘Beatlemania’ came to town. Award-winning journalist Colm Keane has interviewed the fans, the autograph hunters, the support bands, the police, hotel and cinema staff, the promoters, the press, airport employees, medical personnel, along with Beatles’ staff and George Harrison’s Irish cousins. He spoke to the screaming girls who fainted and suffered convulsions while attending the shows. They describe how they cried hysterically, pulled their hair out, tore off clothes and complained that their heads were bursting apart. He graphically describes how riots erupted on the streets and how both cities were like war zones. The author has also interviewed stars including The Searchers, Adam Faith, Brian Poole, Peter Jay of the Jaywalkers, the Kestrels, the Vernons Girls, the Brook Brothers, the Remo Four and many others.